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Final Two Weeks of Voting for the BroadwayWorld Los Angeles Awards - Spencer Liff Leads!
by BWW Special Coverage - Dec 13, 2014


Voting has now opened for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of December 4th.

Unwrap the Latest Voting Update for the BroadwayWorld Los Angeles Awards - Terrance Spencer in Lead!
by BWW Special Coverage - Dec 4, 2014


Voting has now opened for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of December 4th.

2014 BroadwayWorld LA Awards Update 11/25 - Vanessa Williams, Cody Jamison Strand Gobble Up Competition!
by BWW Special Coverage - Nov 25, 2014


Voting has now opened for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of November 25th.

BWW Reviews: BOOK OF MORMON Scores a Red-State Victory
by Jeffrey Ellis - Nov 19, 2014


Two weeks after conservative Tennessee voters turned the Volunteer State a deeper shade of red and some three years after I was told The Book of Mormon likely would never play the Tennessee Performing Arts Center because its plot is too outlandish, its book too profane, its tenor too irreverent, the second national touring company of the nine-time Tony Award-winning musical came to Nashville and gave audiences a much-needed jolt of electricity that elicited one of the longest, uninterrupted standing ovations I've ever witnessed in TPAC's Jackson Hall.

Nikki Renee Daniels Joins THE BOOK OF MORMON As Nabulungi
by Pat Cerasaro - Jul 1, 2014


Multi-award-winning musical THE BOOK OF MORMON welcomes a recognizable Broadway stalwart into the company in the role of Nabalungi this week, Nikki Renee Daniels.

BWW Reviews: GERTRUDE STEIN SAINTS at the Fringe Turns Avant-Garde Opera into Glee (in a Good way)
by Jonathan Mandell - Aug 12, 2013


Dressed all in white, singing like angels and dancing like the devil, the 13 performers of "Gertrude Stein's Saints" are young, energetic, talented, and, let's face it, hot enough to be cast in Glee. What's most remarkable about this ensemble, all of them drama students at Carnegie Mellon University, is that, instead of covering songs by Journey or Rihanna, they have composed original music and turned two inaccessible avant-garde operas into a rousing entertainment.

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