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The Joyce Theater Announces Casting for Biennial BALLET FESTIVAL

The Joyce Theater Announces Casting for Biennial BALLET FESTIVAL

by BWW News Desk — July 19, 2017

Casting updates have been announced for The Joyce Theater Foundation's upcoming Ballet Festival, a two-week festival of ballet showcasing some of America's most exciting contemporary companies and choreographers with Joyce commissions on each program.

The Joyce Theater Announces Casting for Biennial BALLET FESTIVAL

The Joyce Theater Announces Casting for Biennial BALLET FESTIVAL

by BWW News Desk — July 7, 2017

Casting updates have been announced for The Joyce Theater Foundation's upcoming Ballet Festival, a two-week festival of ballet showcasing some of America's most exciting contemporary companies and choreographers with Joyce commissions on each program.

BWW REVIEW: American Ballet Theatre's LE CORSAIRE

BWW REVIEW: American Ballet Theatre's LE CORSAIRE

by Wesley Doucette — June 19, 2017

Petipa, who of the three choreographers listed in the program has the most influence on American Ballet Theatre's Le Corsaire, knows how to create a dramatic excuse for dance.

Met Box Office to Open Sunday

Met Box Office to Open Sunday

by Julie Musbach — March 24, 2017

American Ballet Theatre's 2017 Spring season at the Metropolitan Opera House, May 15-July 8, will feature the New York Premiere of Alexei Ratmansky's Whipped Cream and the Company Premiere of Ratmansky's Souvenir d'un lieu cher.

BWW Review: American Ballet Theatre's Exquisite SWAN LAKE

BWW Review: American Ballet Theatre's Exquisite SWAN LAKE

by Andrew White — January 30, 2017

As with all classic ballets in order to bring it to the stage you must breathe new life into it, and create a narrative that balances fidelity to the original with the genius of the modern choreographer.

BWW Review: ABT's SLEEPING BEAUTY

BWW Review: ABT's SLEEPING BEAUTY

by Barnett Serchuk — July 6, 2016

Alexei Ratmansky's 2015 version of 'Sleeping Beauty,' based on the Stepanov notation of the original 1890 version, as well as Diaghilev's production in 1921, has always posed a problem for me.


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