Charles Shubow News

Let me start this review with a comment by Olney's Artistic Director, Jason Loewith's comment in the program. 'After all my years in this business, many of them championing playwrights and new plays, it takes a lot to knock my socks off. I can count on two hands the experiences that reshaped by understanding of live theater and its possibilities. The world premiere of Ella Hickson's OIL in London two years was one of them. It is a blazingly, ambitious, as intellectually thrilling, as emotionally resonant as most the great works I've seen this century.'

When I saw the Baltimore Symphony SuperPops would be featuring vocalist Christina Bianco I had no idea what she would be like. Then I started to hear from people who actually have seen her in concert and raved about her. It became quite clear it would be necessary for me to see this musician for myself.

Paige Hernandez directs the Anna Deavere Smith reveting play that stars the multi-talented Danielle A. Drakes.

Known for her vocal impressions, Bianco will certainly entertain audiences this week-end.

Go back in time to 1665 and learn about the theatre world in London.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature MY VERY OWN BRITISH INVASION, THE MUSIC MAN, and More!

Production at Olney of Tony-winning musical not to be missed.

Norm Lewish, Jessie Muehller, and Rosie O'Connell star in a semi-staged production.

With Valentine's Day quickly approaching (Feb. 14 for those who do not know), have you thought of going to the theater to celebrate?

Buy your tickets now and see an unusual Tony-winning musical.

Broadway stars Ashley Brown, Ben Crawford, and Ted Keegan shine along with the Baltimore Choral Arts Society.

I have been a huge fan of both Wil Love and Carl Schurr for many years. They are currently both performing in Everyman Theatre's THE IMPORTANCE OF BEING EARNEST which ends its run Dec. 30, 2018. They have become two patriarchs of the Baltimore theatre scene. Since their meeting at Center Stage in 1971, they have performed, produced, and adapted hundreds of performances both regionally and nationally. Now in their 10th year as Resident Company Members at Everyman Theatre, Wil and Carl have plenty of war stories and advice to share. I connected with these two venerable performances to learn more about their story.

Arena Stage Artistic Director Molly Smith's gift to Baltimore/Washington theater patrons this season is just plain delightful.

When I heard about the topic of the new Baltimore Center Stage production of A WONDER IN MY SOUL, I initially thought it would be a female version of the film 'Barber Shop' Well, let me tell you, it is NOT!!!!

Do not miss this Tony-winning musical!

Talented cast knows how to some some laughs.

This fable of a musical lacks passion and is rather bland.

When I read that Studio Theatre would be presenting playwright Steven Levenson's IF I FORGET I was very excited. Why? Levenson won a Tony Award for his great book for hit musical DEAR EVAN HANSEN. Then I read the play won the Drama Desk Award for Best Off-Broadway play at the Roundabout Theatre in New York (see their informative study guide). Then when I saw what the play was about I really got excited.

Since becoming a critic at Broadwayworld.com, I normally attend a play on opening night. Baltimore Center Stage has always had a tradition of presenting a 'Meet the Actor's Night' one day after opening. My wife and I loved to attend these because they are uniformly informative, educational, and fun. Normally audiences hear about an actor's past work, how long is the rehearsal process, how was it like to work with the director, is this your first time in Baltimore, what is like to work at Baltimore Center Stage.

Rodgers and Hammerstein's classic musical if given a memorable presentation.