Laurel Mill Playhouse announces auditions for Disco Inferno, musically directed by Stu Knazik and directed by Patti Knazik. Auditions will take place on Saturday, May 22 at 1:30pm and on Tuesday, May 25 at 7:00pm with call backs on Saturday, May 29 at 1:30 pm.
Witness Relocation, 'a dance theater anarchist's Utopia' (Performing Arts Journal), will end its return to La MaMa on May 23 with the English language premiere of 'Five Days in March,' an award-winning play by Japanese playwright Toshiki Okada.
Laurel Mill Playhouse announces auditions for Disco Inferno, musically directed by Stu Knazik and directed by Patti Knazik. Auditions will take place on Saturday, May 22 at 1:30pm and on Tuesday, May 25 at 7:00pm with call backs on Saturday, May 29 at 1:30 pm.
Thrillpeddlers is proud to announce that due to popular demand and weekly sold-out houses PEARLS OVER SHANGHAI, San Francisco's longest-running Cockettes Musical has been extended once again - now through August 1, 2010 (schedules vary - see below.)
The Auditorium Theatre of Roosevelt University (ATRU) announces the 2010 Summer Cabaret Series. The first offering, 'On Stage with Susan Werner,' continues the Auditorium's tradition of seating the audience at tables of six on the stage with the performers for a unique, up-close-and-personal concert.
Laurel Mill Playhouse announces auditions for Disco Inferno, musically directed by Stu Knazik and directed by Patti Knazik. Auditions will take place on Saturday, May 22 at 1:30pm and on Tuesday, May 25 at 7:00pm with call backs on Saturday, May 29 at 1:30 pm.
Witness Relocation, 'a dance theater anarchist's Utopia' (Performing Arts Journal), returns to La MaMa from May 6 to 23 with the English language premiere of 'Five Days in March,' an award-winning play by Japanese playwright Toshiki Okada.
Thrillpeddlers is proud to announce that due to popular demand and weekly sold-out houses PEARLS OVER SHANGHAI, San Francisco's longest-running Cockettes Musical has been extended once again - now through August 1, 2010 (schedules vary - see below.)
A Slew of Broadway and jazz vocal greats come together for one night only to perform selections from the Breithaupt Brothers Songbook at Joe's Pub at the Public Theater. The show will be featuring James Naughton, Kelli O'Hara, Lea Delaria, LaChanze, Catherine Russell, BETTY, Kevin Earley Carolyn Leonhart, Tyley Ross, Graham Rowat, Jamie Leonhart, Shelley McPherson, Greg Naughton Maggie Moore, Rikki Rumball, The Palookas and The Breithaupt Brothers.
According to a report from the New York Times, this year's Montreux Jazz Festival will include performances from Phil Collins, Diana Krall, and Jessye Norman. The annual festival will take place from July 2 through July 17.
The Auditorium Theatre of Roosevelt University (ATRU) announces the 2010 Summer Cabaret Series. The first offering, 'On Stage with Susan Werner,' continues the Auditorium's tradition of seating the audience at tables of six on the stage with the performers for a unique, up-close-and-personal concert.
A Slew of Broadway and jazz vocal greats come together for one night only to perform selections from the Breithaupt Brothers Songbook at Joe's Pub at the Public Theater. The show will be featuring James Naughton, Kelli O'Hara, Lea Delaria, LaChanze, Catherine Russell, BETTY, Kevin Earley Carolyn Leonhart, Tyley Ross, Graham Rowat, Jamie Leonhart, Shelley McPherson, Greg Naughton Maggie Moore, Rikki Rumball, The Palookas and The Breithaupt Brothers.
Tickets are on sale now for Lincoln Center's 22nd season of Midsummer Night Swing which will take place every Tuesday through Saturday, June 29-July 17 (except July 13, which will be replaced with a night of dancing on Monday, July 12th). The program will take place in Swing's home, Lincoln Center's Damrosch Park, on West 62nd Street between Columbus and Amsterdam Avenues.
World Village/harmonia mundi proudly announces the release of vocalist Catherine Russell's Inside This Heart Of Mine on April 13, 2010. Her third album for the label, Inside This Heart Of Mine is a collection of 13 songs -- tied together by the special place these songs hold inside the heart of Catherine Russell.
The Bad Plus, a trio that the New York Times calls 'better than anyone at mixing the sensibilities of post-60's jazz and indie rock,' will end their return run at the Blue Note on April 11. Featuring Ethan Iverson on piano, Reid Anderson and bass and Dave King on drums, The Bad Plus has released six albums to date. Their most recent effort, For All I Care (2009) included vocalist Wendy Lewis and featured covers of pop songs as well as 20th century classical works. All Music Guide calls the recording 'one of the most compelling releases yet by one of the new jazz's finest bands to emerge in the 21st century.'
The Bad Plus, a trio that the New York Times calls 'better than anyone at mixing the sensibilities of post-60's jazz and indie rock,' returns to the Blue Note from April 6 - 11. Featuring Ethan Iverson on piano, Reid Anderson and bass and Dave King on drums, The Bad Plus has released six albums to date. Their most recent effort, For All I Care (2009) included vocalist Wendy Lewis and featured covers of pop songs as well as 20th century classical works. All Music Guide calls the recording 'one of the most compelling releases yet by one of the new jazz's finest bands to emerge in the 21st century.'
In May 1977 three artists--Robin Hirsch, a writer and director; Charles McKenna, an actor; and Raphaela Pivetta, a visual artist--stumbled across a tiny storefront on Cornelia Street in the heart of Greenwich Village and thought it the perfect place to open a café.
The Bad Plus, a trio that the New York Times calls 'better than anyone at mixing the sensibilities of post-60's jazz and indie rock,' returns to the Blue Note through April 11. Featuring Ethan Iverson on piano, Reid Anderson and bass and Dave King on drums, The Bad Plus has released six albums to date. Their most recent effort, For All I Care (2009) included vocalist Wendy Lewis and featured covers of pop songs as well as 20th century classical works. All Music Guide calls the recording 'one of the most compelling releases yet by one of the new jazz's finest bands to emerge in the 21st century.'