Houston Grand Opera (HGO) will present the world premiere of Some Light Emerges, a chamber opera created by the acclaimed team of composer Laura Kaminsky and librettists Mark Campbell and Kimberly Reed, on March 16 and 17 at 7:30 p.m., at the Ballroom at Bayou Place.
Join Mercury for a joyful celebration of music in the New World in A MEXICAN BAROQUE CHRISTMAS, curated by Artistic Director Antoine Plante, November 26 to December 3 at venues around Houston.
Houston, January 13, 2016—Houston Grand Opera (HGO) will present the world premiere of The Root of the Wind Is Water, a chamber opera by composer David Hanlon and librettist Stephanie Fleischmann, directed by Matthew Ozawa, on May 13 at 7 p.m. at the Wortham Theater Center and on May 15 at 7 p.m. at The Grand 1894 Opera House in Galveston. Presented under the auspices of HGOco, the company's community collaboration and education initiative, The Root of the Wind Is Water explores the impact of hurricanes on the Texas Gulf Coast through the eyes of the residents who call the region home. The opera will be HGO's 61st world premiere.
FORT WORTH, TX – Fort Worth Opera (FWOpera) announced today details of the second phase of the company's landmark 10-year initiative Opera of the Americas, as well as the bold and exciting productions scheduled for the 2017 Festival season, running April 15 - May 7. The 2017 FWOpera Festival will include a time-honored classic, Bizet's incendiary tale of tragic seduction, Carmen; a vibrant, contemporary mainstage production unlike anything in FWOpera's repertoire, Cruzar la Cara de la Luna; and the riveting regional premiere of 2015 Frontiers winner, Voir Dire. The Festival will also usher in the fifth year of Fort Worth Opera's critically-acclaimed new works showcase, Frontiers.
Ars Lyrica Houston, the Grammy nominated early music ensemble, announces a 2016/17 season that mixes beloved masterworks of the Baroque with rare gems from the 16th, 17th and 18th centuries. Fables & Follies opens on September 9 with an encore visit to the world of King Louis XIV, with MarcAntoine Charpentier's comic chamber opera Les Plaisirs de Versailles. Handel's late masterpiece Jephtha will be offered twice, on October 15 and 16, and will feature a stellar cast of soloists plus the award-winning Moores School Concert Chorale from the University of Houston. On December 31 a festive program rings in the New Year with cantatas J.S. Bach wrote specifically for this holiday. Bachanalia also includes Ars Lyrica's annual holiday gala and silent auction following the program.
Houston, January 13, 2016—Houston Grand Opera (HGO) will present the world premiere of The Root of the Wind Is Water, a chamber opera by composer David Hanlon and librettist Stephanie Fleischmann, directed by Matthew Ozawa, on May 13 at 7 p.m. at the Wortham Theater Center and on May 15 at 7 p.m. at The Grand 1894 Opera House in Galveston. Presented under the auspices of HGOco, the company's community collaboration and education initiative, The Root of the Wind Is Water explores the impact of hurricanes on the Texas Gulf Coast through the eyes of the residents who call the region home. The opera will be HGO's 61st world premiere.
The Grammy-nominated early music ensemble Ars Lyrica Houston continues its biggest season yet with ¡Felices Fiestas! concert and gala tonight, December 31, 2014 at the Hobby Center for the Performing Arts. This festive evening of celebration and beautiful music is a perfect way to celebrate the new year.
The Grammy-nominated early music ensemble Ars Lyrica Houston continues its biggest season yet with ¡Felices Fiestas! concert and gala on Wednesday, December 31, 2014 at the Hobby Center for the Performing Arts. This festive evening of celebration and beautiful music is a perfect way to celebrate the new year.
Arizona Opera goes pop with its presentation of the soi-disant mariachi opera, Cruzar la Cara de la Luna.
Ars Lyrica Houston, the Grammy nominated early music ensemble, announces its 2014/15 season, titled The Power of Music, which explores the variety of expression and shows how great music moves us in ways both subtle and profound.
The Wallis Annenberg Center for the Performing Arts presents the West Coast premiere of A Coffin in Egypt, a new chamber opera in one act, based on the play, A Coffin in Egypt by Pulitzer Prize-winning playwright Horton Foote, for three performances only, from April 23, 25 and 27 in the Bram Goldsmith Theater. A Coffin in Egypt stars mezzo-soprano Frederica von Stade, one of opera's most beloved figures, whose formidable bravura has won her wide acclaim. Ricky Ian Gordon, the composer, has also composed The Grapes of Wrath, Rappahannock County, and Orpheus and Euridice. Leonard Foglia, librettist and director, directed Master Class on Broadway and Jake Heggie's opera Last Acts. Check out a look back at opening night and the after party at Flemings Steakhouse below!
The Wallis Annenberg Center for the Performing Arts presents the West Coast premiere of A Coffin in Egypt, a new chamber opera in one act, based on the play, A Coffin in Egypt by Pulitzer Prize-winning playwright Horton Foote, for three performances only tonight, April 23 and April 25 and 27 in the Bram Goldsmith Theater.
The Wallis Annenberg Center for the Performing Arts presents the West Coast premiere of A Coffin in Egypt, a new chamber opera in one act, based on the play, A Coffin in Egypt by Pulitzer Prize-winning playwright Horton Foote, for three performances only April 23, 25 and 27 in the Bram Goldsmith Theater. A Coffin in Egypt stars mezzo-soprano Frederica von Stade, one of opera's most beloved figures, whose formidable bravura has won her wide acclaim. Ricky Ian Gordon, the composer, has also composed The Grapes of Wrath, Rappahannock County, and Orpheus and Euridice. Leonard Foglia, librettist and director, directed Master Class on Broadway and Jake Heggie's Opera Last Acts.
Houston Grand Opera is presenting the World Premiere of A COFFIN IN EGYPT, a one-act chamber opera based on Horton Foote's play by the same title. Known for crafting touching sentimentality and riveting drama, Horton Foote's legacy is sure to be celebrated for centuries to come. However, this operatic adaptation of A COFFIN IN EGYPT browbeats audiences with nostalgic sentimentality and rarely moves us to feel anything.
Based on the legends of Don Juan, Wolfgang Amadeus Mozart's DON GIOVANNI is a true staple in the operatic repertoire and is the tenth most-performed opera worldwide. The opera is often considered to be a dramma giocoso, which means that it mixes serious drama with comedy to create a melodramatic plot; however, Mozart catalogued the work as an opera buffa, or comic opera. Houston's Opera in the Heights production highlights the humor of the piece and thrills with skillful performances.
Houston Grand Opera's 41st World Premiere Opera CRUZAR LA CARA DE LA LUNA/TO CROSS THE FACE OF THE MOON premiered in the Brown Theater at the Wortham Center on November 13, 2012. The performance played in front of 2,400 patrons, the largest-ever audience in the Brown Theater. Following that rousing premiere, CRUZAR LA CARA DE LA LUNA and its original cast opened the 2011 season at the Théâtre du Châtelet in Paris. The production ran for six performances. Upon arriving in Paris, 80% of the tickets were already sold, and word of mouth lead to complete sell outs for the final three performances. Last night, the gorgeous and stirring CRUZAR LA CARA DE LA LUNA opened in the Wortham Center's Brown Theater again, earning thunderous applause and sincere admiration from the audience.
Spring will bring a trio of striking productions to Houston Grand Opera, starting with the return-by-popular-demand of the world's first mariachi opera - Cruzar la Cara de la Luna ('To Cross the Face of the Moon'). Cruzar - an HGO commission that the company premiered to acclaim in 2010, with the Houston Chronicle calling it 'a multicultural winner' - will run today, March 22-24 at the Wortham Theater Center. Next up is HGO's new production of Wagner's Tristan und Isolde (April 18-May 5), conducted by the company's music and artistic director, Patrick Summers, and starring two of today's greatest Wagnerian singers: soprano Nina Stemme as Isolde and tenor Ben Heppner as Tristan, both in their company debuts.
I recently got the chance to speak with Vanessa Cerda-Alonzo, who has been performing all over the world as Lupita in the world's first Mariachi Opera, CRUZAR LA CARA DE LA LUNA. We talked about her career, her training through Multicultural Education and Counseling through the Arts (M.E.C.A), and CRUZAR LA CARA DE LA LUNA. Also, she freely told me, 'It's very moving, CRUZA LA CARA DE LA LUNA.' Vanessa Cerda-Alonzo also quoted Cecilia Duarte, who sings Renata, exclaiming, 'Bring your tissues because you're going to cry!'
With rave reviews for Puccini's La boheme and Rossini's Italian Girl in Algiers to its credit, Houston Grand Opera's season is up and running. Starting in January, the company offers productions of Mozart's Don Giovanni and Kern and Hammerstein's classic American musical Show Boat, which bring with them the company debuts of conductor Trevor Pinnock, bass Morris Robinson, baritone Adrian Erod, Broadway legend Tommy Tune, and more. They will be followed in March by HGO's original and highly acclaimed production of Cruzar la Cara de la Luna / To Cross the Face of the Moon, a mariachi opera by Jose "Pepe" Martinez and Leonard Foglia. Tickets are on sale now and moving quickly for this winter repertory period, which accounts for 14 of the season's 44 performances, a 38 percent increase from an average of 32 performances in recent seasons. This increase, as well as HGO's 34 percent growth in subscription sales and more than $112 million fundraising effort over the last five years, clearly identifies HGO as today's most successful American opera company.
After last December's premiere run in Houston of Cruzar la Cara de la Luna, the world's first mariachi opera, the Houston Chronicle called the piece 'a bold first-time fusion' that 'succeeded on all fronts.'
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