The young American theater director Arin Arbus will direct an opera for the first time when she leads a new production of Benjamin Britten's intimate but intensely gripping chamber opera The Rape of Lucretia at Houston Grand Opera, on February 3-11, 2012.
Houston Grand Opera's new production of Benjamin Britten's intimate but intensely gripping chamber opera The Rape of Lucretia takes place on February 3-11, 2012 and features the young American theatre director Arin Arbus in her operatic debut.
The young American theater director Arin Arbus will direct an opera for the first time when she leads a new production of Benjamin Britten's intimate but intensely gripping chamber opera The Rape of Lucretia at Houston Grand Opera, on February 3-11, 2012.
Houston Grand Opera's new production of Benjamin Britten's intimate but intensely gripping chamber opera The Rape of Lucretia takes place on February 3-11, 2012 and features the young American theatre director Arin Arbus in her operatic debut.
When the Houston Grand Opera's 2011-12 season - its 57th - opens officially on October 21 with a new production of Rossini's The Barber of Seville, the company begins a new era under the leadership of Patrick Summers.
The William & Eva Fox Foundation and Theatre Communications Group (TCG), the national organization for theatre, are pleased to announce the sixth round of Fox Foundation Resident Actor Fellowship recipients. The program is designed to support actors' professional and artistic development, to enrich relationships between actors and nonprofit theatres and to ensure continued professional commitment to live theatre. Funded by the Fox Foundation and administered by TCG, the fellowship is one of only a few programs of its kind for actors in the country.
Having commissioned the world's first Mariachi opera and premiered the work to great acclaim last season, Houston Grand Opera crosses the Atlantic with its pioneering creation for season-opening performances September 23-27 at the illustrious Théâtre du Châtelet in Paris.
Theatre for a New Audience's 32nd season features boldly diverse plays by William Shakespeare, Samuel Beckett, John Ford and a joyful klezmer musical adapted by Robert Brustein from the stories of Nobel-winning Isaac Bashevis Singer.
Theatre for a New Audience's 32nd season features boldly diverse plays by William Shakespeare, Samuel Beckett, John Ford and a joyful klezmer musical adapted by Robert Brustein from the stories of Nobel-winning Isaac Bashevis Singer.
Hartford Stage will launch its 2011 SummerStage season with Doug Elkins' & Friends' Fräulein Maria, the innovative and award-winning dance piece performed to the soundtrack from Rodgers & Hammerstein's movie classic, The Sound of Music.
The Hangar Theatre hits one out of the park with the opening of its first show of the season, Richard Dresser's baseball comedy Rounding Third. Performances begin on June 3, 2011.
Gallagher's Steak House, a long-standing supporter of Theater for A New Audience, will host the Opening Night Celebration of the company's production of MacBeth on Sunday night, March 20.
John Douglas Thompson is playing the title role in Shakespeare's tragedy Macbeth in Theatre for a New Audience's final and fourth show of its 31st Season. Directed by Arin Arbus, this production reunites Ms. Arbus and Mr. Thompson whom she directed in the title role of Othello two seasons ago. Mr. Thompson won OBIE and Lucille Lortel awards for his performance. Macbeth features Annika Boras as Lady Macbeth, Albert Jones (Theatre for a New Audience's Pericles and Oroonoko) as Macduff and Graham Winton (Theatre for a New Audience's Don Juan, Julius Caesar, Pericles, Othello and Measure for Measure) as Banquo. Macbeth begins previews Saturday, March 12 at 8:00pm, opens Sunday, March 20 at 7:00pm, and runs through Thursday, April 21 at The Duke on 42nd Street, a New 42nd Street® project, 229 West 42nd Street. The production is sponsored by Deloitte.
Gallagher's Steak House, a long-standing supporter of Theater for A New Audience, will host the Opening Night Celebration of the company's production of MacBeth on Sunday night, March 20.
John Douglas Thompson is playing the title role in Shakespeare's tragedy Macbeth in Theatre for a New Audience's final and fourth show of its 31st Season. Directed by Arin Arbus, this production reunites Ms. Arbus and Mr. Thompson whom she directed in the title role of Othello two seasons ago. Mr. Thompson won OBIE and Lucille Lortel awards for his performance. Macbeth features Annika Boras as Lady Macbeth, Albert Jones (Theatre for a New Audience's Pericles and Oroonoko) as Macduff and Graham Winton (Theatre for a New Audience's Don Juan, Julius Caesar, Pericles, Othello and Measure for Measure) as Banquo. Macbeth begins previews Saturday, March 12 at 8:00pm, opens Sunday, March 20 at 7:00pm, and runs through Thursday, April 21 at The Duke on 42nd Street, a New 42nd Street® project, 229 West 42nd Street. The production is sponsored by Deloitte.
Houston Grand Opera General Director and CEO Anthony Freud announced the company's 2011-2012 season today. Opening on October 21, 2011, the season offers thirty-two performances of six operas. 'We've chosen an exciting array of operas that will thrill, stimulate and entertain,' says Freud. 'From celebrated masterpieces to rarely-performed operatic gems, our 2011-12 season features world-renowned directors, beloved productions and acclaimed singers.
Theatre for a New Audience (Artistic director, Jeffrey Horowitz) has produced some of the most promising artists early in their careers including Arin Arbus, Juliet Rylance, Mark Rylance, Bartlett Sher and Juliet Taymor.
Theatre for a New Audience (Artistic director, Jeffrey Horowitz) has produced some of the most promising artists early in their careers including Arin Arbus, Juliet Rylance, Mark Rylance, Bartlett Sher and Juliet Taymor.
Theatre for a New Audience (Artistic director, Jeffrey Horowitz) has produced some of the most promising artists early in their careers including Arin Arbus, Juliet Rylance, Mark Rylance, Bartlett Sher and Juliet Taymor.