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Stark Naked Theatre's THE WINTER'S TALE Postponed Until 5/8
by Louisa Brady - May 1, 2014


Due to family issues, actor David Wald is no longer a part of Stark Naked Theatre's upcoming production of THE WINTER'S TALE. To address this unforeseen circumstance, Director Philip Lehl will assume the role of Leontes, and the play's opening weekend is postponed by one week. THE WINTER'S TALE will now open on Thursday, May 8th, at 7:30 p.m.

Stark Naked Theatre to Round Out Third Season with Shakespeare's THE WINTER'S TALE, 5/2-16
by BWW News Desk - Mar 31, 2014


Stark Naked Theatre Company concludes its third season with a compelling production of one of William Shakespeare's most fascinating plays, The Winter's Tale. Directed by acclaimed Houston actor/director Philip Lehl, The Winter's Tale opens on May 2nd and runs through May 16th at STUDIO 101.

BWW Reviews: Mildred's Umbrella Theater Company's ROME is Unsettling, Interesting Theatre
by David Clarke - Mar 14, 2014


If you have ever wondered what theatre by Chuck Palahniuk may be like, then ROME is definitely for you. If you're looking for interesting theatre that will give you plenty to mull over, then ROME is also for you. If you are looking for theatre that will discomfort you to the core of your being while making you laugh at things that you generally wouldn't laugh at, then ROME is for you too. All in all, the experimental ROME was a risk well worth taking.

Mildred's Umbrella to Present World Premiere of ROME, 3/6-22
by Tyler Peterson - Jan 21, 2014


Mildred's Umbrella Theatre Company presents the WORLD premiere of Rome by John Harvey, March 6-22, 2014.

BWW Reviews: Mildred's Umbrella Theater Company's CARNIVAL ROUND THE CENTRAL FIGURE is Bold and Innovative
by David Clarke - Nov 11, 2013


Mildred's Umbrella Theater Company is currently producing Diana Amsterdam's new, darkly comic drama CARNIVAL ROUND THE CENTRAL FIGURE. As part of their mission, Mildred's Umbrella puts on 'bold, innovative and fresh theatrical works,' and CARNIVAL ROUND THE CENTRAL FIGURE perfectly upholds this banner. The work is a cacophony of noise and events told in a seemingly stream-of-consciousness chronology as it leaps through time and place with the bat of an eye. Some parts occur 10 years prior to the central plot, while others occur simultaneously. In effect, Diana Amsterdam's writing and Jennifer Decker's directing creates a living, breathing fever dream or bizarre, almost surreal events that deal with how we cope with mortality and death.

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