The Abreact Performance Space presents the
controversial La Ronde, by Arthur Schnitzler, directed by Frannie Shepherd-Bates. The show runs from February 4-26, Friday and Saturdays nights with one Sunday matinee. Admission is by donation. Tickets may be reserved by calling 313-285-0217 or at reservations@theabreact.com.
Featuring over 100 works from the museum's holdings by Constantin Brancusi, Paul Cezanne, Marc Chagall, Robert Delaunay, Marcel Duchamp, Fernand Leger, and Pablo Picasso, among others, The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 details the period of collaboration, interchange, synthesis, and innovation in the years leading up to World War I.
The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 illuminates the dynamism of this fertile period, as artists hurtled toward abstraction and the ultimate 'great upheaval' of a catastrophic war, and also highlights the masterpieces of modern art that launched the museum's collection. The exhibition unites the Guggenheim Foundation's remarkable collections in New York and Venice in order to trace the origins of the museum and capture the spirit and dynamism of the European avant-garde.
The Abreact Performance Space presents the
controversial La Ronde, by Arthur Schnitzler, directed by Frannie Shepherd-Bates. The show runs from February 4-26, Friday and Saturdays nights with one Sunday matinee. Admission is by donation. Tickets may be reserved by calling 313-285-0217 or at reservations@theabreact.com.
Transport Group (TG), the winner of a special 2007 Drama Desk Award and 2007 and 2010 OBIE Awards, will present the first major New York revival of Hello Again, words and music by Michael John LaChiusa (suggested by the play La Ronde by Arthur Schnitzler), and directed by Artistic Director Jack Cummings III (two-time Drama Desk Award nominee for Outstanding Director for TG's The Audience and The Boys in the Band), beginning performances Friday, March 4, with an opening scheduled for Sunday, March 20, at 52 Mercer Street.
The Moth Theatre has announced their production of The Blue Room, David Hare's 1998 play, which caused quite a sensation when it was first produced in London and subsequently on Broadway over a decade ago. Directed by John Markland, The Blue Room will open on December 2 and run for twelve performances only through December 19.
The Moth Theatre has announced their production of The Blue Room, David Hare's 1998 play, which caused quite a sensation when it was first produced in London and subsequently on Broadway over a decade ago. Directed by John Markland, The Blue Room will open on December 2 and run for twelve performances only through December 19.
The REP, Point Park University's professional theatre company, presents La Ronde, written by Arthur Schnitzler and translated by Frank and Jacqueline Marcus, at Point Park University's Pittsburgh Playhouse Oct. 8 - 24 with a preview performance open to the public on Thursday, Oct. 7; it is directed by Robin Walsh.
The REP, Point Park University's professional theatre company, presents La Ronde, written by Arthur Schnitzler and translated by Frank and Jacqueline Marcus, at Point Park University's Pittsburgh Playhouse Oct. 8 - 24 with a preview performance open to the public on Thursday, Oct. 7; it is directed by Robin Walsh.
The REP, Point Park University's professional theatre company, presents La Ronde, written by Arthur Schnitzler and translated by Frank and Jacqueline Marcus, at Point Park University's Pittsburgh Playhouse Oct. 8 - 24 with a preview performance open to the public on Thursday, Oct. 7; it is directed by Robin Walsh.
Point Park University's professional theatre company, The REP, will produce four works, including two world premieres, in the 2010- 2011 season, which opens September 10, 2010 and runs through April 17, 2011 at the Pittsburgh Playhouse.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
Executive Director Kevin Mayes announced today that after a critically-acclaimed, twice extended run, Bailiwick Chicago's hit production of Joe DiPietro's f**kING MEN will play its final performance on Sunday, August 29 at 7pm at Stage 773, 1225 W. Belmont.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
Executive Director Kevin Mayes announced today that after a critically-acclaimed, twice extended run, Bailiwick Chicago's hit production of Joe DiPietro's f**kING MEN will play its final performance on Sunday, August 29 at 7pm at Stage 773, 1225 W. Belmont.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
Executive Director Kevin Mayes announced today that Bailiwick Chicago's hit production of Joe DiPietro's f**kING MEN will be extended for an additional three weeks due to popular demand. Performances will continue through Sunday, August 29 at Stage 773, 1225 W. Belmont with the original cast.
Cape May Stage, South Jersey's premier professional Equity theatre, is doubling your theatrical pleasure with Barry Harman and Keith Hermann's Tony-nominated two-act musical: Romance/Romance.