Need inspiration? The BroadwayWorld team has come together to help guide your musical quarantine journey. Today, we bring you just a few recommendations for: An old-timey movie musical that will make you happy...
Act II Playhouse in Ambler, PA announces its 2020-2021 season.
The noted trio of jazz music-makers is at The Birdland Theater showing crowds why they are so noted.
Seven 'stupid deaths' are brilliantly played out on miniature sets.
A few weeks back, I attended the opening night of The Three Musketeers at Orlando Shakes. I marveled, in particular, at a rotating stage and staircase designed by Bert Scott. The way the production team used that stage always impressed me. Imagine my delight when I came back to Orlando Shakes for the opening weekend of HENRY IV, PART 1 and saw that same exact stage now being used to represent 1492 England rather than 1628 France. Part of it is my fault, I didn't know they'd be using the same stage and assumed another theatre space at Orlando Shakes would house HENRY IV. But now knowing that this same space was used for two plays got the wheels in my head turning. It's a genius move on Orlando Shakes' part, creating a very fitting double-feature of entertainment. The same cast, the same stage, but two wholly different stories unfold.
The Peggy Lee Estate today announced Peggy Lee 100, a centennial celebration honoring one of the 20th century's most important musical influences in the world of jazz and popular music.
Cabaret-rock singer-songwriter Nellie McKay brings her uniquely eccentric blend of pop, rock, jazz and hip-hop to Club Helsinki Hudson on Sunday, March 8, at 8pm.
Barb Jungr, Lea DeLaria, Karen Oberlin, Marissa Mulder...Each of these female vocalists had plenty to say about love and made some 20th century popular music their own, each in her own quite original way.
Much-lauded cabaret singer Karen Oberlin opens this month at The Birdland Theater and next month at The Beach Café. Stephen Mosher talks with her about her life in the arts, feminism, and raising a child who wants to sing.
After the concert version of West Side Story and an extensive tour of the musical Bells Are Ringing, director Jean Lacornerie and musical director Gérard Lecointe have chosen to collaborate again, delivering to the French public a comparatively little known musical of the 50s, The Pajama Game, which, outside being the work of the dream team Jerome Robbins directing, George Abbott writing the book, and Bob Fosse choreographing on Broadway for the very first time, stands as perhaps the only musical dealing with unions and labor conflicts. The least we can say is that this choice couldn't be more on point given the political context of France today, with major strikes going on in sync with the show, which began its run at Théâtre de la Croix-Rousse in Lyon, followed by an extensive tour at the Théâtre de la Renaissance, also in the Lyon area, and now for a three-day run at the gorgeous Opéra de Rennes, where I caught a sold out performance on February 1st.
Why isn't this show an impersonation of cool even if it falls into some trappings of the dreaded 'regional theatre' scene? I think it's because Praxis Stage is, at its heart, genuinely concerned with the prospects of theatre that every other theatre in this city needs to purport to care about in order to get covered by the Boston Globe and nominated for Elliott Norton Awards. Every facet of the performance seems to be manufactured with an average audience member in mind, and the results are refreshingly un-pretentious. Just as with Coriolanus, I advise any theatre artist who works at one of Boston's theatres with cloudy-dishwater mission statements and haphazardly 'diverse' offerings to engage with Praxis Stage. Even when renting the BCA, their ticket prices are less than $20. For a show of this caliber, thought through down to the details, that's cool enough for me.
Tony and Olivier Award-winning Bob Avian's dazzling life story, Dancing Man: A Broadway Choreographer's Journey, is a memoir told in three acts.
P3 Theatre Company brings in the New Year with the Western Regional Premiere of Day After Day (The Life and Music of Doris Day) by Tony Santamauro, running January 24-February 22, 2020 at the historic Ernest Borgnine Theatre in Long Beach. (855 Elm Street, Long Beach - inside the Scottish Rite Cathedral)
It's been quite a journey. During a career that has lasted over three decades and taken her from her native Germany to London, Friederike Krum has learned from the best, sang with the best and deployed her extraordinary mezzo-soprano in the service of opera, jazz, Lied and classical musicals.
Check out Joe's Pub lineup for the Under the Radar festival featuring new and experimental work from Rizo (fka Lady Rizo), Lucy McComick, Daniel J. Watts, and Ryan J. Haddad. Rounding out the week is Kittel & Co, Ethan Lipton & His Orchestra, Jean-Michel Blais, Rev Billy, a very fun showcase from DANCE NOW, Nellie McKay, Aditya Prakash, Damien Sneed, William Prince, Xenia França, Luis Enrique and, as always, a ton more.
Scottsdale Center for the Performing Arts is springing into action with even more exciting shows added to its 2019-20 season that everyone can enjoy. Performances include must-see local talent, classical tunes, hysterical comedy and evengings of jazz and American Songbook greats. Below are just-announced shows and the remaining 2019-20 season to spring you forward and into summer.
Renowned film critic Molly Haskell said, “I think Doris Day is the most underrated, underappreciated actress that has ever come out of Hollywood.” And Will Friedwald, popular singing guru, says “At her very best, she's worthy of being mentioned in the same breath as Frank Sinatra or Ella Fitzgerald, yet she's never gotten a fraction of their respect.”
The crooner and staple of the cabaret community returns with one of his favorites - his Christmas show, and there's not an empty seat in the hose.
The Marvelous Wonderettes tugs at the memories of audiences who remember the days when AM radio ruled the airwaves and 45-rpm records were stacked, like hotcakes, on a phonograph spindle.
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