Christine Goerke sings her first Elektra at the Met in Patrice Chéreau's landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.
Christine Goerke, “the reigning Amercian dramatic soprano of the day” (The New York Times), makes her first Met performances in the title role of Richard Strauss's tragedy Elektra at the Met.
The winners of the 47th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place before an enthusiastic audience at Gilder Lehrman Hall at The Morgan Library & Mu
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 13th season on October 6, with the Met's grand production of Verdi's Aida, starring one of the world's most acclaimed sopranos, Anna Netrebko.
Accelerating his arrival as Music Director by two seasons, Yannick Nézet-Séguin will take up the post in time for the start of the Metropolitan Opera's 2018–19 season, it was announced today.
Accelerating his arrival as Music Director by two seasons, Yannick Nezet-Seguin will take up the post in time for the start of the Metropolitan Opera's 2018-19 season, it was announced today.
A season filled with unforgettable music, thrilling singers from around the world, and stirring new productions goes on sale via subscription Wednesday, February 7 at 10am.
Soprano Heidi Melton is the 2009 George London-Kirsten Flagstad Award winner who in February sings the role of Sieglinde in the New York Philharmonic's concert performance of Act I of Wagner's Die Walküre led by Jaap van Zweden, and tenor Kyle van Schoonhoven is the winner of the Nicolai Gedda Memo
Houston Grand Opera (HGO) announced today the winners of the 30th annual Eleanor McCollum Competition for Young Singers that took place at Stude Concert Hall at Rice University.
This week marks the first Houston Grand Opera appearance in 25 years of the most harrowing night of opera in the repertoire: Richard Strauss's 1909 bloodcurdling ELEKTRA.
The Canadian Opera Company's 2018/2019 season presents the world premiere of Hadrian, a new opera from composer Rufus Wainwright and librettist Daniel MacIvor, which features the highly anticipated COC debuts of international opera stars Thomas Hampson and Karita Mattila.
On Friday, February 16, 2018, 16 of the best young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at The Morgan Library & Museum.
Houston Grand Opera ( HGO ) presents Richard Strauss's chilling one - act drama, Elektra, January 19 February 2, the first HGO performances in 25 years.
Jamie Bernstein, daughter of composer and conductor Leonard Bernstein, will serve as the Tucson Desert Song Festival's (TDSF) Artist-in-Residence for 2018.
On Saturday, December 2, 2017 at 7:30pm, The Greenwich Village Orchestra (GVO) performs Resistance, a thrilling concert of grand orchestral repertoire including Rachmaninoff's Vocalise featuring GVO concertmaster Andrew Pak, Michael Daugherty's Raise the Roof with principal timpanist Gerard G
DIE WALK RE runs through November 30 at Lyric Opera of Chicago, and the critics are weighing in!
The Harris Theater for Music and Dance, in association with Lyric Unlimited, has announced the return of Beyond the Aria - the highly acclaimed performance series produced by the Harris Theater which pairs internationally celebrated opera singers of Lyric's mainstage alongside rising stars from The
Lyric Opera of Chicago's new production of Wagner's Die Walk re opens Wednesday, November 1.
The Harris Theater for Music and Dance, in association with Lyric Unlimited, has announced the return of Beyond the Aria - the highly acclaimed performance series produced by the Harris Theater which pairs internationally celebrated opera singers of Lyric's mainstage alongside rising stars from The
'Bread-and-butter operas usually bore me,' tenor Russell Thomas told me frankly, as he prepared for his first performance of Rodolfo, at the Met, in Puccini's LA BOHEME--one of opera's most popular tenor roles--in nearly 15 years.
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