David Hallberg News

Casting for the third and fourth weeks of American Ballet Theatre's 2019 Spring season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

Casting for the first two weeks of American Ballet Theatre's 2019 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

Dixon Place presents Unfinished: A Way Out, a new dance commission by Heidi Latsky Dance Company featuring collaborators Meredith Fages, Jerron Herman, Jillian Hollis, Heidi Latsky, and Tiffany Geigel.

Two of the world's most highly prized ballet dancers, Russian born Natalia Osipova and South Dakota born David Hallberg joined their talents to perform at New York City Center on April 3-6, 2019. Both have been principal dancers with the Bolshoi Ballet in Moscow and American Ballet Theatre in NYC, among other credits.

In Pure Dance, international ballet star Natalia Osipova offers a handpicked program of classical and contemporary works, featuring several US premieres. She reunites with ABT principal David Hallberg, with whom she has shared a fabled stage partnership. The pair exhibits their sublime chemistry in Valse Triste created especially for them by the illustrious Alexei Ratmansky and in a duet from Anthony Tudor's classic The Leaves Are Fading.

American Ballet Theatre's 2019 Spring season at the Metropolitan Opera House, May 13 - July 6, will feature a World Premiere work by ABT Artist in Residence Alexei Ratmansky in programs dedicated entirely to his works in honor of the choreographer's 10th year with the Company.

Mick Jagger and Melanie Hamrick, Amy Fine Collins, Guy Trebey, and Angela Goding were among those celebrating Sleeping Beauty Dreams last Thursday.

Superstar ballerina Natalia Osipova brings together a handpicked programme of exciting and eclectic dance works, taking the audience on a journey from the world of classical ballet to contemporary repertoire.

Glass Handel is one of two innovative and thought-provoking world premiere productions that highlight O18, the second edition of Opera Philadelphia's annual season-opening festival. Staged on September 22, 23 and 30 in the expansive Annenberg Court of Philadelphia's Barnes Foundation, home to O17's The Wake World, the new work is an immersive, multidisciplinary operatic installation headlined and created by American countertenor Anthony Roth Costanzo – “a bona-fide star” (New Yorker) – in collaboration with producer Cath Brittan and avant-garde fashion/art company Visionaire. Under their curation, music by Baroque master George Frederic Handel and living legend Philip Glass meets the worlds of art, fashion, dance, and film through collaboration with a host of luminaries: fine artist George Condo; designer Raf Simons from fashion house Calvin Klein; choreographer Justin Peck; ballet dancers David Hallberg and Patricia Delgado; performance artist Ryan McNamara; and filmmakers including James Ivory, Maurizio Cattelan, Mickalene Thomas and Mark Romanek. Opera Philadelphia's world premiere production also marks the official launch of ARC, Costanzo's solo album debut, a collection of Glass and Handel arias due for September 21 release on Decca Gold.

Countertenor ANTHONY ROTH COSTANZO announces ARC, an album of works by Philip Glass and Handel, set for release on September 21 on DECCA GOLD (click here to pre-order).

Queensland Performing Arts Centre (QPAC) today revealed some of the lead cast rotation, including international guest star artists and Principal Dancers, for the world-famous Teatro alla Scala Ballet Company's Australian debut only in Brisbane.

As the undeniable standard of beauty and romance, Shakespeare's Romeo and Juliet means something different to everyone. Whether you first read it in school or watched one of the many film versions, the Bard's most prevailing work never fails to inspire unimaginable longing. And on the night of June 13th, 2018, American Ballet Theatre brought this classic story to the stage, taking the audience on a complete sensorial journey of love and loss.

Casting for the seventh and eighth weeks of American Ballet Theatre's 2018 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

American Ballet Theatre has announced a continuation of its in-house choreographic program with the launch of ABT Incubator. It was announced today by Artistic Director Kevin McKenzie.

In 2018 on the occasion of the 200th anniversary of the birth of legendary choreographer Marius Petipa, American Ballet Theatre presented the premiere of Alexei Ratmansky's meticulous historical reconstruction of the full-length Harlequinade. His wife, Tatiana Ratmansky, assisted him and appeared as the Good Fairy in some performances.

Queensland Performing Arts Centre (QPAC) today welcomed members from Italy's Teatro alla Scala to Brisbane, ahead of the world-famous ballet company's first-ever Australian visit in its 240-year history for the 2018 QPAC International Series in November.

BroadwayWorld has a first look at Alexei Ratmansky's Harlequinade. The all - new production of Harlequinade, staged by Ratmansky after the original by Marius Petipa, will be given its World Premiere by American Ballet Theatre on June 4, 2018. A comic ballet in two - acts, Harlequinade is set to music by Riccardo Drigo and first premiered in 1900 in St. Petersburg, Russia.

New York City Center is sure to be a singular sensation this fall!

American Ballet Theatre's 2018 Spring Season opens with eight performances of Giselle beginning Monday evening, May 14, led by Hee Seo in the title role, opposite Roberto Bolle as Albrecht and Gillian Murphy as Myrta. Guest Artist Natalia Osipova will perform the title role on Friday, May 18 opposite David Hallberg as Albrecht.

A Vessel for Carriage by Matty Davis and Ben Gould takes place on the deck of a Chicago River Cruise boat at dusk. This new project bridging performance, dance, and installation is specifically designed for an intimate audience, and is tuned to the boat, the moving water, and the distinctive bridges spanning the river artery that passes through the city. The artists have created the work as a response to evolving senses of the body-injury, trauma, healing, and growth. Both physically and sonically charged, the work radically explores control and response between the two performers, motored in part by the raw energy of Gould's Tourette Syndrome. Both audience and performers are awakened to real experiences of risk and trust in a setting that melds the built environment and the flow of the river over time.