NBC has announced that Broadway's Kristin Chenoweth will guest on LATE NIGHT WITH SETH MEYERS on Tuesday, January 27th along with Casey Wilson and musical guest Brandy Clark.
Kristin Chenoweth stopped by THE VIEW today to discuss her upcoming role on Broadway in ON THE TWENTIETH CENTURY, as well as her new film STRANGE MAGIC and more. Watch the interview below!
Artistic director Charles Busch -- in his Lyrics & Lyricists debut -- serves up a cavalcade of stories and songs about the legendary women of Hollywood's movie musical Golden Age in 'Here's to the Girls!' on February 7, 8 and 9, 2015 at 92Y.
Kiss Me Kate -- Cole Porter's 1953 hit musical filmed with the most advanced 3D technology during the medium's "golden era" - will be released March 3 in a new restored Blu-ray edition by Warner Bros. Home Entertainment.
Kristin Chenoweth stopped by last night's LATE NIGHT WITH SETH MEYERS to talk about her new film co-starring Jennifer Lopez, and her upcoming return to Broadway in the revival of ON THE TWENTIETH CENTURY.
Lyrics & Lyricists gets going on the opening show of its 45th season with 'A Good Thing Going: The Stephen Sondheim and Harold Prince Collaboration' beginning tonight, January 10, and continuing January 11 and 12.
Orange County, Calif.—Jan. 9, 2015—Composer, conductor and teacher Leonard Bernstein, one of the undeniable giants of 20th-century music, and the first American-born conductor to become a major star, becomes the focal point of Pacific Symphony's second “Music Unwound” concert this season, “For the Love of Bernstein.” In 1985, a young Carl St.Clair met Bernstein as a conducting fellow at Tanglewood Music Center. A few years later in 1990, St.Clair stepped in for the ailing Maestro and conducted his “Arias and Barcarolles” during what turned out to be Bernstein's last concert. St.Clair would soon be named music director of Pacific Symphony, but the impact of Bernstein's mentoring to St.Clair has remained to this day.
Two consummate Broadway babies are back onstage-she for the first time since 2010's hit Promises and Promises, and he in his first musical appearance since 1992's legendary Guys and Dolls. On Monday, April 6, join Tony®-winning diva Kristin Chenoweth and Golden Globe winner Peter Gallagher as they trade intimate stories of balancing their incredibly varied careers-in theater, film, TV and music-and their lives outside the limelight. Discover how these stars sustain their passion, and hear tidbits on Roundabout Theatre Company's new hot-ticket revival of the madcap musical comedy On the Twentieth Century.
The new Broadway revival of On The Town was recorded in November 2014 for a two-disc cast album to be released by PS Classics. After announcing a previous date for January 20, the label's website now lists a March 3 release.
Porchlight Music Theatre and Artistic Director Michael Weber have announced the next production in the second season of Chicago's hit 'lost' musicals in staged concert series, Porchlight Revisits... City of Angels, featuring book by Larry Gelbart (A Funny Thing Happened on the Way to the Forum, M*A*S*H), music by Cy Coleman (Sweet Charity, Barnum) and lyrics by David Zippel (The Goodbye Girl, Disney's Mulan) with direction by Christopher Pazdernik and music direction by Aaron Benham. City of Angels is presented for two-nights-only Tuesday, March 3 and Wednesday, March 4 at 8:00 p.m. and is performed on the set of Porchlight's Sondheim on Sondheim (February 6 - March 15) on nights when there are no performances at Stage 773, 1225 W. Belmont Ave.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Braodway. It's the Top Ten Hot Topix for the last half of 2014, and the BroadwayWorld Chicago Awards Celebration on Wednesday, January 7th, 2015!
2015 is almost here, and that means that a slew of new shows are on their way to the Great White Way. Before the 2015 Awards season gets started, no less than nineteen new productions will take tike their first Broadway bows. Catch up on what's in store for the season ahead below!
Lyrics & Lyricists gets going on the opening show of its 45th season with "A Good Thing Going: The Stephen Sondheim and Harold Prince Collaboration" on January 10, 11 and 12. Artistic director David Loud, himself a frequent Sondheim collaborator, explores the 1970-1981 partnership behind the groundbreaking musicals Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd and Merrily We Roll Along - with cast members Kate Baldwin, Heidi Blickenstaff, Liz Callaway, James Clow, Jason Danieley, and Alan H. Green.
Having witnessed the stultifying, bloated NBC production of PETER PAN LIVE (what were the 'powers that be' thinking would hold a child's attention span for three hours, however padded with yet more Peter Pan plugs from Walmart?), I was reluctant to attend Playhouse on the Square's annual production of the James Barrie children's classic. I am probably one of the handful of reviewers to recall the 1955 NBC production (and later one as well) with the legendary pairing of Mary Martin and Cyril Ritchard (whose fruity, overly ripe 'Captain Hook' would make Johnny Depp's 'Jack Sparrow' seem more like a white collar executive). As an IPad-free child inured to black and white fare, it hardly mattered that Mary Martin was, to put it politely, mature; that the production values were clunky; that the wires and 'Tinker' herself were glaringly apparent. In short, I was captivated. Yet, Martin possessed the kind of spunk and spontaneity that made us children believe (not to mention that she had the kind of singing voice that made her a legendary Broadway performer, as evidenced by SOUTH PACIFIC and SOUND OF MUSIC). She could make a child want to fly. Allison Williams, last evening's 'Peter,' lacked that optimistic boyishness (though she had the tomboyish Hilary Swank look 'nailed') and, despite having a pleasant enough voice, often seemed out of breath; but Chrisopher Walken, whom I like and who I initially thought would be inspired casting, seemed to have wandered in from a cocktail party hosted by zombies. His dancing made that of the Monster in YOUNG FRANKENSTEIN seem as nimble as that of Fred Astaire. Despite the wonderful lyrics by Carolyn Leigh, Betty Comden and Adolph Green, and despite the 'ear candy' musical score by Mark Charlalp and Jule Stein, those long, middle stretches in Neverland made me wonder if it would Neverend.