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Interview: Give Credit Where Credit is Due When it Comes to The Orchestrator!

Recently I wrote a Broadway World feature dealing with a partial restoration of Robert Ginzler’s original orchestrations for Bye, Bye, Birdie at the Kennedy Center by conductor John Bell with additional work by Joshua Clayton. When the piece was shared on social media, it started a bigger conversation about proper credit for the original orchestrator. Robert Ginzler was somehow never acknowledged in the Kennedy Center program.

MUSIC CITY CONFIDENTIAL: Offstage, Onstage, Backstage and Beyond With Tennessee's Theaterati

Just when you thought it was safe to go to the theater once again, we welcome you to the debut installment of Music City Confidential, all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating (okay, so we obviously don't have enough to occupy ourselves) live theater industry (we're trying that out-does it work? Let us know, theaterati!) Here amid the florid prose and flowery praise, you'll find all the stories that don't quite fit elsewhere, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

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