Deborah Hazlett News

David Henry Hwang Tony winning play is given a riveting presentation by Everyman's Artistic Director and Director Vincent M. Lancisi.

Bruce Randolph Nelson's portrayal of Monsieur Gallimard is authoritative: all the glibness of a would-be mandarin who cannot quite pull it off, a lyrical self-awareness that does not quite go far enough, and a touch of madness. Every line rang true.

Founding Artistic Director Vincent M. Lancisi directs a sprawling cast of actors and collaborators in Everyman Theatre's sweeping season opener, M. Butterfly, in performances September 6 - October 8, 2017. Celebrating its 30th anniversary this season, David Henry Hwang's torrid and timeless Tony Award-winning play is a masterful probe of truth, illusion, culture and gender-based on an epic true story.

It truly is one of the funniest plays I've ever seen.

Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.

Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.

After its hit premiere at the Humana Festival of New Plays and a critically lauded Off Broadway production, playwright and actor Colman Domingo's comedy-drama DOT will open to audiences in Baltimore at Everyman Theatre. Directed by Founding Artistic Director Vincent M. Lancisi, the production features acclaimed actress Sharon Hope in the title role of Dotty, joined by Resident Company members Megan Anderson and Dawn Ursula. It will run from December 7, 2016 to January 8, 2017.

After its hit premiere at the Humana Festival of New Plays and a critically lauded Off Broadway production, playwright and actor Colman Domingo's comedy-drama DOT will open to audiences in Baltimore at Everyman Theatre. Directed by Founding Artistic Director Vincent M. Lancisi, the production features acclaimed actress Sharon Hope in the title role of Dotty, joined by Resident Company members Megan Anderson and Dawn Ursula. It will run from December 7, 2016 to January 8, 2017.

Playwright Jen Silverman demonstrates why she has received an award as an emerging playwright.

This is not a show about big issues; the pathos comes from the human condition, to the basic facts of which the play is usually true, even when operating as a well-tooled laughter-delivery-vehicle. If there can be said to be a moral to Silverman's story, it is simply that it is extremely hard to become close to someone, and even harder to stay close. A good thing to be reminded of, and especially in such an amusing way.

Hot off of the heels of its successful Humana Festival premiere, Jen Silverman's hilarious hit play The Roommate will make its East Coast debut at Baltimore's Everyman Theatre starting October 26th.

Hot off of the heels of its successful Humana Festival premiere, Jen Silverman's hilarious hit play The Roommate will make its East Coast debut at Baltimore's Everyman Theatre starting October 26th.

Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.

The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned. Miller has willed the ambiguities and the gaps in information, and tightly controlled the opportunities for interpretation that might resolve or suggest resolutions to the ambiguities. There is a path to execute, and the Everyman crew execute marvelously, but this is not the same thing as the artistry that directors and actors can ordinarily exert. Most plays give their performers more room to interpret, to breathe.

Everyman Theatre is excited to announce the introduction of a new series of informal play readings. The inaugural series, titled 'Women's Voices in American Theatre,' will highlight some of theatre's greatest women playwrights through four staged readings curated by the women of Everyman's Resident Acting Company.

Everyman Theatre is excited to announce the introduction of a new series of informal play readings. The inaugural series, titled "Women's Voices in American Theatre," will highlight some of theatre's greatest women playwrights through four staged readings curated by the women of Everyman's Resident Acting Company.  The readings will take place in the theatre's second-floor rehearsal hall, which will be transformed into a funky stripped-down performance space, on four Monday evenings:  April 25, May 9, May 23 and June 6 from 7PM to 9PM.

The culmination of Everyman Theatre's 25th Anniversary begins this spring with the highly anticipated 'Great American Rep.' The Rep unites two iconic masterpieces and marks the first time Arthur Miller's Death of a Salesman and Tennessee Williams' A Streetcar Named Desire have ever been produced as a rotating rep, where one virtuosic cast featuring 8 resident company members performs multiple roles and transform night after night.

Hailed as "the theatrical equivalent of a page turner" (The Daily Mail), An Inspector Calls is a gripping, psychological thriller. The respectable Birling family is at home hosting a dinner party in honor of their daughter's recent engagement, when an unforeseen knock at the door brings a sudden stop to the celebration. Enter Inspector Goole, who brings word of the unexpected death of a young woman. The questioning of each family member begins, dark secrets are uncovered and slowly the mystery surrounding the untimely death unravels.

An evening of theater you will long remember.

Inspector Goole (Chris Genebach), already knows the answers to all his questions, yet his method, bullying confirmatory confessions out of the family members, is great theater. Until the advent of the Cockney-accented Goole, the King's English-speaking Birlings mostly fancy themselves honorable, kind, and praiseworthy. In reality, they are the beneficiaries of a caste system which, as Priestley depicts it, is a citadel against the poor, whose poverty is an inevitable outcome of the rules that the caste in the citadel impose. Goole exposes the unsavory truths of this arrangement, destroying all the Birlings' illusions of innocence in the process - perhaps, though the play also makes clear how evergreen and hard-to-eradicate such illusions are.