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Pacific Symphony to Honor Leonard Bernstein in Concert, 1/29

Orange County, Calif.—Jan. 9, 2015—Composer, conductor and teacher Leonard Bernstein, one of the undeniable giants of 20th-century music, and the first American-born conductor to become a major star, becomes the focal point of Pacific Symphony's second “Music Unwound” concert this season, “For the Love of Bernstein.” In 1985, a young Carl St.Clair met Bernstein as a conducting fellow at Tanglewood Music Center. A few years later in 1990, St.Clair stepped in for the ailing Maestro and conducted his “Arias and Barcarolles” during what turned out to be Bernstein's last concert. St.Clair would soon be named music director of Pacific Symphony, but the impact of Bernstein's mentoring to St.Clair has remained to this day.

92Y to Host Evening with ON THE TWENTIETH CENTURY's Kristin Chenoweth & Peter Gallagher

Two consummate Broadway babies are back onstage-she for the first time since 2010's hit Promises and Promises, and he in his first musical appearance since 1992's legendary Guys and Dolls. On Monday, April 6, join Tony®-winning diva Kristin Chenoweth and Golden Globe winner Peter Gallagher as they trade intimate stories of balancing their incredibly varied careers-in theater, film, TV and music-and their lives outside the limelight. Discover how these stars sustain their passion, and hear tidbits on Roundabout Theatre Company's new hot-ticket revival of the madcap musical comedy On the Twentieth Century.

Brandon Dahlquis, Brian Zane & More to Star in Porchlight Revisits... Production of CITY OF ANGELS

Porchlight Music Theatre and Artistic Director Michael Weber have announced the next production in the second season of Chicago's hit 'lost' musicals in staged concert series, Porchlight Revisits... City of Angels, featuring book by Larry Gelbart (A Funny Thing Happened on the Way to the Forum, M*A*S*H), music by Cy Coleman (Sweet Charity, Barnum) and lyrics by David Zippel (The Goodbye Girl, Disney's Mulan) with direction by Christopher Pazdernik and music direction by Aaron Benham. City of Angels is presented for two-nights-only Tuesday, March 3 and Wednesday, March 4 at 8:00 p.m. and is performed on the set of Porchlight's Sondheim on Sondheim (February 6 - March 15) on nights when there are no performances at Stage 773, 1225 W. Belmont Ave.

'The Showtune Mosh Pit' for December 31st, 2014

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Braodway. It's the Top Ten Hot Topix for the last half of 2014, and the BroadwayWorld Chicago Awards Celebration on Wednesday, January 7th, 2015!

Something's Coming: What's Ahead for Broadway in Spring 2015!

2015 is almost here, and that means that a slew of new shows are on their way to the Great White Way. Before the 2015 Awards season gets started, no less than nineteen new productions will take tike their first Broadway bows. Catch up on what's in store for the season ahead below!

Kate Baldwin, Heidi Blickenstaff and More to Celebrate Sondheim & Prince in 'A GOOD THING GOING' at 92Y Next Month

Lyrics & Lyricists gets going on the opening show of its 45th season with "A Good Thing Going: The Stephen Sondheim and Harold Prince Collaboration" on January 10, 11 and 12. Artistic director David Loud, himself a frequent Sondheim collaborator, explores the 1970-1981 partnership behind the groundbreaking musicals Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd and Merrily We Roll Along - with cast members Kate Baldwin, Heidi Blickenstaff, Liz Callaway, James Clow, Jason Danieley, and Alan H. Green.

BWW Reviews: Playhouse Has a Right to 'Crow' About PETER PAN

Having witnessed the stultifying, bloated NBC production of PETER PAN LIVE (what were the 'powers that be' thinking would hold a child's attention span for three hours, however padded with yet more Peter Pan plugs from Walmart?), I was reluctant to attend Playhouse on the Square's annual production of the James Barrie children's classic. I am probably one of the handful of reviewers to recall the 1955 NBC production (and later one as well) with the legendary pairing of Mary Martin and Cyril Ritchard (whose fruity, overly ripe 'Captain Hook' would make Johnny Depp's 'Jack Sparrow' seem more like a white collar executive). As an IPad-free child inured to black and white fare, it hardly mattered that Mary Martin was, to put it politely, mature; that the production values were clunky; that the wires and 'Tinker' herself were glaringly apparent. In short, I was captivated. Yet, Martin possessed the kind of spunk and spontaneity that made us children believe (not to mention that she had the kind of singing voice that made her a legendary Broadway performer, as evidenced by SOUTH PACIFIC and SOUND OF MUSIC). She could make a child want to fly. Allison Williams, last evening's 'Peter,' lacked that optimistic boyishness (though she had the tomboyish Hilary Swank look 'nailed') and, despite having a pleasant enough voice, often seemed out of breath; but Chrisopher Walken, whom I like and who I initially thought would be inspired casting, seemed to have wandered in from a cocktail party hosted by zombies. His dancing made that of the Monster in YOUNG FRANKENSTEIN seem as nimble as that of Fred Astaire. Despite the wonderful lyrics by Carolyn Leigh, Betty Comden and Adolph Green, and despite the 'ear candy' musical score by Mark Charlalp and Jule Stein, those long, middle stretches in Neverland made me wonder if it would Neverend.

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