David Neuman News

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

La MaMa Moves!, which is dancing into its fifth year, has a dance card that is the envy of the ball. It's filled with impressive names such as Sara Rudner, Rashaun Mitchell, John Kelly, Ellen Fisher, Judith Sanchez Ruiz, John Scott, Jennifer Monson, and Doug Elkins--in all, over 75 different performers, several of whom are appearing at La MaMa for the first time, and many of whom are crossing the pond just for the opportunity to dance on one of its venerable stages.

La MaMa Moves!, which is dancing into its fifth year has a dance card that is the envy of the ball. It's filled with names such as Sara Rudner, Rashaun Mitchell, John Kelly, Ellen Fisher, Judith Sanchez Ruiz, John Scott, Jennifer Monson, and Doug Elkins--in all, over 75 different performers, many of whom are appearing at La MaMa for the first time, and some of whom will be crossing the pond just for a chance to dance on one of its venerable stages. Dedicated to the 90TH birthday year of Ellen Stewart, the founder and artistic director of La MaMa, the 2010 festival extends from June 4-20.

In her premiere evening-length solo show Isabel Lewis resurrects her depiction of Mr. T using him, and others, as unexpected reference points of a discussion by way of performance about the strange act of performing itself. Making minimal use of stage design and media elements Lewis tightens the focus around the presence of the performer in an anti-gesamtkunstwerk (universal artwork, synthesis of the arts, comprehensive artwork, all-embracing art form, total work of art, or total artwork).

Brooklyn Rundfunk Orkestrata (BRO) will play Joe's Pub (425 Lafayette) on Tuesday, June 1 at 7:00 & 9:30 PM. BRO, a instrumental quartet led by Peter Kiesewalter,will perform 'The Hills Are Alive' a bold interpretation of Roger & Hammerstein's Sound of Music score. Tickets are $25 and available at http://tickets.publictheater.org/index.php?id=12622.

La MaMa Moves!, which is dancing into its fifth year, has a dance card that is the envy of the ball. It's filled with impressive names such as Sara Rudner, Rashaun Mitchell, John Kelly, Ellen Fisher, Judith Sanchez Ruiz, John Scott, Jennifer Monson, and Doug Elkins--in all, over 75 different performers, several of whom are appearing at La MaMa for the first time, and many of whom are crossing the pond just for the opportunity to dance on one of its venerable stages.

La MaMa Moves!, which is dancing into its fifth year has a dance card that is the envy of the ball. It's filled with names such as Sara Rudner, Rashaun Mitchell, John Kelly, Ellen Fisher, Judith Sanchez Ruiz, John Scott, Jennifer Monson, and Doug Elkins--in all, over 75 different performers, many of whom are appearing at La MaMa for the first time, and some of whom will be crossing the pond just for a chance to dance on one of its venerable stages. Dedicated to the 90TH birthday year of Ellen Stewart, the founder and artistic director of La MaMa, the 2010 festival extends from June 4-20.

In her premiere evening-length solo show Isabel Lewis resurrects her depiction of Mr. T using him, and others, as unexpected reference points of a discussion by way of performance about the strange act of performing itself. Making minimal use of stage design and media elements Lewis tightens the focus around the presence of the performer in an anti-gesamtkunstwerk (universal artwork, synthesis of the arts, comprehensive artwork, all-embracing art form, total work of art, or total artwork).

Brooklyn Rundfunk Orkestrata (BRO) will play Joe's Pub (425 Lafayette) on Tuesday, June 1 at 7:00 & 9:30 PM. BRO, a instrumental quartet led by Peter Kiesewalter,will perform 'The Hills Are Alive' a bold interpretation of Roger & Hammerstein's Sound of Music score. Tickets are $25 and available at http://tickets.publictheater.org/index.php?id=12622.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Northrop Dance at the University of Minnesota presents Nora Chipaumire as she begins her first major tour in the United States with her 'love letter to Zimbabwe,' lions will roar, swans will fly, angels will wrestle heaven, rains will break: gukurahundi. The 'Bessie' Performer Award recipient is known for her towering, incandescent presence and for raising the bar to celestial heights in her full-tilt performances.

Internationally acclaimed theater ensemble Mabou Mines celebrates 40 years of creating groundbreaking theater with the world premiere of 'FINN', a digital and live-action adventure based on the ancient Celtic legend of Finn McCool opening on Thursday, March 4th (8PM) at Skirball Center for the Performing Arts (566 LaGuardia Place). Conceived & directed by Mabou Mines Co-Artistic Director Sharon Fogarty, and written by Jocelyn Clarke, this original theatrical work blends traditional storytelling and music with large-scale digital technology. Finn McCool, part mortal, part magical, battles his boyhood demons and emerges a young man ready to lead his band of men. Live performers interact with digital animation in a 21st century adaptation of a timeless legend. FINN is produced by Mabou Mines in association with Skirball Center for the Performing Arts, New York University.

Internationally acclaimed theater ensemble Mabou Mines celebrates 40 years of creating groundbreaking theater with the world premiere of 'FINN', a digital and live-action adventure based on the ancient Celtic legend of Finn McCool opening on Thursday, March 4th (8PM) at Skirball Center for the Performing Arts (566 LaGuardia Place). Conceived & directed by Mabou Mines Co-Artistic Director Sharon Fogarty, and written by Jocelyn Clarke, this original theatrical work blends traditional storytelling and music with large-scale digital technology. Finn McCool, part mortal, part magical, battles his boyhood demons and emerges a young man ready to lead his band of men. Live performers interact with digital animation in a 21st century adaptation of a timeless legend. FINN is produced by Mabou Mines in association with Skirball Center for the Performing Arts, New York University.

Internationally acclaimed theater ensemble Mabou Mines celebrates 40 years of creating groundbreaking theater with the world premiere of 'FINN', a digital and live-action adventure based on the ancient Celtic legend of Finn McCool opening on Thursday, March 4th (8PM) at Skirball Center for the Performing Arts (566 LaGuardia Place). Conceived & directed by Mabou Mines Co-Artistic Director Sharon Fogarty, and written by Jocelyn Clarke, this original theatrical work blends traditional storytelling and music with large-scale digital technology. Finn McCool, part mortal, part magical, battles his boyhood demons and emerges a young man ready to lead his band of men. Live performers interact with digital animation in a 21st century adaptation of a timeless legend. FINN is produced by Mabou Mines in association with Skirball Center for the Performing Arts, New York University.

Performance Space 122 is proud to announce the Spring 2010 schedule of events featuring eleven premiere presentations in theatre, dance, video, and more. Spring also features special events and series: Thursday Night Socials and Late-Nights at PS122.

I think it's important to report right from the outset that several times during The Public's outdoor production of Euripides' ancient Greek drama, The Bacchae, I looked down to discover that I was involuntarily tapping my toes to Philip Glass' new score. It's not that the master minimalist had peppered the centuries-old text with a collection of Jerry Hermanish showtunes, but that the tandem work of Glass' scoring for synth, brass and percussion and Nicholas Rudall's brisk, modern-sounding translation produced an irresistible give-and-take between speech and tone. No mere incidentals, Glass' airy, elongated pitches, frequently lush and at times strikingly accented, carry equal weight as the spoken words; echoing, answering back, subtextualizing and, most importantly, pushing the production toward its inevitable climax. If the composer's contribution is the 90-minute evening's most memorable, that's not to discredit the rest of director JoAnne Akalaitis' always interesting (if sometimes lacking for passion) production.

Today's Broadway Blogs on BroadwayWorld.com from Wednesday, August 26, 2009.

WHY WON'T YOU LET ME BE GREAT!!! is a group show inspired by Kanye West's ground-breaking, 'Thom Yorke in the Strip Club' crossover pop album 808s & Heartbreak. Conceived by Brendan Kennedy and presented by Neal Medlyn and Catch in association with Performance Space 122, the evening-length performance will feature work by a vast array of downtown superstars showing pieces inspired by each song from the album, much as the Joffrey Ballet's (in)famous Billboards choreographed the songs of Prince.

WHY WON'T YOU LET ME BE GREAT!!! is a group show inspired by Kanye West's ground-breaking, 'Thom Yorke in the Strip Club' crossover pop album 808s & Heartbreak. Conceived by Brendan Kennedy and presented by Neal Medlyn and Catch in association with Performance Space 122, the evening-length performance will feature work by a vast array of downtown superstars showing pieces inspired by each song from the album, much as the Joffrey Ballet's (in)famous Billboards choreographed the songs of Prince.

For those planning to come to A Midsummer Night's Dream in Greenwich tonight - we want to let you know that due to a power outage in and around Baldwin Park we have had to cancel tonight's performance. Please join us for one of our 5 remaining performances, tomorrow (Wednesday, July 8) through Sunday!