BWW Review: Playhouse Stages a Large Scale ALL THE WAY
'I am in blood stepped in so far that should I wade no more, / Returning were as tedious as go o'er,' says Macbeth in William Shakespeare's tragedy of the same name.
'I am in blood stepped in so far that should I wade no more, / Returning were as tedious as go o'er,' says Macbeth in William Shakespeare's tragedy of the same name.
Playhouse on the Square presents the regional premiere of Robert Schenkkan's political drama All The Way.
While watching THE GOSPEL AT COLONUS, the African-American version of Sophocles' OEDIPUS AT COLONUS as created by Lee Breuer (with music by Bob Telson), I was reminded of the reimagining of the Old Testament by Marc Connelly in the 1930 Pulitzer Prize-winning THE GREEN PASTURES.
Based on Sophocles' Greek myth Oedipus and set in a contemporary African-American gospel church service, this production will move and thrill you with electrifying vocals.
Based on Sophocles' Greek myth Oedipus and set in a contemporary African-American gospel church service, this production will move and thrill you with electrifying vocals.
For its spring musical, Playhouse on the Square has reached several decades back and produced -- not an 'old warhorse of a musical' (sorry, Rodgers and Hammerstein) -- but a true thoroughbred, Cole Porter's sparkling, innovative (at the time) KISS ME, KATE.
I wasn't quite sure what to expect from Circuit Playhouse's production of Mark St.
The Circuit Playhouse to debut the regional premiere of The Best of Enemies from August 22-September 24th.
It's 1962, the '50s are out, and change is in the air.
It's 1962, the '50s are out, and change is in the air.
Peter Pan with Lyrics by Carolyn Leigh, Betty Comden and Adolph Green and Music by Mark Charlap and Jule Styne -- a musical based on the play by James M.
Peter Pan with Lyrics by Carolyn Leigh, Betty Comden and Adolph Green and Music by Mark Charlap and Jule Styne -- a musical based on the play by James M.