Brymer News

Actors Theatre's current staging of Macbeth is loud, bloody, and glorious. It's far from a definitive take on one of the Bard's finest tragedies, and no doubt some purists will wince at the modern dress and liberties taken with the script-gone is 'double, double, toil and trouble' as well as the entire porter scene- but for this horror movie fan and Halloween junkie, it's hard to imagine a better production.

Diana Grisanti's River City has been a long time coming, years in development and the winner of the Rolling World Premiere through the National New Play Network; it is both a tribute to and critical commentary on Grisanti's home town of Louisville, Kentucky.

There is something magical and mystical about Puccini's much loved Madame Butterfly, in that it can fill an opera house with wonder. And Kentucky Opera's latest production did just that I am happy to say.

Dracula has risen from the dead and is more frightening as ever... in the best possible way!

The subject of The 39 Steps isn't an innocent man being chased by spies across Scotland, and it isn't Alfred Hitchcock, although it serves as a fine pastiche of iconic Hitchcock moments. What seems to be on the mind of Patrick Barlow, adapting the 1938 movie more than John Buchan's classic novel, is theatre itself; the nonsensical artificiality that lies at the core of the theatrical experience. It invites us to not just recognize but embrace it in uproarious celebration.

Suspense and hilarity ensues with Actors Theater of Louisville's 2016-17 season opener!

Experience the beauty, ingenuity and hilarity of short-form puppet theater in this showcase of slam acts from across the country. Nominated by their respective slams in the Puppet Slam Network and curated by the Center for Puppetry Arts, the nation's best slam performances will be presented for three nights only! Recommended for ages 18+ ONLY, the 2016 National Puppet Slam at the Center for Puppetry Arts is sponsored in part by Dragon Con and the Puppet Slam Network.

heatrical licensor Music Theatre International (MTI) has secured licensing rights for the new pop musical, DO YOU WANNA DANCE?   heatrical licensor Music Theatre International (MTI) has secured licensing rights for the new pop musical, DO YOU WANNA DANCE?  

ATCA Presentation Closes Out 40th Humana Festival

Cardboard Piano at Humana Festival: Small Extraordinary Acts of Kindness

United States In Disarray: Wellesley Girl at the Humana Festival

Fresh, Eager, Real: This Random World at Humana

In the opening monologue of For Peter Pan on her 70th Birthday, Ann (Kathleen Chalfant), the eldest of her siblings, reminisces about a part she played as a young woman; the part was Peter Pan; she doesn't know why people laugh when she tells the story, she says; she is the image of Mary Martin, or at least how you might remember Mary Martin to look at 70, strong features, long neck, short cropped blonde hair combed back, warm and cheerful with something intelligent underneath. It is the start of a metaphor that Ruhl returns to again and again, unabashedly mining it for all that it is, in a play that seems to be about everything: life, the death of one's parents, politics, spirituality, and finally about growing up, whatever that might mean.

A woman, Maggie, (Danielle Slavick) who is a sales representative for a medical supply company checks in to a long-term residential hotel in Temp, Arizona for a month-long stay. Right away she establishes an uneasy sort of alliance with two hotel employees, Bobby (Alexandro Rodriguez) and Theresa (Leah Karpel). This curious triangle of people in transition forms the nucleus of Laura Jacqmin's Residence, a play about the ephemerality of human existence.

Charles Mee's latest abstract piece was inspired by Trappist monk author, Thomas Merton.

See H.M.S. Pinafore From The Pillow Pit

Bram Stoker's Dracula has been a mainstay at Actors Theatre of Louisville (ATL) since 1995, and has become identified with actor/director William McNulty, who eight years ago was invited to forge his own adaptation of the horror classic. The result only intensified audience demand and acceptance, and the play now stands as the second holiday perennial (with A Christmas Carol) for Louisville's highly acclaimed regional theatre. This interview with Mr. McNulty was originally published in 2013 by Arts-Louisville.com, and covers Dracula as well as the veteran actor's long association with Actors Theatre.

The Gay Men's Chorus of Los Angeles (GMCLA) will continue its 34th Season in the Gothic setting of First Congregational Church of Los Angeles (540 South Commonwealth Avenue) on March 16th and 17th with its performance of "Awakenings," featuring special guests Vox Femina Los Angeles (VOX) and the new youth chorus, Outside Voices.