Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, November 7-8, 2020.
Following its initial critically-acclaimed streaming premiere, CalArts Center for New Performance (CNP) presents a free re-release of the world premiere production of The Carolyn Bryant Project beginning Nov. 9, 2020.
A lot has been canceled in 2020. From classes, to gigs, to entire Broadway productions. But one thing a global pandemic cannot cancel? Creativity! Thus 'Creativity Is Not Canceled' was born.
In this wildly unprecedented year, Roy and Edna Disney/CalArts Theater (REDCAT), CalArts' center for contemporary arts in downtown Los Angeles, has announced its first-ever all-streaming and virtual season of experimentation, discovery, and lively civic discourse online this fall.
REDCAT, CalArts' downtown center for contemporary arts, announces a bold, adventurous interdisciplinary mix of programming by influential and emerging artists who are breaking the rules and expanding the definitions of their art forms this winter/spring 2020 season. We invite you to join us at REDCAT in the Walt Disney Concert Hall complex to celebrate these trend-setting artists, who are engaging and inspiring us with their examination of vital contemporary issues through the intersection of art, theatre, music, performance, and dance.
Additional actors, activists and artists are signing on to the Apollo Theater's production of Between the World and Me running Friday, Oct. 25 through Monday, Oct. 28.
The CalArts Center for New Performance (CNP) announces its current season for the 2019-2020 year. The professional producing arm of California Institute of the Arts, CNP provides a unique artist- and project-driven framework for the development and realization of original theater, music, dance, media, and interdisciplinary projects.
This August, the Museum of Contemporary Art Chicago presents three innovative performances celebrating black creativity in music and dance, from jazz and gospel to step and social dancing.
American Conservatory Theater (A.C.T.) Literary Manager Allie Moss announced today the recipients of ArtShare-A.C.T.'s community space-sharing initiative-for the 2019-20 season. Created in 2012, ArtShare provides free performance space for independent artists and small to mid-sized companies without permanent performance spaces who would benefit from being in residence at A.C.T.'s Costume Shop Theater (1117 Market St.), A.C.T.'s 49-seat black-box venue. A.C.T.'s 2019-20 ArtShare season is made possible by generous support from the Zellerbach Family Foundation.
The Museum of Contemporary Art Chicago announces highlights of the Summer 2019 lineup of performances, featuring cutting-edge and genre-blending works of music, theater, dance, comedy, and spoken word. These events take place as part of a year-round season of bold programming by emerging and established artists from Chicago and around the world who are redefining their fields and experimenting with new forms.
A.C.T.'s community space-sharing initiative created in 2012-provides free performance space to local performers and arts organizations SAN FRANCISCO (July 25, 2018)-American Conservatory Theater (A.C.T.) Associate Artistic Director Andy Donald announced today the recipients of ArtShare, A.C.T.'s community space-sharing initiative, for the 2018-19 season.
Day three of New York Live Arts' Live Ideas 2018: Radical Vision festival, Saturday, April 21, looks at our electoral process through readings, a workshop, panel discussions, and a performance spectacle.
Friday, April 20, day two of Live Ideas 2018: Radical Vision looks into the role of the press, what it means to be a journalist in an endangered liberal democracy, and what obligations the press has today. Opening the day will be visual artist Huiying B. Chan, who will read words by legendary activist Grace Lee Boggs, followed by author and journalist Moustafa Bayoumi's reading of works by Edward Said and a presentation of speeches by Muhammad Ali read by journalist Greg Tate. The readings will start at 4 pm. Admission is free.
New York Live Arts' Live Ideas 2018: Radical Vision explores the current state of our criminal justice system through a panel discussion, readings, and a performance on Thursday, April 19, as part of the organization's five-day festival. Events presented at Live Ideas will look at four key democratic institutions: the criminal justice system, the press, big tech, and our electoral process. Day one will explore our criminal justice system.
New York Live Arts' Live Ideas: Radical Vision explores the current state of our criminal justice system through a panel discussion, readings, and a performance on Thursday, April 19, as part of the organization's five-day festival. Events presented at Live Ideas will look at four key democratic institutions: the criminal justice system, the press, big tech, and our electoral process. Day one will explore our criminal justice system.
Greenway Arts Alliance (Whitney Weston and Pierson Blaetz, Co-Founders and Co-Artistic Directors), in association with Da Poetry Lounge, presents the 2ND ANNUAL LA GET DOWN FESTIVAL, celebrating hip-hop and spoken word. The festival takes place from April 7 - 28, 2018. Events will be held at the Greenway Court Theatre (544 N. Fairfax Avenue, Los Angeles) and Melrose Trading Post (7850 Melrose Avenue, Los Angeles). Da Poetry Lounge Co-Founder Shihan Van Clief serves as Festival Artistic Director.
An annual interdisciplinary humanities festival, Live Ideas is a high point of the New York Live Arts season. This year's festival, Live Ideas 2018: Radical Vision, presented April 18-22, 2018, at New York Live Arts, will offer five days of activity designed to imagine the future and understand the past of an open and democratic society. Through public forums, performances, readings, and workshops, the festival will offer a forward-looking, critical appraisal of four key democratic institutions: the press, big tech, the criminal justice system, and our electoral process. Bringing together artists, activists, journalists, and scholars, Live Ideas 2018: Radical Vision is co-curated by culture creator Brian Tate, president of The Tate Group, and presented in partnership with the Hannah Arendt Center at Bard College with curatorial input from Roger Berkowitz, the Center's director.
Back by popular demand (and just in time) WORD BECOMES FLESH is theatre worth doing more than thinking about. This encore presentation written by Marc Bamuthi Joseph with additional dramaturgical compositions by Khalil Anthony and Dahlak Brathwaite and directed by Psalmayene 24 is an arresting composition of dance, hip-hop, music, and spoken word performed by an indefatigable five man ensemble. Louis E. Davis, Chris Lane, Clayton Pelham Jr., Gary L. Perkins III, and Justin Weaks, with nary a weak link among them, move with one heartbeat as they perform a series of letters from a young black man to his unborn son and explore what it means to grow up black in the 21st century. Sneakers squeak, sweat drips, music blares, voices reverberate around every corner of the intimate theatre. It's clear a rebellion is taking shape.
With two world premieres-a French/American co-production and another launching in China-and the continuing development of new productions, CalArts Center for New Performance (CNP) announces its 2017-2018 season of original works. Highlights include Fantomas-Revenge of the Image, directed by Travis Preston, making its world premiere at China's Wuzhen Festival; and conceived and directed by Arnaud Meunier, the world premiere of Fore! at La Comedie de Saint-Etienne will kick off a four-city tour of France and Belgium. At the same time, CNP will host a roster of distinguished artists-in-residence at CalArts to develop additional new works of theater.
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