David Garnett News

Trevor Nunn will direct the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love at the Menier Chocolate Factory, previewing from 07 July with press night on 15 July and running until 26 September.

Trevor Nunn will direct the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love at the Menier Chocolate Factory, previewing from 07 July with press night on 15 July and running until 26 September. Designs are by David Farley with choreography by Lynne Page, lighting by Paul Pyant, musical supervision by Caroline Humphris, orchestrations by David Cullen and sound by Gareth Owen. Trevor Nunn previously directed the world premiere of Aspects of Love and returns to the piece to direct this new intimate version.

Trevor Nunn will direct the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love at the Menier Chocolate Factory, previewing from 07 July with press night on 15 July and running until 26 September.

Trevor Nunn will direct the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love at the Menier Chocolate Factory, previewing from 07 July with press night on 15 July and running until 26 September. Designs are by David Farley with choreography by Lynne Page, lighting by Paul Pyant, musical supervision by Caroline Humphris, orchestrations by David Cullen and sound by Gareth Owen. Trevor Nunn previously directed the world premiere of Aspects of Love and returns to the piece to direct this new intimate version.

Tickets go on sale to the general public tomorrow, Tuesday 18 May at 12 noon, for the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love, directed by Trevor Nunn at the Menier Chocolate Factory. Aspects of Love previews from 07 July with press night on 15 July and is running until 26 September. Designs are by David Farley with choreography by Lynne Page, lighting by Paul Pyant, musical supervision by Caroline Humphris, orchestrations by David Cullen and sound by Gareth Owen. Trevor Nunn previously directed the world premiere of Aspects of Love and returns to the piece to direct this new intimate version.

Tickets go on sale to the general public tomorrow, Tuesday 18 May at 12 noon, for the first major London revival of Andrew Lloyd Webber, Don Black and Charles Hart's Aspects of Love, directed by Trevor Nunn at the Menier Chocolate Factory. Aspects of Love previews from 07 July with press night on 15 July and is running until 26 September. Designs are by David Farley with choreography by Lynne Page, lighting by Paul Pyant, musical supervision by Caroline Humphris, orchestrations by David Cullen and sound by Gareth Owen. Trevor Nunn previously directed the world premiere of Aspects of Love and returns to the piece to direct this new intimate version.

Variety reports this morning that A LITTLE NIGHT MUSIC helmer, Trevor Nunn, is set to direct a revival of Andrew Lloyd Webber's ASPECTS OF LOVE for London's Menier Chocolate Factory. Nunn directed the show's premiere in 1987, as well.

Greasy Joan & Co. launches its 13th season of producing innovative productions of classic plays with the first annual CUTTING EDGE CLASSICS SERIES, a weekend of FREE new play readings commissioned by Greasy Joan, playing at various Chicago venues on August 16 & 17, 2008.

Greasy Joan & Co. launches its 13th season of producing innovative productions of classic plays with the first annual CUTTING EDGE CLASSICS SERIES, a weekend of FREE new play readings commissioned by Greasy Joan, playing at various Chicago venues on August 16 & 17, 2008.

The current UK tour production of the Andrew Lloyd Webber/Charles Hart/Don Black musical, Aspects Of Love, graces the stage of Cardiff's New Theatre this week on its way to 15 other venues, ending at Nottingham on March 22, 2008. On the evidence of the Cardiff staging, director Nikolai Foster, aided by a stark and stunningly atmospheric set designed by Rob Jones, has succeeded in breathing new life into this 1980 show, which boasts what is perhaps Lord Lloyd Webber's most romantic score.