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The Civilians Presents Claire Kiechel's PAUL SWAN IS DEAD AND GONE

The Civilians, under the leadership of Founding Artistic Director Steve Cosson and Managing Director Margaret Moll, is proud to present the world premiere of Paul Swan is Dead and Gone by Claire Kiechel, a former member of The Civilians' R&D Group where the play was first developed. Directed by Cosson and starring Tony Torn as the real-life Paul Swan, the production marks Kiechel's New York debut and runs April 25 - May 19, with an opening night set for May 1. For an audience of only 30, the intimate and immersive performance takes place at Torn Page (435 West 22nd Street, Manhattan), a salon-style performance space located inside a historic Chelsea townhouse originally purchased by Torn's parents, Geraldine Page and Rip Torn.

BWW Interview: THE NICETIES playwright Eleanor Burgess Mining History To Facilitate Truthful Plays

Playwright Eleanor Burgess' latest work THE NICETIES receives its west coast premiere at the Geffen Playhouse beginning April 9, 2019. THE NICETIES charts the escalating series of calm-to-volatile discourses between a university college professor and her brilliant student on history, race and reputation. Eleanor, a Huntington Playwright Fellow, carved out some time to answer a few of my inquisitive inquiries on her writing processes, while touching on some of her professional milestones.

MTC Announces Full Cast For CONTINUITY

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce the complete casting for the world premiere of Continuity, the new play by Lortel and Drama Desk Award nominee Bess Wohl (Small Mouth Sounds, American Hero) and directed by Tony Award nominee Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812). The production will feature Max Baker (1984, The Explorers Club), Jasmine Batchelor (The River), Rosal Colon ('Orange is the New Black,' Between Riverside and Crazy), Curran Connor (Pidgeon, A Picture of Autumn), Garcia ('Tales of the City'), Darren Goldstein (Lillian Hellman's The Little Foxes, The Madrid), Alex Hurt (Cardinal, The Whirligig) and Megan Ketch (The Big Wedding, 'American Gothic').

Soho Rep Presents NY Premiere Of Christopher Chen's PASSAGE

Soho Rep. presents the New York Premiere of Obie Award-winning playwright Christopher Chen's Passage (April 23-May 26), a fantasia on colonialism past and present that asks the question: if Country Y occupies Country X, can someone from Country X and someone from Country Y ever form a mutual relationship? Directed by Saheem Ali, Passage is a playful and gripping experiment that isolates power as the sole differentiator between people challenging the arbitrary binaries that define how we live.

Cherry Lane Theatre Concludes Its Mentor Project Season With C. A. Johnson's THE CLIMB

Cherry Lane Theatre (Angelina Fiordellisi, Founder; Seri Lawrence, Artistic Director) will conclude its Obie Award-winning Mentor Project with The Climb, written by C.A. Johnson. The Climb is directed by Jenna Worsham, mentored by Pulitzer Prize winner Martyna Majok and will begin performances on Wednesday, April 3 and run through April 13, 2019, at the Cherry Lane Theatre (38 Commerce Street, NYC).  Tickets are $25 and can be purchased by visiting cherrylanetheatre.org or by calling 866-811-4111.

Photo Flash: First Look at THE TWILIGHT ZONE

Adapted by Anne Washburn (Shipwreck, Mr. Burns) and directed by the multi award-winning director (winner of 7 Olivier Awards), Richard Jones, this production of the acclaimed classic CBS television series The Twilight Zone is an ingenious mixture of morality tales, fables and fantasy that are as relevant today as when audiences first encountered them.

BWW Review: THE TWILIGHT ZONE, Ambassadors Theatre

Before Black Mirror, there was The Twilight Zone. First aired in 1959, the series was presented by Rod Serling who, at the time, had risen to prominence as a writer of television dramas as well as a commentator of the medium.

MR. BURNS Set To Return To Melbourne After Complete Sell Out Of Current Season

Mr. Burns set to return to Melbourne after complete sell out of current season Due to popular demand, Lightning Jar Theatre is thrilled to announce the return of Mr. Burns, a post-electric play at fortyfivedownstairs from 2 - 19 May 2019 for those who missed out the first time around.

Clubbed Thumb Announces Full Line-Up For 24th Annual SUMMERWORKS Festival

Five-time Obie Award-winning theater company Clubbed Thumb (Maria Striar, Producing Artistic Director; Michael Bulger, Associate Artistic Director; Quinn Metal Corbin, Advancement Director) is proud to announce the line-up for SUMMERWORKS, its annual series of new plays. Now in its 24th season, SUMMERWORKS will run May 17 through June 29 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: LUNCH BUNCH by Sarah Einspanier and directed by Tara Ahmadinejad; YOU NEVER TOUCHED THE DIRT by Zhu Yi and directed by Ken Rus Schmoll; and KING PHILIP'S HEAD IS STILL ON THAT PIKE JUST DOWN THE ROAD by Daniel Glenn and directed by Caitlin Ryan O'Connell.

BETRAYAL Leads March's Top 10 New London Shows

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Pinter and tasty musical treat to a portrait of grief, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews!

Zoe Kazan, Paul Dano, and More Among Presenters and Performers at Soho Rep's 2019 Spring Fete

Soho Rep., which provides a platform for vastly diverse artists to realize their boldest visions, in productions that are regularly among the most ambitious and acclaimed offerings of the theater season, will convene many of its collaborators and supporters at its 2019 Spring Fete, Monday, April 8, at Tribeca Rooftop (2 Desbrosses Street, New York, NY 10013).

BWW Review: SHIPWRECK, Almeida Theatre

'Isn't that the problem with political theater, too much directness?' queries one of Anne Washburn's characters in her new play - which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly analyses our responses to the President and the present moment, including the role of the arts.

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