Brandon Whitehead News

What did our critic think of FAITH HEALER at Gamm Theatre?

Faith Healer runs now through January 29 at The Gamm Theatre. Check out photos from the production here!

The Sandra Feinstein-Gamm Theatre (The Gamm) opens the new year with a limited-run of Faith Healer by celebrated Irish playwright Brian Friel.

Samuel Beckett's classic play, WAITING FOR GODOT, opens the Wilbury Theatre Group's 2019/2020 Main Series with a production that gets to the heart of the text a?" at equal turns funny, philosophic, and sad.

The Wilbury Theatre Group opens its 2019/20 Main Series season with Samuel Beckett's existential masterpiece Waiting for Godot, which runs in performances September 26 - October 20.

The Wilbury Theatre Group opens its 2019/20 Main Series season with Samuel Beckett's existential masterpiece Waiting for Godot, which runs in performances September 26 - October 20.

Commonwealth Shakespeare Company (CSC), in collaboration with the Boston Lawyers' Chapter of the Federalist Society, are pleased to present its 16th annual Shakespeare and the Law series, focusing this winter on the subject of "Belief and the Burden of Proof" through the lens of Shakespeare's plays, directed by CSC's Associate Artistic Director Adam Sanders and produced by McCarter & English partner Daniel J. Kelly.

The Sandra Feinstein-Gamm Theatre(The Gamm) opens Season 34 (2018-2019) with Tennessee Williams' rarely performed masterpiece, The Night of the Iguana. The production marks the theater's debut in its new home at 1245 Jefferson Blvd., Warwick, RI. Considered Williams' last great play, The Night of the Iguana follows defrocked Episcopal clergyman Rev. T. Lawrence Shannon and fellow guests at a dilapidated resort on the Mexican coast -- all seeking human connection while battling their personal demons.

Commonwealth Shakespeare Company, Founding Artistic Director Steven Maler, presents its 23rd season of "Free Shakespeare on the Common:" William Shakespeare's drama Richard III, directed by Steven Maler and starring Faran Tahir. Performances are free of charge, and will take place on the Boston Common, near the Parkman Bandstand.

Commonwealth Shakespeare Company, Founding Artistic Director Steven Maler, presents its 23rd season of "Free Shakespeare on the Common:" William Shakespeare's drama Richard III, directed by Steven Maler and starring Faran Tahir. Performances are free of charge, and will take place on the Boston Common, near the Parkman Bandstand.

Commonwealth Shakespeare Company, Founding Artistic Director Steven Maler, presents its 23rd season of "Free Shakespeare on the Common:" William Shakespeare's drama Richard III, directed by Steven Maler and starring Faran Tahir. Performances are free of charge, and will take place on the Boston Common, near the Parkman Bandstand.

Commonwealth Shakespeare Company Artistic Director Steven Maler directed an accomplished cast in Bertolt Brecht's FEAR AND MISERY IN THE THIRD REICH, in a staged reading at Babson College, headlined by notable stage and screen actors Tony Shalhoub and Brooke Adams.

Commonwealth Shakespeare Company Founding Artistic Director Steve Maler is pleased to welcome the return of Brooke Adams and Tony Shalhoub to the Sorenson stage for the staged reading of Bertolt Brecht's drama Fear and Misery in the Third Reich.

Pawtucket's Gamm Theatre opens its season with Oscar Wilde's comedic masterwork THE IMPORTANCE OF BEING EARNEST, and the company delivers an utterly superlative production. Everything about this EARNEST is absolutely right in every way. The Gamm's cast is magnificent, the stagecraft of the finest quality, and the direction flawless. If there is one theatrical experience not to be missed in Rhode Island this year, the Gamm's EARNEST is it.

The Sandra Feinstein-Gamm Theatre (The Gamm) opens it 2017-18 season with Oscar Wilde's masterpiece The Importance of Being Earnest, a Trivial Comedy for Serious People.

Ocean State Theatre Company Artistic Director Amiee Turner introduced Friday night's production of INHERIT THE WIND by saying that she was somewhat surprised and saddened that a play about what's appropriate to teach in public schools, written in 1955 but based on events of the 1920's, is still so timely today.  Indeed, this script may be a Baby Boomer, but this production isn't showing its age at all, and is scarily relevant.  One of the biggest tells of an older play is often the length, and this script may have been edited down a bit, but the pacing is absolutely perfect.  Director Fred Sullivan Jr. fills the moments of brief set changes with appropriate moments of song, which may seem like an odd choice for a play of this nature, but it works perfectly.  Some of the songs are in the original script, but a few seem to have been added for this show. The songs also give the actors a chance to trot out their vocal chops including men singing in four part harmony, and violin and ukulele performances.

Ocean State Theatre Company (OSTC), currently celebrating its fifth season in its comfortable stadium-style theatre in Warwick, presents Jerome Lawrence and Robert Edwin Lee's Tony Award-winning play, Inherit the Wind, which will run at Ocean State Theatre from March 29 - April 16.

Ocean State Theatre Company (OSTC), currently celebrating its fifth season in its comfortable stadium-style theatre in Warwick, presents Jerome Lawrence and Robert Edwin Lee's Tony Award-winning play, Inherit the Wind, which will run at Ocean State Theatre from March 29 - April 16.

Ocean State Theatre Company (OSTC), currently celebrating its fifth season in its comfortable stadium-style theatre in Warwick, is proud to announce casting for its production of Inherit the Wind by Jerome Lawrence and Robert Edwin Lee, which will run at Ocean State Theatre from March 29 - April 16.

Arcadia is considered by many to be one of the best plays in the English language and it manages to walk the line between humor and tragedy very well all while maintaining delightful and rapid reversals of fortune punctuated by moments of real insight. It's interesting to watch a play that is at its core about research and learning, but still come away entertained rather than feeling lectured to.  The Gamm has done admirably taking on this potentially daunting work, and though there are a few hiccups and missteps, the overall production is well executed and thought-provoking.