The role of the fragile title heroine who teeters between love and madness is shared by sopranos Olga Peretyatko-Mariotti and Pretty Yende, who have each impressed audiences with dazzling bel canto portrayals at the Met. Vittorio Grigolo and Michael Fabiano share the role of her lover in this chilling production by Tony Award-winning director Mary Zimmerman. Roberto Abbado conducts.
Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.
Opera Saratoga's Artistic and General Director Lawrence Edelson announced that the company's 2018 Summer Festival will feature new productions of four operas at The Spa Little Theatre in Spa State Park, along with a wide variety of free and ticketed concert events from May 26 through July 15 at venues throughout the region.
San Francisco Opera announces Opera for All Voices: Stories of Our Time, a new commissioning initiative committed to telling wide-ranging stories that resonate with all audiences, regardless of age or prior experience with opera.
Arizona Opera kicks off 2017 with Puccini's masterpiece, Madama Butterfly, in Tucson on January 28 at 7:30 pm and January 29 at 2:00 pm in Tucson Music Hall at 260 S. Church and in Phoenix on February 3 & 4 at 7:30 pm and February 5 at 2:00 pm in Symphony Hall, 75 N. 2nd St., Phoenix.
Arizona Opera kicks off 2017 with Puccini's masterpiece, Madama Butterfly, in Tucson on January 28 at 7:30 pm and January 29 at 2:00 pm in Tucson Music Hall at 260 S. Church and in Phoenix on February 3 & 4 at 7:30 pm and February 5 at 2:00 pm in Symphony Hall, 75 N. 2nd St., Phoenix.
Despite it's bombastic and highly visible ensemble of cheery papas, THE DAUGHTER OF THE REGIMENT is a showcase for its two stars, Oropesa and Brownlee.
Washington National Opera (WNO) continues its 2016–2017 season with a new production of Gaetano Donizetti's mashup of slapstick comedy and charming romance—The Daughter of the Regiment, November 12–20, 2016, in the Kennedy Center Opera House. The cast is led by superstar tenor Lawrence Brownlee as the hero Tonio and fast-rising soprano Lisette Oropesa, who starred as Susanna earlier this season in WNO's The Marriage of Figaro, as Marie. While the opera is best known for the vocal acrobatics required of its singers, the high-comedy antics of the non-singing role of The Duchess of Krakenthorp often steal the show. On opening night, November 12, 2016, the role of The Duchess will be performed by U.S. Supreme Court Justice Ruth Bader Ginsburg in her official Washington National Opera stage debut. The brand-new WNO production is directed by acclaimed Broadway director and choreographer Robert Longbottom, and the WNO Orchestra is led by rising conductor Christopher Allen, both in their WNO debuts.
Under the direction of Bartlett Sher (whose work is currently represented on Broadway with Lincoln Center Theater's revival of The King and I, Charles Gounod's 1867 French opera ROMEO AND JULIET comes to opulent, dramatic life--with the quality and grandiosity that characterize Lyric Opera's productions. This production of Gounod's opera--with libretto by Jules Barbier and Michel Carre and which was first performed at the Lyric in 1981--retains the original Renaissance setting of Shakespeare's classic play and renders it larger-than-life. The inherently dramatic nature of the play makes it a fitting choice for an operatic adaptation--Romeo and Juliet's tragic love story becomes even more heightened when set to Gounod's decadent score.
Lyric Opera of Chicago continues its 61st season with ROMEO AND JULIET in a new-to-Chicago production created by Tony Award-winning director Bartlett Sher, tonight, February 22, through Saturday, March 19 (nine performances). This is the eighth and final mainstage opera production of the widely acclaimed 2015/16 season. BroadwayWorld has a first look at the company in action below!
Lyric Opera of Chicago continues its 61st season with
Romeo and Juliet in a new-to-Chicago production created by Tony Award-winning director Bartlett Sher, Monday, February 22 through Saturday, March 19(nine performances). This is the eighth and final mainstage opera production of the widely acclaimed 2015/16 season.
Mezzo-soprano Deborah Nansteel, in her New York Philharmonic debut, will replace Marietta Simpson, who has withdrawn due to illness, in In Their Footsteps: Great African American Singers and Their Legacy.
Mezzo-soprano Deborah Nansteel, in her New York Philharmonic debut, will replace Marietta Simpson, who has withdrawn due to illness, in In Their Footsteps: Great African American Singers and Their Legacy.
(WASHINGTON)-Washington National Opera (WNO) celebrates its seventh season of free opera simulcasts at Nationals Park with title sponsor Mars Chocolate North America for the M&M'S® Opera in the Outfield performance of Rossini's charming romantic comedy Cinderella today, May 16, 2015. This dazzling production has been acclaimed worldwide for its witty characterizations, rainbow-bright sets and costumes, and easy-to-follow English translation, making it a perfect opera for the entire family. Gates open at 5 p.m. for "pre-ball" activities, and the opera will be broadcast live from the Kennedy Center Opera House to the high-definition NatsHD scoreboard at the ballpark at 7 p.m. Free seating will be available in the stands, while access to the outfield grass will be limited on a first-come, first-served basis when gates open at 5 p.m. More information, including a chance to RSVP to win prizes, is available at OperaintheOutfield.org.
The finale of Washington National Opera's season, Cinderella, is an enchanting and vibrant retelling of a classic fairy tale with an imaginative twist.
CINDERELLA wins more than bracelets in Washington National Opera's closing opera of the season. Featuring the auspicious debut of American mezzo soprano Isabel Leonard (2013 Richard Tucker Winner), Rossini's comic and lyrical romantic opera weaves an easy spell. CINDERELLA – “La Cenerentola” – is conducted with skill and precision by Italian conductor Speranza Scappucci, also making her WNO debut.
The role of Isabella (Cinderella) is sung by Leonard on May 13, 16, 19 and 21. Alternating the role with Leonard, is Irish mezzo Tara Erraught, making not only her WNO debut but her first American opera appearance. Erraught is Isabella on May 11, 15, and the matinee on May 17.
Washington National Opera (WNO) concludes its 2014-2015 season with a new-to-Washington staging of Gioachino Rossini's charming romance-Cinderella, tonight, May 9-21 in the Kennedy Center Opera House.
Washington National Opera (WNO) concludes its 2014-2015 season with a new-to-Washington staging of GioachinoRossini's charming romance-Cinderella, May 9-21 in theKennedy Center Opera House.