Jim Abele to Play Title Role in KING CHARLES lll at Pasadena Playhouse; Cast Complete!
by BWW News Desk
- Oct 11, 2017
Pasadena Playhouse, the State Theatre of California, announces the cast and creative team for the Los Angeles Premiere of King Charles III by Mike Bartlett, the second production of the 2017/18 Centennial Season of the Pasadena Playhouse, which also serves as Producer Artistic Director Danny Feldman's inaugural season.
BALLETBOYZ present Four Premiere Dances
by A.A. Cristi
- Sep 20, 2017
The International Emmy Award-winning, all-male dance company BalletBoyz are set to return to London's Sadler's Wells this autumn for the world premiere of their new show Fourteen Days before embarking on tour across the UK. The new work from the recent Rose d'Or winners has been created by four internationally celebrated choreographers, alongside four eminent and completely different composers, the new work comprises of four short pieces, and will run alongside their previously acclaimed Fallen. A coproduction with Sadler's Wells where BalletBoyz are an Associate Artist, and in association with artsdepot, Fourteen Days runs from 10th 14th October at Sadler's Wells with an Opening Night on Tuesday 10th October.
BWW Review: THE MADNESS OF GEORGE III at SHAW FESTIVAL
by Michael Rabice
- Jun 19, 2017
McCAMUS IS BRILLIANT AS KING GEORGE III
Mental illness in the 18h Century, aka madness, was as in some respects as poorly understood and accepted then as it is today. Being a monarch would imply that the best care would be at your disposal, but when the malady is unknown, even King George III of England suffered with the illness and often moreso with the treatment. Alan Bennett's 1991 play THE MADNESS OF GEORGE III is being given a lavishly detailed production at the Shaw Festival in Niagara on the Lake. George may be best known as the monarch who lost control of the American colonies in 1776, but he was dealt a worse fate, suffering from Acute Intermittent Porphyria. This disease, which was uncharted at the time, caused periods of confusion, psychosis with unintelligible speech, horrible abdominal pain and itchiness. His production of a blue colored urine was the first medical sign that something was amiss with the King.
Richard Shelton to Bring SINATRA AND ME to the Crazy Coqs
by BWW News Desk
- May 11, 2017
From LA, 'Best Actor in a Leading Role' for portraying Frank Sinatra in West End's 'Rat Pack Confidential', and critically acclaimed singer, Richard Shelton presents 'SINATRA AND ME' on Monday 5th & Tuesday 6th June 2017 at Crazy Coqs, Live at Brasserie Zedel, London W1.
VIDEO: First Look - Tony Nominated KING CHARLES III Comes to PBS, 5/14
by Caryn Robbins
- May 4, 2017
Masterpiece on PBS and the BBC have teamed on a television adaption of the Tony-nominated play KING CHARLES III. The project will mark a reunion of the hit show's creative team, with writer Mike Bartlett adapting from his own script and Rupert Goold directing.
Tonys Host Kevin Spacey to Bring CLARENCE DARROW to Flushing
by BWW News Desk
- Apr 26, 2017
Kevin Spacey will star in Clarence Darrow, the acclaimed solo show written by David. W. Rintels and directed by Thea Sharrock. First presented at the Old Vic Theatre in London, it will now come to New York for a unique two-night event at Arthur Ashe Stadium in Flushing, New York, on June 15th and 16th, 2017.
Classical Guitarist Celino Romero To Perform At Oakland University, 4/2
by Molly Tracy
- Mar 28, 2017
Celino Romero of Los Romeros, the legendary “Royal Family of the Guitar,” will perform a varied program of solos, duets and ensemble pieces from across the guitar tradition, featuring three musicians from the Oakland University guitar community, James Lentini, Bret Hoag and Terry Herald. The concert takes place at 3 p.m. on Sunday, April 2 in Varner Recital Hall.
BWW Review: Shakespeare Theatre's KING CHARLES III a Necessary Play For Our Times
by Andrew White
- Feb 15, 2017
Times like these call for plays that directly address our anxieties; and Mike Bartlett's King Charles III is about as timely and necessary a play as we're likely to see. For all its indulgent verbal sprawl the Shakespeare Theatre Company has served Washington theatre audiences superbly, with a stellar cast and a politically taut drama written in the finely-tuned pentameter that once made, well, Shakespeare himself so famous.
Regional Roundup: Top New Features This Week Around Our Broadway World - 1/13; FENCES in Salt Lake City, Exclusive FUN HOME in Denver, Harold Prince's CANDIDE and More!
by BWW Special Coverage
- Jan 13, 2017
As we start our new year, we are offering a more comprehensive weekly roundup of regional stories around our Broadway World, which will now include videos, editor spotlights, regional reviews and more. This week, we feature COPENHAGEN in Washington, DC, FENCES in Salt Lake City, an exclusive behind-the-scenes video of FUN HOME in Denver and more. Check out our top features below!
BWW Review: New York City Opera Returns With A Princely CANDIDE
by Michael Dale
- Jan 11, 2017
The opening fanfare of one of the most exhilarating overtures ever to hit Broadway signals the joyous return of New York City Opera. After financial woes threatened to pull down the curtain for good in 2013, the company that was christened in 1943 as 'the people's opera' by Mayor Fiorello La Guardia has returned with a new home and an old friend, director Harold Prince's rollicking production of Leonard Bernstein, Richard Wilbur, Stephen Sondheim, John La Touche and Hugh Wheeler's CANDIDE.
BWW Review: Pointer-Counterpoint �" City Opera's CANDIDE vs. Prototype's BREAKING THE WAVES
by Richard Sasanow
- Jan 10, 2017
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?
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