Carey Perloff News

American Conservatory Theater (A.C.T.) continues its 2008-09 season with Boleros for the Disenchanted, the brilliant new work by José Rivera (A.C.T.'s Brainpeople, Marisol), the Academy Award-nominated screenwriter of The Motorcycle Diaries. One of Rivera's most personal plays, Boleros for the Disenchanted explodes with pungent humor and visceral longing and desire, filtered through his unique poetic language.

American Conservatory Theater (A.C.T.) is proud to announce that A.C.T.?s 2008?09 season gala, Illuminate the Night, raised $715,000 to benefit A.C.T?s acclaimed conservatory programs. The elegant gala event, co-chaired by Carla Crane and Chandra Geiger Gordon, was attended by over 300 of San Francisco?s cultural, corporate, and philanthropic communities, as well as alumni of A.C.T.?s Master of Fine Arts Program such as Tony Award?winning actor Anika Noni Rose. The black tie event took place Sunday, April 19, 2009, at San Francisco?s Four Seasons Hotel and featured an exclusive performance by Judy Kaye, Tony Award?winning star of A.C.T.?s Sweeney Todd and Souvenir. Students from A.C.T.?s own Master of Fine Arts Program and Young Conservatory also performed in musical numbers directed by John Carrafa, the Tony Award?nominated choreographer of Urinetown, the Musical. Along with a cocktail hour and elegant dinner, Illuminate the Night featured a live auction, a paddle raise, and a special raffle drawing for a Smart Car with an exclusive parking spot in front of the American Conservatory Theater all year long.

San Francisco's cutting-edge Cutting Ball Theater closes its 2008-09 season with one of Samuel Beckett's funniest and most personal works for the stage, KRAPP'S LAST TAPE. Cutting Ball Artistic Director Rob Melrose helms this witty, poignant look at the choices one man makes and how the paths left untaken come back to haunt him.

American Conservatory Theater (A.C.T.) and gala co-chairs Carla Crane and Chandra Geiger Gordon are proud to announce A.C.T.'s 2008-09 season gala, Illuminate the Night, featuring an exclusive performance by Judy Kaye, Tony Award-winning star of A.C.T.'s Sweeney Todd and Souvenir. The entertainment for this wonderful evening also includes performances by A.C.T.'s own Master of Fine Arts Program and Young Conservatory students, created and directed by John Carrafa, the Tony Award-nominated choreographer of Urinetown, the Musical on Broadway and at A.C.T.

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with Academy Award-nominated screenwriter and OBIE Award-winning playwright José Rivera (The Motorcycle Diaries, Marisol, and A.C.T.'s Brainpeople), whose Boleros for the Disenchanted will take the A.C.T. stage in May.

The Elliot Norton Awards, which honor excellence in Greater Boston theater, celebrate their 27th anniversary on Monday, May 11 at Harvard University's Sanders Theatre. The awards spotlight the season's best work in Boston's theaters (from April 2008 to March 2009).

A.C.T. Young Conservatory proudly presents Bright Young People: The Words and Music of Noël Coward, a brilliant, buoyant tribute to one of the greatest theater artists of all time. This world premiere revue showcases everything you love about Noël Coward-the songs, the wit, the style-with scenes and music from his greatest hits, such as The Vortex, Design for Living, and Hay Fever, as well as lesser known gems, some of which haven't been produced since the 1920s.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with Boleros for the Disenchanted, the brilliant new work by José Rivera (A.C.T.'s Brainpeople, Marisol), the Academy Award-nominated screenwriter of The Motorcycle Diaries. One of Rivera's most personal plays, Boleros for the Disenchanted explodes with pungent humor and visceral longing and desire, filtered through his unique poetic language.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with Academy Award-nominated screenwriter and OBIE Award-winning playwright José Rivera (The Motorcycle Diaries, Marisol, and A.C.T.'s Brainpeople), whose Boleros for the Disenchanted will take the A.C.T. stage in May.

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the lineup of the company's 43rd subscription season today. Running from September 2009 to June 2010, the season welcomes some of the best American and international artists to San Francisco and celebrates the 100th anniversary of A.C.T.'s historic theater.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.

The A.C.T. Master of Fine Arts Program and Young Conservatory present the world premiere production of Volleygirls, Rob Ackerman's funny and moving look at the spirit and passion of team sports, directed by W. D. Keith. Featuring actors from the graduating class of the A.C.T. M.F.A. Program and young actors from the Young Conservatory, Volleygirls spikes a spirited, heartfelt look at a down-and-out high school volleyball team. Following a string of losses and facing their biggest rival, the girls of Saint Agnes hatch a wild plan to turn their flailing team around-while their self-defeating coach must confront his 'loseritis.'

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with 'Glory, Poetry, Immortality: A Special Preview of War Music,' a conversation event with Mark Danner, internationally acclaimed war correspondent and journalist, Lillian Groag, the creative force behind A.C.T.'s War Music, and University of California, Davis classicist and leading Homer scholar Seth Schein.

American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with 'Glory, Poetry, Immortality: A Special Preview of War Music,' a conversation event with Mark Danner, internationally acclaimed war correspondent and journalist, Lillian Groag, the creative force behind A.C.T.'s War Music, and University of California, Davis classicist and leading Homer scholar Seth Schein.

The American Conservatory Theater Master of Fine Arts Program, ranked fifth in the nation, announces the launch of the M.F.A. 8, a smaller-size class and a new institutional structure, with the incoming class of 2011. The new structure, aimed to re-envision A.C.T.'s institutional culture and the experience of the M.F.A. candidates, includes eight students per class (compared to the admitted class of 12 last year), a full-time faculty, full scholarships for all eight students in their third year, and increased opportunities for students to appear on the A.C.T. mainstage.

The American Conservatory Theater Master of Fine Arts Program, ranked fifth in the nation, announces the launch of the M.F.A. 8, a smaller-size class and a new institutional structure, with the incoming class of 2011.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.