The long winter is almost over and the green of spring is showing up all over the Shoreline. But nowhere will it be more Emerald Green that at the Ivoryton Playhouse when the 100th birthday season opens on March 16th with Frank McCourt's perennially popular The Irish...and How They Got That Way. First produced at the Playhouse in 2007, the show was such a tremendous success that extra performances had to be added and we are thrilled to bring it back as part of our Centennial year.
The title pun of How the Other Half Loves, opening at the Ivoryton Playhouse on April 13th, pokes fun at adultery in general and the class system in particular.
The long winter is almost over and the green of spring is showing up all over the Shoreline. But nowhere will it be more Emerald Green that at the Ivoryton Playhouse when the 100th birthday season opens on March 16th with Frank McCourt's perennially popular The Irish...and How They Got That Way. First produced at the Playhouse in 2007, the show was such a tremendous success that extra performances had to be added and we are thrilled to bring it back as part of our Centennial year.
The long winter is almost over and the green of spring is showing up all over the Shoreline. But nowhere will it be more Emerald Green that at the Ivoryton Playhouse when the 100th birthday season opens on March 16th with Frank McCourt's perennially popular THE IRISH...AND HOW THEY GOT THAT WAY. First produced at the Playhouse in 2007, the show was such a tremendous success that extra performances had to be added and we are thrilled to bring it back as part of our Centennial year.
The long winter is almost over and the green of spring is showing up all over the Shoreline. But nowhere will it be more Emerald Green that at the Ivoryton Playhouse when the 100th birthday season opens on March 16th with Frank McCourt's perennially popular THE IRISH...AND HOW THEY GOT THAT WAY. First produced at the Playhouse in 2007, the show was such a tremendous success that extra performances had to be added and we are thrilled to bring it back as part of our Centennial year.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew over the Cuckoo's Nest is the seminal novel of the 1960's that has left an indelible mark on the literature of our time.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew over the Cuckoo's Nest is the seminal novel of the 1960's that has left an indelible mark on the literature of our time.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew over the Cuckoo's Nest is the seminal novel of the 1960's that has left an indelible mark on the literature of our time. The book was dramatized by Dale Wasserman and is based largely on Kesey's experiences as a volunteer working with mental patients.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew over the Cuckoo's Nest is the seminal novel of the 1960's that has left an indelible mark on the literature of our time.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew over the Cuckoo's Nest is the seminal novel of the 1960's that has left an indelible mark on the literature of our time. The book was dramatized by Dale Wasserman and is based largely on Kesey's experiences as a volunteer working with mental patients.
From July 14th through July 31st, Gateway Playhouse presents a sinfully entertaining evening with the fourth show of its 61st season, the Off-Broadway phenomenon, Altar Boyz. The show is making its Long Island premiere, after running for an astounding 2,032 performances over the course of 5 years in New York City and winning the 2005 Outer Critics Circle Award for Outstanding Off-Broadway Musical. Book by Kevin Del Aguila with music and lyrics by Gary Adler & Michael Patrick Walker. Conceived by Marc Kessler & Ken Davenport. Altar Boyz has touring productions all over the world, throughout the United States, Korea, Hungary, Finland, Australia, Montreal, and the Philippines.
From July 14th through July 31st, Gateway Playhouse presents a sinfully entertaining evening with the fourth show of its 61st season, the Off-Broadway phenomenon, Altar Boyz. The show is making its Long Island premiere, after running for an astounding 2,032 performances over the course of 5 years in New York City and winning the 2005 Outer Critics Circle Award for Outstanding Off-Broadway Musical. Book by Kevin Del Aguila with music and lyrics by Gary Adler & Michael Patrick Walker. Conceived by Marc Kessler & Ken Davenport. Altar Boyz has touring productions all over the world, throughout the United States, Korea, Hungary, Finland, Australia, Montreal, and the Philippines.
Rodgers and Hammerstein first began their collaboration in 1943. The result, Oklahoma! marked a revolution in musical drama and American musical theatre never looked back. They completely re-worked the musical theatre genre.
Rodgers and Hammerstein first began their collaboration in 1943. The result, Oklahoma! marked a revolution in musical drama and American musical theatre never looked back. They completely re-worked the musical theatre genre.
Now that the chilly days of winter are almost behind us it's time to turn our thoughts to spring - and what more fun way to spend a spring evening than at a wedding!
Now that the chilly days of winter are almost behind us it's time to turn our thoughts to spring - and what more fun way to spend a spring evening than at a wedding!
The history of the Ivoryton Playhouse is inextricably linked to the career of Katharine Hepburn, who spent the summer of 1931 proving to local audiences that she was leading lady material before heading off to Hollywood and stardom. It seems a fitting choice to open our 99th birthday season with a nod to Ms Hepburn and the role that brought her accolades on stage and screen in Philip Barry's The Philadelphia Story. Barry wrote The Philadelphia Story in 1939 specifically for Ms. Hepburn, who ended up backing the play, and foregoing a salary in return for a percentage of the play's profits. Co-starring with Hepburn on Broadway were Joseph Cotten, Van Heflin and Shirley Booth . The play opened in late March 1939 and ran for a full year with more than 400 performances and a nationwide tour. The play was a great success on Broadway, and the subsequent movie with Carey Grant and James Stewart was Hepburn's first great triumph after several movie flops had led to movie theater owners including her on a list of actors viewed as 'box office poison.' The movie garnered 6 Academy Award nominations and won two.
The history of the Ivoryton Playhouse is inextricably linked to the career of Katharine Hepburn, who spent the summer of 1931 proving to local audiences that she was leading lady material before heading off to Hollywood and stardom. It seems a fitting choice to open our 99th birthday season with a nod to Ms Hepburn and the role that brought her accolades on stage and screen in Philip Barry's The Philadelphia Story. Barry wrote The Philadelphia Story in 1939 specifically for Ms. Hepburn, who ended up backing the play, and foregoing a salary in return for a percentage of the play's profits. Co-starring with Hepburn on Broadway were Joseph Cotten, Van Heflin and Shirley Booth . The play opened in late March 1939 and ran for a full year with more than 400 performances and a nationwide tour. The play was a great success on Broadway, and the subsequent movie with Carey Grant and James Stewart was Hepburn's first great triumph after several movie flops had led to movie theater owners including her on a list of actors viewed as 'box office poison.' The movie garnered 6 Academy Award nominations and won two.
'The Herdmans were absolutely the worst kids in the history of the world. They lied and stole and smoked cigars (even the girls) and talked dirty and hit little kids and cussed their teachers and took the name of the Lord in vain and set fire to Fred Shoemaker's old broken-down toolhouse.'
'The Herdmans were absolutely the worst kids in the history of the world. They lied and stole and smoked cigars (even the girls) and talked dirty and hit little kids and cussed their teachers and took the name of the Lord in vain and set fire to Fred Shoemaker's old broken-down toolhouse.'
