Brian Justin Crum News

This week Feinstein's/54 Below, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. Scroll down for details!

On November 10th, Broadway's most distinctive vocalists will celebrate five-time Grammy award winner Mariah Carey at Feinstein's/54 Below in a concert featuring a career-spanning setlist of her most beloved hit singles, including "Vision of Love," "Hero," "We Belong Together," "Always Be My Baby," "Heartbreaker," "Fantasy," and countless others!

This November, FEINSTEIN'S/54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street.

The award-winning New York-based songwriting team of Selda Sahin and Derek Gregor will mark their much-anticipated debut at Los Angeles' acclaimed venue, Rockwell: Table & Stage, tonight, April 21.

The award-winning New York-based songwriting team of Selda Sahin and Derek Gregor will mark their much-anticipated debut at Los Angeles' acclaimed venue, Rockwell: Table & Stage, on Tuesday, April 21.

After a completely sold out six week run in Los Angeles, and recent 12 show sellout in Chicago, producers Shane Scheel and Siobhan O'Neill of Ad Astra Live are happy to announce that FOR THE RECORD: DEAR JOHN HUGHES at West Hollywood's DBA will extend through May 31.

FOR THE RECORD: DEAR JOHN HUGHES at West Hollywood's DBA showcases the works of acclaimed director John Hughes, by reliving his acclaimed coming of age 1980's teen flicks including Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Some Kind of Wonderful and Ferris Bueller's Day Off. Performances began on February 6 and run through April 4, 2015. BroadwayWorld has a first look at the cast onstage below!

The hit FOR THE RECORD series breathes a new life into the movies by adapting the works of great directors into a theatrical concert setting. FOR THE RECORD: DEAR JOHN HUGHES at West Hollywood's DBA will showcase the works of acclaimed director John Hughes, by reliving his acclaimed coming of age 1980's teen flicks including Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Some Kind of Wonderful and Ferris Bueller's Day Off. Performances begin tonight, February 6, and run through April 4.

Evan Rachel Wood is set to star in a new musical titled 'For the Record: Dear John Hughes,' which will have a theatrical run at West Hollywood's DBA from February 6th through April 4th.

After a three-month sold-out run, the hit "For The Record" series will extend their critically-acclaimed evening inspired by the films of Baz Luhrmann at West Hollywood's DBA (www.dbahollywood.com) every Thursday - Sunday through December 30, 2014.

The hit 'For The Record' series presents a two-month limited engagement of their critically-acclaimed evening inspired by the films of Baz Luhrmann at West Hollywood's DBA (www.dbahollywood.com). 'For The Record: Baz Luhrmann' will run thru November 23 and will offer audiences an elevated and completely reimagined production of the show that Angelinos have fallen in love with time and time again. Check out a first look at opening night below!

Cabaret at The Merc in association with Temecula Presents have announced a one-night-only Broadway concert by Academy Award-winning composer, Stephen Schwartz. On Monday, September 22nd at 7:30pm, Stephen Schwartz, the songwriter behind such Broadway hits as Wicked, Godspell and Pippin, will take the Old Town Temecula Theater Stage for the first time, joined by an all-star cast of Broadway performers!

Beginning tonight, September 12, the hit 'For The Record' series will present a two-month limited engagement of their critically-acclaimed evening inspired by the films of Baz Luhrmann at West Hollywood's DBA (www.dbahollywood.com). 'For The Record: Baz Luhrmann' will run thru November 23 and will offer audiences an elevated and completely reimagined production of the show that Angelinos have fallen in love with time and time again.

Beginning September 12, the hit 'For The Record' series will present a two-month limited engagement of their critically-acclaimed evening inspired by the films of Baz Luhrmann at West Hollywood's DBA.

Queen and Ben Elton's 'We Will Rock You,' created by Ben Elton with music supervisors Brian May and Roger Taylor, is coming to the Center Theatre Group/Ahmanson Theatre, and with it comes a rock attitude.'We Will Rock You' opened last night, Wednesday, July 16, and runs through August 24, 2014. Check out photos from opening night below!

Queen and Ben Elton's 'We Will Rock You,' created by Ben Elton with music supervisors Brian May and Roger Taylor, is coming to the Center Theatre Group/Ahmanson Theatre, and with it comes a rock attitude. 'We Will Rock You' opens tonight, July 16, and runs through August 24, 2014.

Queen and Ben Elton's 'We Will Rock You,' created by Ben Elton with music supervisors Brian May and Roger Taylor, is coming to the Center Theatre Group/Ahmanson Theatre, and with it comes a rock attitude. 'We Will Rock You' opens Wednesday, July 16, and runs through August 24, 2014. There is one preview on July 15.

Sometimes jukebox musicals need to stay in the jukebox. There are some exceptions where it works. When it's a good review like “Smokey Joe's Café” or when there's a fun book like “Mamma Mia”. But when you take the songs of a classic rock band (such as Queen) and jam them into a completely contrived and nonsensical, thread thin plot the result (as with “We Will Rock You” currently at the 5th Avenue Theatre) is a barely entertaining mish mash of songs that left me less entertained and more embarrassed for those involved. Now I love me some Queen. I'm a little too young to have been aware of them in their hay day but like many others discovered them after their run as their enduring songs continue to live on. Which is why I feel they deserve better than the show they got. A show where we're in a not so distant future and people live their lives online (not so different from now) and because of this, rock and roll has been outlawed. (And there's the main plot hole because what's on the Internet but lots and lots of music.) So when a hunky idealistic dreamer, Galileo (Brian Justin Crum) who keeps hearing the lyrics from long dead rockers meets another outcast Scaramouche (Ruby Lewis), the two set out to escape the clutches of the all powerful Killer Queen (Jacqueline B. Arnold) and find other rebels who want to bring back rock. And how will they do this? Um, play music. Yeah, that's ultimately what drives the bad guys away, music. But then we've had music through out the whole show including from the bad guys. See, plot hole. And if this ridiculous story filled with so much bad, one repeated joke (how many times can we mention that the male leader of the rebels goes by the name Britney Spears?), sitcom humor and clunky exposition laden dialog from book writer Ben Elton weren't bad enough, but then they take these wonderful Queen songs and force them into the narrative often times changing the lyrics to try and make them fit. For example, they take the title song from the movie “Flash Gordon” and bastardize it so it's now all about giving the captured rebels electro shock therapy. Or how about Killer Queen singing “Fat Bottomed Girls” because, well I'm still not certain why she was singing it other than to check that iconic tune off the list. Did no one listen to the lyrics of the songs while trying to write the show? They're all quite narrative to begin with. And Elton couldn't come up with a story that fit in with those narratives? I mean he's even got characters names Galileo and Scaramouche but “Bohemian Rhapsody” (the thing all the bohemian rockers are striving for in the story by the way) isn't even performed until the end of the show as an after thought encore. The cast does what they can. In fact they amp their energy and intent up to about a 17 in order to try and give this story some punch. Crum and Lewis certainly have incredible voices worthy of Freddie Mercury and they completely shred any numbers given to them. Arnold too has a gorgeous voice but doesn't seem as invested in playing the villain in this over the top melodrama. But I have to mention Ryan Knowles who not only lent some incredible pipes to his numbers but some delicious comedic timing and heart to his character making him completely “ROCK”. But even the infectious energy of this amazing cast can't polish away the stench of this turd try as they may. The show is a somewhat fun ride but ultimately weighed down with such a horrible book and bastardized songs that it just feels insulting. Queen deserves better and smarter as do audiences, which is why I give “We Will Rock You” a NAH with my three letter rating system. Others may have enjoyed it but I just found it not worth the effort. “We Will Rock You” performs at the 5th Avenue Theatre through July 13th. For tickets or information contact the 5th Avenue box office at 206-625-1900 or visit them online at www.5thavenue.org.

The worldwide smash hit 'rock theatrical', Queen and Ben Elton's We Will Rock You, built around 24 of Queen's biggest hits will rock The 5th Avenue Theatre July 8-13. We Will Rock You is produced by Queen Theatrical Productions, Tribeca Theatrical Productions, Phil McIntyre Entertainment and NETworks Presentations.

There is not a lot to say about We Will Rock You. The plot is bizarre, the characters and dialogue are weak, and only the great music keeps it afloat.