Charles Atlas News

As part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s celebrated contemporary arts festival, FIAF will present Forced Entertainment, returning this year with the New York premiere of their provocative and darkly comic performance, Tomorrow's Parties.

In partnership with the Metropolitan Opera and Gallery Met Shorts, Times Square Arts brings Elizabeth Peyton and Kristian Emdal's Tantris (Young Tristan) to Times Square's electronic billboards from 11:57 p.m. to midnight every night in September. This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts. 

Platform 2016: Lost & Found, the eleventh and most ambitious edition to date, will examine the impact of AIDS on generations of artists.

Influenced by imagery from Victorian patterns, letterpress printing, archetypal symbols, and apocalyptic themes, artist Beau Stanton – fresh from a massive commissioned mural for Dubai Walls – is known for his deeply metaphorical oil paintings that fuse these elements with modern environmental realities. Translating oil to animation, Stanton has preserved his antiquated language with a style that emulates early moving images, pulling inspiration from the zoetrope and the Lumiere brothers' cinematograph.

The Kitchen is pleased to present The Tear Drinkers, the second musical work from beloved performer and Bessie-Award-winning composer Mike Iveson. The Tear Drinkers is a suite of sci-fi songs for six performers and piano; it follows four humans who have been abducted by the United States government and brought to an underground holding tank in New Mexico, so that the government can determine which of them is actually an alien from another planet masquerading as an earthling. Downtown performer Mike Iveson leads a team of exceptional artists, including pioneering video artist Charles Atlas, in a look at the private heartaches and private bathroom rituals of humans and aliens alike.

LA MAMA presents COFFEEHOUSE CHRONICLES #133 "JOHN KELLY" -- Saturday March 26, 2016 at 3:00pm - 5:00pm?-- Located at, La MaMa, Downstairs (66 East 4th Street, NYC). JOHN KELLY, a World Renowned performance artist returns to La Mama for this one-night engagement to Present new material, present past works and discuss his performance and visual artist practices with a pnalen comprised of Morgan Jenness, Kyle DeCamp, John Jesurun, Kevin Maloney, Nicky Paraiso.

Baryshnikov Arts Center (BAC) announces the successful completion of its two-year, $1M Cage Cunningham Campaign to establish the Cage Cunningham Fund for artist fellowships, named for legendary artistic partners John Cage and Merce Cunningham. BAC's Artistic Director Mikhail Baryshnikov announced the inaugural Cage Cunningham Fellow, Alexei Lubimov, at an event on Monday, December 14, held at the Center. The event also served as the official naming of BAC's Studio 6A the John Cage and Merce Cunningham Studio. The Studio is the first physical space honoring Cage and Cunningham's unparalleled contribution to 20th century art and culture.

Antony Nagelmann leads a journey across the Atlantic Ocean in a sailboat and imparts the extreme experiences and emotion faced along the way in The Odyssey, which will be shown on Times Square's electronic billboards from 11:57 pm to midnight from December 1 to 30.  The footage was shot in Progressive HD taking advantage of the technology that only the signs in Times Square can offer.  This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts. 

Artist Peggy Ahwesh's City Thermogram, a portrait of the urban everyday through the lens of a heat-sensitive camera, will warm up Times Square's signage from 11:57 pm to midnight each night in April.

Artist Peggy Ahwesh's City Thermogram, a portrait of the urban everyday through the lens of a heat-sensitive camera, will warm up Times Square's signage from 11:57 pm to midnight each night in April.

Douglas Dunn & Dancers presents the World Premiere of Aidos at Brooklyn Academy of Music, BAM Fisher, 321 Ashland Place, Brooklyn, NY, from today, February 11-15, 2015.

?Artist and designer Sebastian Errazuriz has created A Pause in the City That Never Sleeps. The video consists of a continuous yawn on loop, which will be shown on Times Square's electronic billboards from 11:57 pm to midnight each night in January.

As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.

Douglas Dunn & Dancers presents the World Premiere of Aidos at Brooklyn Academy of Music, BAM Fisher, 321 Ashland Place, Brooklyn, NY, from February 11-15, 2015. Performances: Wed-Sat at 8pm, Sat & Sun at 3pm. Tickets are $20 and are available at www.brownpapertickets.com/event/1040421, by phone at (866) 620-7509 or in person at the BAM box office during the week of the show from noon to show time.

As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.

Since 1971, The Kitchen has served as an important catalyst for a broad community of groundbreaking artists working across disciplines-a mission uniquely attuned to contemporary efforts by artists and arts institutions alike to collaborate and generate new contexts for the continuing evolution of multi-disciplinary art. In fact, as a smaller-scale organization, The Kitchen is unique today for providing artists of both emerging and established statures with a hot-house environment for the presentation and discussion of their work. The Kitchen seeks to foster a vibrant, living dialogue among artists from every field and area of culture. The institution's winter 2015 season, January 7-December 13, exemplifies this commitment.

Pittsburgh Dance Council, a division of the Pittsburgh Cultural Trust, brings award-winning British dance troupe Michael Clark Company tonight, November 1, 2014, at 8:00 p.m. to the Byham Theater, 101 Sixth Street, downtown Pittsburgh. The evening's program features Clark's choreographic work come, been and gone. Michael Clark is considered one of Britain's leading choreographers and this performance will mark the company's Pittsburgh debut.

Pittsburgh Dance Council, a division of the Pittsburgh Cultural Trust, brings award-winning British dance troupe Michael Clark Company on Saturday, November 1, 2014, at 8:00 p.m. to the Byham Theater, 101 Sixth Street, downtown Pittsburgh. The evening's program features Clark's choreographic work come, been and gone. Michael Clark is considered one of Britain's leading choreographers and this performance will mark the company's Pittsburgh debut.

Baryshnikov Arts Center (BAC) has announced a $100,000 matching gift from philanthropist Diana DiMenna and hedge-fund manager Joe DiMenna, in support of BAC's campaign to establish the Cage Cunningham Fund for artist fellowships, named after legendary artistic partners John Cage and Merce Cunningham.