Ann Turiano News

Furies scream, goddesses judge, and dead girls ponder in Ann Turiano's THE PRETTIES, an adaptation of Aeschylus' blood-soaked trilogy The Oresteia. The voices of Clytemnestra, Cassandra, Electra and other women frame the journey of Orestes as he seeks revenge for the murder of his father, Agamemnon, by his mother. This adaptation captures and reinvents the entire Greek trilogy in one evening, and still gets you home way before midnight.

Furies scream, goddesses judge, and dead girls ponder in Ann Turiano's THE PRETTIES, an adaptation of Aeschylus' blood-soaked trilogy The Oresteia. The voices of Clytemnestra, Cassandra, Electra and other women frame the journey of Orestes as he seeks revenge for the murder of his father, Agamemnon, by his mother. This adaptation captures and reinvents the entire Greek trilogy in one evening, and still gets you home way before midnight.

THE WELL OF HORNINESS, the current production playing at Theatre Project, has madcap motion, familiar characters, sexy action sequences/active sex sequences and clever, punny wordplay for ninety minutes front to back. It's funny, raunchy, ridiculous and insubstantial. Go. Take your popcorn.

This hilarious and wild send up of a film-noir detective genre puts the focus on the women in this all-female Baltimore premiere of Holly Hughes' The Well of Horniness. As director Julianne Franz says, this play is 'a lust-filled lover who woos you with wit while in a full-on panic to get your clothes off'. This outrageous comedy by playwright, lesbian icon, and Iron Crow Theatre Advisory Board member Holly Hughes is sure to be sexy, funny, and with just the right amount of mania expected of a live-show with a studio audience.

This hilarious and wild send up of a film-noir detective genre puts the focus on the women in this all-female Baltimore premiere of Holly Hughes' The Well of Horniness. As director Julianne Franz says, this play is 'a lust-filled lover who woos you with wit while in a full-on panic to get your clothes off". This outrageous comedy by playwright, lesbian icon, and Iron Crow Theatre Advisory Board member Holly Hughes is sure to be sexy, funny, and with just the right amount of mania expected of a live-show with a studio audience.

I rather wanted to call Glass Mind Theatre's THE DUM DUMS a weird little piece of experimental theatre, but it is, in fact, a plot-driven story, with regular people characters and a beginning middle and end, so not all that 'experimental' after all. It FEELS experimental, but in a good way.

Three female astronauts take off to explore a super-Earth when a programming error threatens their mission. Maybe it's the reality TV or the White Castle cheeseburgers - but when the hallucinations start - we have to ask who, or what, is out there?

Three female astronauts take off to explore a super-Earth when a programming error threatens their mission. Maybe it's the reality TV or the White Castle cheeseburgers - but when the hallucinations start - we have to ask who, or what, is out there?

The Chicken Box presents the Baltimore Premiere of EIGHTYSIX, today, Nov. 5 to Nov. 8.

The Chicken Box presents the Baltimore Premiere of EIGHTYSIX, Nov. 5-8. Starting at age fourteen until her early twenties, playwright Annelise Montone earned her spending money waiting tables. Some places were fancy, some cheap, but they all had one thing in common: the camaraderie of the people in the trenches.

What a way for Center Stage Artistic Director Kwame Kwei-Armah to open Center Stage's 52nd Season. He directs Peter Shaffer's brilliant play AMADEUS with an impeccable cast.

Glass Mind Theatre is making some exciting changes! The company is sad to have had to say goodbye to some members this year who are moving on to do pursue amazing new opportunities. However, Glass Mind is proud to announce the addition of five new company members - thereby growing the company by over 100%.

Time travel might not be first thing that comes to mind when people think of manners; usually it's more like which fork to use when. But, in Glass Mind's production of RSVP, based on Emily Post's Etiquette, you can expect that combination. Director Ann Turiano, who is also leading the cast in the devising process, uses time travel to go back and forth between 1922 and 2014 to look at different ideas of acceptable behavior in the two different eras.

Time travel might not be first thing that comes to mind when people think of manners; usually it's more like which fork to use when. But, in Glass Mind's production of RSVP, based on Emily Post's Etiquette, you can expect that combination. Director Ann Turiano, who is also leading the cast in the devising process, uses time travel to go back and forth between 1922 and 2014 to look at different ideas of acceptable behavior in the two different eras.

Time travel might not be first thing that comes to mind when people think of manners; usually it's more like which fork to use when. But, in Glass Mind's production of RSVP, based on Emily Post's Etiquette, you can expect that combination. Director Ann Turiano, who is also leading the cast in the devising process, uses time travel to go back and forth between 1922 and 2014 to look at different ideas of acceptable behavior in the two different eras.

Glass Mind Theatre gives The All-American Genderf*ck Cabaret by Mariah MacCarthy its Baltimore premiere. Traditional sexuality combusts. A gender-bending emcee guides the audience as limitations of sexuality are redefined throughout confines and confusion.

Glass Mind Theatre gives The All-American Genderf*ck Cabaret by Mariah MacCarthy its Baltimore premiere. Traditional sexuality combusts. A gender-bending emcee guides the audience as limitations of sexuality are redefined throughout confines and confusion.

Glass Mind Theatre gives The All-American Genderf*ck Cabaret by Mariah MacCarthy its Baltimore premiere. Traditional sexuality combusts. A gender-bending emcee guides the audience as limitations of sexuality are redefined throughout confines and confusion.

Join the Baltimore Shakespeare Factory in The Meadow at Johns Hopkins University's beautiful Evergreen Museum & Library for two of Will's most popular works. According to Artistic Director Tom Delise "HAMLET is not simply the tragedy of the Prince of Denmark -- it is also a ghost story, a detective story, a love story, a story of power and ambition, a revenge story, and even at times, a comedy." Through our signature audience interaction, The Factory literally invites viewers to respond to the many questions raised by the play.

The sumptuous, seductive production of Private Lives by Noel Coward and directed by Sherrionne Brown, runs just one more weekend at Vagabond Players in Fells Point. The final performance is Sunday June 30. Scroll down for photos of the cast in action!