Monodrama MY LAI Comes to BAM Harvey Theater
by BWW News Desk
- Aug 23, 2017
An evening-length sung monodrama, My Lai focuses on the emotional toll of the infamous 1968 civilian massacre by US troops in Vietnam and the military's attempted cover up.
Shakespeare's HAMLET Extends at The Old Globe
by BWW News Desk
- Aug 22, 2017
The Old Globe today announced due to popular demand, that William Shakespeare's exhilarating tragedy Hamlet, has now been extended through September 22.
Aaron Tveit-Led COMPANY Extends at Barrington Stage
by BWW News Desk
- Aug 21, 2017
Barrington Stage Company (BSC), the award-winning theatre in Downtown Pittsfield, MA, under the leadership of Artistic Director Julianne Boyd, has announced a one-week extension of Company.
BWW Preview: All Things Considered, I'd Rather Be in Philadelphia, at the O17 Opera Festival
by Richard Sasanow
- Aug 21, 2017
There are opera festivals and then there are OPERA FESTIVALS, but none that promise to be the equivalent of Opera Philadelphia's O17, which opens on September 14 for a 12-day run. It's a dazzling array of the old and new, the well-known and emerging, being produced at prestigious venues around the city, from the Academy of Music to the Barnes Foundation. There's even a screening in Independence Park of a hit from the last opera season.
Otherworld Theatre Stages SPEED OF LIGHT
by Julie Musbach
- Aug 19, 2017
On the planet of Nerth, physicist Mayra Ecazin races against time to unlock the secret of light speed travel while a hoarde of alien invaders threaten to decimate life on the planet. However, getting the machine made proves more difficult than anticipated. Battling greedy investors, competing agendas, and her own mortality, how much is Mayra willing to sacrifice to make her machine?
Arts Alive! Quebec Wakefield Set for Sept 8-10
by BWW News Desk
- Aug 17, 2017
Arts Alive! Quebec (AAQ) partners with Theatre Wakefield's Ta Da! Festival for a third exciting year to celebrate arts in the region, from September 8-10.
Review Roundup: Aaron Tveit-Led COMPANY at Barrington Stage
by Alan Henry
- Aug 15, 2017
Aaron Tveit (Broadway's Catch Me If You Can, Next to Normal), who returns to Barrington Stage Company after previously playing 'Matt' in the 2007 production of Calvin Berger, stars as 'Bobby' in Company at BSC. BroadwayWorld has a first look at Tveit and the cast in action below!
THIS IS US Season One DVD & Soundtrack Available This September
by Caryn Robbins
- Aug 15, 2017
THIS IS US (Music from the Series), a companion to the show America loves, is available September 15 via UMe. This Is Us: The Complete First Season will be available on DVD three days earlier so fans can relive all the moments along with the music from the hit show.
Mercury Theater Chicago HAIR Extended By Popular Demand
by A.A. Cristi
- Aug 15, 2017
Mercury Theater Chicago, 3745 N. Southport Avenue - has announced the extension of our rousing rock musical HAIR: THE AMERICAN TRIBAL LOVE-ROCK MUSICAL through September 24th due to popular demand.
Photo Flash: First Look at Aaron Tveit in COMPANY at Barrington Stage
by BWW News Desk
- Aug 14, 2017
Aaron Tveit (Broadway's Catch Me If You Can, Next to Normal), who returns to Barrington Stage Company after previously playing 'Matt' in the 2007 production of Calvin Berger, stars as 'Bobby' in Company at BSC. BroadwayWorld has a first look at Tveit and the cast in action below!
Kronos Quartet Brings MY LAI to BAM Next Wave Festival
by Julie Musbach
- Aug 9, 2017
Kronos Quartet, tenor Rinde Eckert, and Vietnamese musician Van-Ahn Vo are bringing Jonathan Berger's acclaimed monodrama My Lai to BAM's 2017 Next Wave Festival for the work's East Coast premiere.
Lauren Yee's IN A WORD Gets SoCal Premiere at Chance Theater
by A.A. Cristi
- Aug 8, 2017
Chance Theater, Anaheim's official resident theater company, is pleased to announce the sixth show of our 2017 season… in a word. Written by former Chance Theater Resident Playwright Lauren Yee, in a word has received numerous awards and was recently named a New York Times Critic's Pick. Directed by Jocelyn A. Brown, in a word will preview from September 8 through September 15; regular performances will begin September 16 and continue through October 8 at Chance Theater @ Bette Aitken theater arts Center on the Fyda-Mar Stage.
VIDEO: Check Out Aaron Tveit in Rehearsal for Barrington Stage's COMPANY
by Alan Henry
- Aug 7, 2017
Aaron Tveit (Broadway's Catch Me If You Can, Next to Normal), who returns to BSC after previously playing 'Matt' in the 2007 production of Calvin Berger, will star as 'Bobby' in Company, along with Ellen Harvey (Broadway's Present Laughter) as 'Joanne,'Lawrence Street (Broadway's Urinetown) as 'Harry,' Jeanette Bayardelle (Broadway's The Color Purple) as 'Sarah,' Kate Loprest(Broadway's First Date) as 'Susan,' Paul A. Schaefer(Broadway's The Phantom of the Opera) as 'Peter,' Jane Pfitsch (Broadway'sCabaret) as 'Jenny,' James Ludwig (Broadway's Spamalot) as 'David,' Lauren Marcus (Little Shop of Horrors, Sharon Playhouse) as 'Amy,' Joseph Spieldenner (Broadway's Les Miserables) as 'Paul,' Peter Reardon (BSC's All My Sons) as 'Larry,' Nora Schell(Spamilton, Triad Theater) as 'Marta,' and Rebecca Kuznick (BSC's Fiddler on the Roof) as 'Kathy.' Featuring a book by George Furth, music and lyrics by Stephen Sondheim, with choreography by Jeffrey Page, music supervision by Darren Cohen, music direction by Alex Shields, and direction by JuliAnne Boyd, Company will begin previews on August 10 and is set to open August 13 for a run through September 2.
BWW Review: HAIR at Mercury Theater Chicago
by Rachel Weinberg
- Aug 6, 2017
Mercury Theater's revival of the iconic rock musical HAIR infuses some peace, love, and sunshine into this Chicago summer. While Gerome Ragni and James Rado's lyrics still resonant today, this production stays firmly rooted in the late 1960s. Brenda Didier's direction, Robert Kuhn's costumes, and Jeffrey D. Kmiec's set design all have a 'traditional' feel-at least traditional by the show's standards. Certainly HAIR's call for peace and embrace of the Tribe's diverse identities echo the present and remind us of the progress yet to be made, but this staging does not underscore that relevance based on production choices.
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