Cori Laemmel News

Directed by Lauren Shouse, Street Theatre Company's production is unique in its casting: Cori and Tyson Laemmel play Cathy and Jamie for the final two weekends of the run, while Kacie Phillips and Ryan Greenawalt opened, to essentially unanimous and deserved acclaim, in the roles for the first two weekends. But here's an intriguing thought: How different would the show be if Cori Laemmel were paired with Ryan Greenawalt and Kacie Phillips played opposite Tyson Laemmel? It's staggering, isn't it?

Today's spotlight falls upon Cori Laemmel, who opens tonight in the reboot of Jason Robert Brown's The Last Five Years opposite her real-life husband Tyson Laemmel (following the critically acclaimed version that starred Ryan Greenawalt and Kacie Phillips for the first two weeks of the run) at Street Theatre Company.

The Last Five Years runs through May 27. Tickets are only $16 for adults and $14 for students and seniors, with specials including Talk-Back nights, Student nights, and Starving Artist nights. For specific show information, and to purchase tickets, visitwww.streettheatrecompany.org. Performances are at Street Theatre, 1933 Elm Hill Pike, just off the Briley Parkway. For more information, call 615-554-7414.

THE LAST FIVE YEARS is a contemporary musical that chronicles the five year life of a marriage, from meeting to break-up. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, the audience watches Jamie move forward in time as Cathy moves backward throughout the show. THE LAST FIVE YEARS is a look at the relationship between a writer and an actress told from both points of view.

THE LAST FIVE YEARS is a contemporary musical that chronicles the five year life of a marriage, from meeting to break-up. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, the audience watches Jamie move forward in time as Cathy moves backward throughout the show. THE LAST FIVE YEARS is a look at the relationship between a writer and an actress told from both points of view.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Named as First Night's Outstanding Musical of 2011 was Lipscomb University Theatre's production of Hairspray, directed and choreographed by Justin Boccitto. ACT 1's production of American Buffalo, directed by Ryan Williams, claimed top honors as First Night's Oustanding Play of 2011, and the national touring company's Memphis, the Musical, which played Andrew Jackson Hall at the Tennessee Performing Arts Center, was named as First Night's Outstanding Touring Production of 2011, besting productions of Spring Awakening, In The Heights, Wicked and Les Miserables.

With a capacity crowd of 200 people on hand at The Keeton Theatre, First Night founder and executive producer Jeffrey Ellis, who covers theater, opera and dance throughout Tennessee for BroadwayWorld.com, unveiled his choices via First Night's Top 11 of 2011, while the winners of the BroadwayWorld.com Nashville and Tennessee Theatre Awards were announced by co-hosts Britt Byrd, Jamie Free, Katherine Sandoval Taylor and Lar'Juanette Williams.

Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.

Each one a force of nature in her own right, the five women of MAS Nashville unleashed their superpowers and talents upon a Nashville audience for the third time this week with their Christmas Holiday Hangover, a fast-paced (if over-long) tribute to the holiday season that allowed each of the women her moment in the spotlight and which proved, once again, that the quintet know exactly what their audience wants.

Nashville audiences can relax about one particular holiday detail: Those five wonderful women of Mas Nashville are plotting their comeback. Erin Parker, Laura Matula, Melodie Madden Adams, Cori Laemmel and Megan Murphy Chambers return to the stage of the historic Belcourt Theatre on Wednesday, December 28, for A ChristMAS Holiday Hangover, the latest cabaret conquest from the multi-talented quintet of Nashville performers.

Nashville audiences can relax about one particular holiday detail: Those five wonderful women of Mas Nashville are plotting their comeback. Erin Parker, Laura Matula, Melodie Madden Adams, Cori Laemmel and Megan Murphy Chambers return to the stage of the historic Belcourt Theatre on Wednesday, December 28, for A ChristMAS Holiday Hangover, the latest cabaret conquest from the multi-talented quintet of Nashville performers.

So, this is how it all started: Cori Laemmel, who despite her many flaws (she's too sweet, too talented and too pretty, not to mention that she is, well, just darling) is one of my favorite theatrical types, calls me up and asks me to come see The Most Amazing Anything of Evertime, the new show she wrote and directed for the first, big-scale, open-to-the-public, onstage production of The Theater Bug, her performing arts training program for younger actors.

Cori Laemmel would be the first to tell you: 2011 has been kind of a crazy year for her. She made her debut with Tennessee Repertory Theatre with her critically-acclaimed turn in Yankee Tavern; with four of her talented friends, she brought MAS Nashville to life, creating and performing in two stellar nights of cabaret - with more in store; and she launched her theater training program for younger actors aka The Theater Bug. Oh, and she was in the audience for her actor husband Tyson Laemmel's many performances, as well.

Nashville theater-goers may have experienced the second coming on Monday night - what with the return of those FIVE divas with their Encore performance - and while it might not have been part of that much-discussed rapture we've heard so much about of late, they certainly responded rapturously to the entertainment provided by the quintet of versatile triple threats.

Nashville's show-stopping quintet of captivating, sexy, sultry, uber-talented women of FIVE - known among the intelligentsia as Melodie Madden Adams, Megan Murphy Chambers, Cori Laemmel, Laura Matula and Erin Parker - reclaim the stage Monday, June 27, with Five: An Encore Performance, building on the momentum that started in March with their debut performance at Street Theatre Company.