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Call For Participants for LIKE MOTHER, LIKE DAUGHTER Announced

Call For Participants for LIKE MOTHER, LIKE DAUGHTER Announced

by A.A. Cristi — August 30, 2018

Why Not Theatre, Koffler Centre of the Arts, and Complicite Creative Learning are bringing together mothers and daughters who were born outside of Canada (newcomers, as well as those who may have immigrated many years ago) to create and perform in Like Mother, Like Daughter - a participatory perform

Wardrobe Ensemble Premieres SOUTH WESTERN

Wardrobe Ensemble Premieres SOUTH WESTERN

by Stephi Wild — June 18, 2018

Following a sold out run earlier this year at Bristol Old Vic with Education, Education, Education, The Wardrobe Ensemble return to Bristol with the world premiere of South Western, a spaghetti western set in the South West which interrogates ideas of heritage and mythology.

Cast Announced for TCHAIKOVSKY: NONE BUT THE LONELY HEART

Cast Announced for TCHAIKOVSKY: NONE BUT THE LONELY HEART

by Julie Musbach — May 3, 2018

Ensemble for the Romantic Century (Eve Wolf, Executive Artistic Director) is proud to announce that the cast Tchaikovsky: None but the Lonely Heart, the final production of the 2017-'18 season, at The Pershing Square Signature Center (480 West 42nd Street between Dyer and 10th Avenues) beginning May

BWW Interview: Glyn Pritchard and Kathryn Hunter Talk ONE GREEN BOTTLE

BWW Interview: Glyn Pritchard and Kathryn Hunter Talk ONE GREEN BOTTLE

by Charlie Wilks — May 1, 2018

Written by the prestigious Japanese playwright, director and performer Hideki Noda, One Green Bottle is an existential tragicomic play starring Hideki himself, Olivier Award-winning and acclaimed actor/director Kathryn Hunter and Glyn Pritchard, in an English translation adapted by Will Sharpe.

Donmar Warehouse Announces 2018 Programme

Donmar Warehouse Announces 2018 Programme

by Stephi Wild — April 24, 2018

Artistic Director Josie Rourke said, "I'm delighted to announce two new productions at the Donmar, joining the previously announced THE PRIME OF MISS JEAN BRODIE, for my penultimate season, with all three directed by women.


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