The Bushwick Starr is thrilled to present The Infinite Love Party, an intentional barefoot potluck, dance party, and sleepover by award-winning actor / singer-songwriter / theatremaker / performing artist Diana Oh ({my lingerie play} at Rattlestick Playwrights Theater) and co-creative director Kevin Hourigan (Imagine: Yemenat the Pershing Square Signature Center). This new creation heralds the next level of Diana's trademark 'glitter bomb [of] a friendly, feel-good celebration of human beings sharing a space where it's safe for them to be themselves.'- New York Times. This is not a play-it's an experience.
American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces the next event in the 2018/19 A.R.T. Breakout series: Clairvoyance Installation #2: White People Read. The installation will take place on Saturday, October 27 at 2PM in the Johnson Building of the Boston Public Library's Central Library in Copley Square.
American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces Clairvoyance Installation #1: Chosen Family Portrait, the next event in the 2018/19 A.R.T. Breakout series. The installation will take place on Sunday, September 23, 1PM - 4PM, on Harvard Yard.
'After much anticipation, it is with great joy that I introduce you to new Producing Artistic Director, Mei Ann Teo,' said Shakina Nayfack. 'She is a visionary interdisciplinary theatre maker and community organizer who brings with her to the job a wealth of experience in new works development, education, and fundraising. We are in great hands, and I have full confidence that MTF will achieve new levels of artistic excellence and organizational sustainability with her expertise and leadership. Please, join me in welcoming MTF's new Producing Artistic Director, Mei Ann Teo!'
The Public Theater in collaboration with the Resistance Revival Chorus announced additional casting today for the free Public Forum, WE RISE: A CELEBRATION OF RESISTANCE, on Monday, August 13 at 8:00 p.m. at the Delacorte Theater in Central Park. This one-night-only event puts both the music and the movement onstage with performances, speeches, and more.
The New York Musical Festival (NYMF) announces the performer and composer lineup for two of their concert events: Intersecting Chords and How The Light Gets In.
American Repertory Theater (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, is pleased to announce its 2018/19 programming, including subscription offerings, A.R.T. Breakout, Live @ OBERON, and Afterglow @ OBERON.
Imagine: Yemen - An Evening of New Short Plays featuring Tony Award nominee and two-time Obie Award winner Kathleen Chalfant (For Peter Pan on Her Seventieth Birthday, Angels in America, Wit), Dee Pelletier(August: Osage County), Drama Desk and four-time Obie Award winner George Bartenieff (Zoo Story, Krapp's Last Tape) plays one-night-only, Monday, June 25 at 7PM at The Irene Diamond Stage, The Pershing Square Signature Center
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) and ROSALIND PRODUCTIONS INC. (Abigail Rose Solomon, Executive Producer) are proud to announce casting for their annual F*CK!NG GOOD PLAYS FESTIVAL, which begins tonight, May 7, 2018 and will run through May 12 at Rattlestick Playwrights Theater.
Williamstown Theatre Festival (Mandy Greenfield, Artistic Director) has announced details about additional programming and events for the 2018 summer season.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce that performances of Arthur Laurents's THE ENCLAVE begin tonight, April 24, 2018. THE ENCLAVE is presented with the support of the Laurents/Hatcher Foundation, which has awarded The Arthur Laurents Centennial Grant to MIDDLE VOICE, the apprentice company at Rattlestick.. Directed by Victor Cervantes Jr. (The Parlour), THE ENCLAVE will play an extremely limited run at Rattlestick Playwrights Theater (224 Waverly Place) from April 24, 2018 through April 28, 2018.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce that their annual F*CK!NG GOOD PLAYS FESTIVAL will take place May 7 through May 12 at Rattlestick Playwrights Theater. The F*CK!NG GOOD PLAYS FESTIVAL is a long-standing tradition at Rattlestick of doing readings of bold new works from Rattlestick Alumni Writers and from Rattlestick's apprentice company, Middle Voice; as well as welcome new writers to Rattlestick for the first time. On the final day of the F*CK!NG GOOD PLAYS FESTIVAL, Rattlestick will present TheaterJam, a day-long event featuring over 20 writers.
RATTLESTICK PLAYWRIGHTS THEATER is proud to announce that their annual F*CK!NG GOOD PLAYS FESTIVAL will take place May 7 through May 12 at Rattlestick Playwrights Theater.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce that the Laurents/Hatcher Foundation has awarded The Arthur Laurents Centennial Grant to MIDDLE VOICE, the apprentice company at Rattlestick, to revive Arthur Laurents's THE ENCLAVE. Directed by Victor Cervantes Jr. (The Parlour), THE ENCLAVE will play an extremely limited run at Rattlestick Playwrights Theater (224 Waverly Place) from April 24, 2018 through April 28, 2018.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce its 2018/19 season. In Fall 2018, MacArthur Genius Grant Winner Samuel D. Hunter (The Whale, Bright New Boise, The Few) will team up with long-term collaborator Davis McCallum with the plays Lewiston and Clarkston, to be performed on a double bill for the first time. In Spring 2019, Rattlestick will present the World Premiere of Lockdown by Cori Thomas (When January Feels Like Summer), and directed by Kent Gash (Barbeque), commissioned by Rattlestick with support from The Toulmin Foundation.
At the Table: A Play Reading Series has released its February play, Losing my Religion (in 140 characters or less) by Hannah C. Langley (USC - Dramatic Writing MFA Candidate). This podcast provides emerging playwrights a brand-new platform to present their work in an accessible, polished format featuring professional actors and immersive sound design and music. Previous episodes have included work by Chisa Hutchinson (Somebody's Daughter at Second Stage), Dustin Sullivan (Eugene O'Neill Award Finalist), and Diana Oh ({my lingerie play}).
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced the nine new playwrights today for the 2018-19 Emerging Writers Group. Now in its seventh cycle, the Emerging Writers Group is an ongoing initiative that targets playwrights at the earliest stages of their career, creating an artistic home, and offering support and resources for a diverse group of up-and-coming playwrights.
The Parsnip Ship & The Actors Fund presented a reading of Daniel K. Isaac's first full length play, OR OR OR &&& at The Mark O'Donnell Theater at The Actors Fund Arts Center in Brooklyn mid-January.
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