Carol Vaness News

The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues). Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

General Director and CEO Deborah Sandler today announced Arias and Barcarolles The Bernstein Songbook will continue the 2017-2018 Explorations Series, Sat., Oct. 14 at 7:30 at the Grace and Holy Trinity Cathedral (415 W. 13th St., Kansas City, MO 64105).

The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost - together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

General Director and CEO Deborah Sandler has announced the selection of the artists for the Resident Artists Program for the 2017-2018 season.

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

Lyric Unlimited has announced casting for the Chicago premiere of Fellow Travelers. Tenor Jonas Hacker and baritone Joseph Lattanzi will sing the lead roles of Timothy Laughlin and Hawkins Fuller, two men who fall in love during the height of the McCarthy era in 1950s Washington D.C. Devon Guthrie will sing the role of Mary Johnson, Hawkins's assistant and Timothy's confidante.

New York City Opera's 2017/2018 season will offer four new mainstage productions at Jazz at Lincoln Center's Rose Theater, including a Spanish-language opera as part of its Ópera en Español series. City Opera will also offer two New York City Opera Concerts in Zankel Hall at Carnegie Hall and a chamber opera series at locations to be announced. New York City Opera Orchestra will be featured in every opera.

In its 2016 - 2017 season, New York City Opera presented the New York staged premiere of Rachmaninoff's Aleko, the New York premiere of Tobin Stokes's Fallujah, 10 sold-out performances of Bernstein's Candide, the modern-day revival of Respighi's La Campana Sommersa, and the American premiere of Antonio Literes's Baroque rarity Los Elementos. This June, New York City Opera concludes the season with the eagerly anticipated New York premiere of Peter Eotvos's Angels in America, based on the play by Tony Kushner.

The 2017 Schwabacher Debut Recitals series concludes on Sunday, April 30 at 5:30 p.m., with a recital by a trio of San Francisco Opera Adler Fellows featured with collaborative pianist Warren Jones in a program of Italian and French repertoire.

Since opening the 2016 - 2017 season last September, New York City Opera has reestablished itself as a vital part of New York City's cultural landscape, delivering new productions, New York premieres and sold-out performances. The season opened with a critically acclaimed double bill of Leoncavallo's Pagliacci and Rachmaninoff's Aleko bringing the latter to the New York stage for the first time. In November, City Opera presented the New York premiere of Tobin Stokes' Iraq War opera, Fallujah. Last month City Opera's new production of Leonard Bernstein's Candide, directed by Broadway legend Harold Prince became a highlight of the New York season, with a run that was extended from six to ten sold-out performances.

Following the successful, sold-out run of Leonard Bernstein's Candide, New York City Opera continues its 2016 - 2017 Concert Series with Oh, Happy Us, a romantic evening of song that reunites Candide stars Jay Armstrong Johnson (Candide), Meghan Picerno (Cunegonde), and Jessica Tyler Wright (Paquette). Legendary choreographer of stage and film, Patricia Birch directs this concert of selections from classic and contemporary musical theater that explores continuity in love and life. This one-night-only performance will take place on Valentine's Day, February 14, 2017, at 7:00 p.m., at Jazz at Lincoln Center's Appel Room.

New York City Opera continues its 2016 - 17 season on November 17, 18, 19 and 20, 2016 with the New York premiere of Tobin Stokes and Heather Raffo's Fallujah, the first opera written about the Iraq War experience.

San Francisco Opera Center Director Sheri Greenawald today announced the thirteen recipients of the 2017 Adler Fellowship. Nine singers, three pianist/apprentice coaches and one director will take part in the program-a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.

New York City Opera continues its 2016 - 17 season on November 17, 18, 19 and 20, 2016 with the New York premiere of Tobin Stokes and Heather Raffo's Fallujah, the first opera written about the Iraq War experience.

After opening with a critically acclaimed new double-bill production of Rachmaninoff's Aleko and Leoncavallo's Pagliacci, New York City Opera's 2016-17 season continues with Pasion Latina. A 90-minute concert celebrating and honoring the diverse musical traditions of Latin America, Pasion Latina continues City Opera's commitment to engaging New York's Spanish-speaking community.

New York City Opera is at the forefront of New York's cultural season with Opening Night today, September 8, 2016 featuring two compelling ensemble casts in a new production double bill directed by Lev Pugliese with conductor James Meena leading the New York City Opera Orchestra.

The Merola Opera Program and the San Francisco Public Library Main Branch present a free screening of Mozart's opera The Marriage of Figaro (Le nozze di Figaro) at the next Merola Goes to the Movies, on Sunday, September 11th, 1:00 pm, in the Koret Auditorium of the San Francisco Public Library Main Branch (100 Larkin Street). Admission is free.

New York City Opera is at the forefront of New York's cultural season with Opening Night on Thursday, September 8, 2016 featuring two compelling ensemble casts in a new production double bill directed by Lev Pugliese with conductor James Meena leading the New York City Opera Orchestra.