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Tony-Winning A RAISIN IN THE SUN Revival Recoups on Broadway!

Broadway's critically acclaimed production of Denzel Washington in Lorraine Hansberry's A RAISIN IN THE SUN is celebrating a big week. Not only did it take home three 2014 Tony Awards (Best Revival of a Play, Best Director of a Play -- Kenny Leon, and Best Featured Actress in a Play -- Sophie Okonedo) on Sunday night, it has also recouped its entire capitalization. The production, which began previews Saturday, March 8, officially opened on Thursday, April 3 at the Ethel Barrymore Theatre (243 West 47 Street), where it will end its limited engagement run this Sunday, June 15.

A RAISIN IN THE SUN Wins 2014 Tony for Best Revival of a Play

A RAISIN IN THE SUN has won the 2014 Tony Award for Best Revival of a Play. Set on Chicago's South Side, A Raisin in the Sun revolved around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee (Denzel Washington), his wife Ruth (Sophie Okonedo), his sister Beneatha (Anika Noni Rose), his son Travis (Bryce Clyde Jenkins) and matriarch Lena, called Mama (LaTanya Richardson Jackson).

Denzel Washington & Woodie King, Jr. Set for THEATER TALK this Weekend

On the new THEATER TALK, Denzel Washington, star of the hit Broadway revival of Lorraine Hansberry's A Raisin in the Sun at the Ethel Barrymore Theatre, gets together with an old friend, Woodie King, Jr., the Founder and Artistic Director of the New Federal Theatre. They look back at their first experiences seeing Hansberry's ground-breaking play, as well as their work together when Washington first appeared at the New Federal Theatre in 1981, in Laurence Holder's When Chickens Come Home to Roost.

Katia & Marielle Labeque to Perform at Bass Hall, Today

The French duo consistently dazzles classical music audiences with their charisma and artistic inquisitiveness. Dedicated exponents of new music, but also passionate about music from Baroque to jazz, the Labeques explore music characterized by a sense of intimacy and a lightness of touch.

Review Roundup: A RAISIN IN THE SUN Opens on Broadway - All the Reviews!

Lorraine Hansberry's A Raisin in the Sun, starring Denzel Washington and directed by Tony Award nominee Kenny Leon, opens tonight, April 3 at the Ethel Barrymore Theatre (243 West 47th Street), the same theatre where the original production of A Raisin in the Sun opened 55 years ago. A Raisin in the Sun is a limited engagement running through June 15. Let's see what the critics had to say...

Photo Flash: First Look at Denzel Washington & More in A RAISIN IN THE SUN on Broadway!

Lorraine Hansberry's A RAISIN IN THE SUN, starring Denzel Washington and directed by Tony Award nominee Kenny Leon, opens this Thursday, April 3 at 6:45pm at the Ethel Barrymore Theatre (243 West 47th Street); the same theatre where the original production of A RAISIN IN THE SUN opened 55 years ago. A RAISIN IN THE SUN is a limited engagement running through June 15. BroadwayWorld brings you a first look at the cast in action below!

BWW Reviews: At the Met, Kaufmann in WERTHER Is to Die For

Maybe Richard Eyre's new production of WERTHER for the Metropolitan Opera, with strong performances by German tenor Jonas Kaufmann and French mezzo Sophie Koch, should have been called WERTHER: THE BACKSTORY or WERTHER: A FOOL'S GUIDE. Eyre took what was otherwise a beautiful and interesting interpretation of the opera and added a prologue and other details (including action leading up to a self-inflicted shot in the chest)--just in case the audience needed some hand-holding to better understand what was going on.

BWW Reviews: At the Met, Kaufmann in WERTHER Is to Die For

Maybe Richard Eyre's new production of WERTHER for the Metropolitan Opera, with strong performances by German tenor Jonas Kaufmann and French mezzo Sophie Koch, should have been called WERTHER: THE BACKSTORY or WERTHER: A FOOL'S GUIDE. Eyre took what was otherwise a beautiful and interesting interpretation of the opera and added a prologue and other details (including action leading up to a self-inflicted shot in the chest)--just in case the audience needed some hand-holding to better understand what was going on.

Katia & Marielle Labeque to Perform at Bass Hall, 4/4

The French duo consistently dazzles classical music audiences with their charisma and artistic inquisitiveness. Dedicated exponents of new music, but also passionate about music from Baroque to jazz, the Labeques explore music characterized by a sense of intimacy and a lightness of touch.

THE DEATH OF KLINGHOFFER, LA DONNA DEL LAGO, THE MERRY WIDOW and More Set for The Metropolitan Opera's 2014-15 Season

The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.

The Show Must Go On at BETRAYAL; Cast Continues Through Technical Issues

According to the New York Post, Broadway's Betrayal ran into technical issues over the holiday weekend when automated set changes failed to work properly on Saturday night. An audience member told Page Six: "A black screen came down. After 15 minutes, Craig and the rest of the cast came out, and said they were having problems with the stage, but they were going to 'give it a shot,' and continue with the performance. They started to applause, but between each scene, the curtain came down, and the set was manually changed, which took a lot of time. By 9:30 p.m., they had only got through a few more scenes, and - while the actors made a valiant attempt to continue - some in the audience became restless and left."

Review: Nichols' BETRAYAL Doesn't Give One Pause

The new production of Pinter's power play follows the new millennium's trend of easily digestible, surface skimming, star vehicle commercial Broadway revivals of Twentieth Century dramas.

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