Andrew W. Mellon News

When the Zimmerli's curators first devised two complementary exhibitions of American art titled Circa 1966 - one focusing on prints, the other on paintings and sculpture - the intention was to commemorate the museum's golden anniversary by spotlighting key works created around the time of its founding. But in addition to spotlighting revolutionary movements that now have an established presence in art history, the subjects of many of the works focus on social and political discussions from the era that have prominently re-emerged across the United States.

The University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA) will launch the region-wide celebration of the 50th anniversary of the Summer of Love with HIPPIE MODERNISM: THE STRUGGLE FOR UTOPIA. This major exhibition examines the intersection of the radical art, architecture, and design of the counterculture of the 1960s and early 1970s and the resonance of these innovations today. A traveling exhibition organized by the Walker Art Center and assembled with the assistance of BAMPFA, Hippie Modernism will be on view in Berkeley from February 8 through May 21, 2017. The exhibition will coincide with the first anniversary of BAMPFA's new Diller Scofidio + Renfro-designed building in downtown Berkeley.

On September 29, 2016, Caleb Teicher & Company welcomed audiences to an intimate evening of new work at the Kupferberg Center for the Arts at Queens College. As a Bessie award winner for Outstanding Individual Performance, Teicher has been making a name for himself not only as a performer, but as a choreographer. This one-night-only engagement was made possible with support by Queens College as part of the City University of New York (CUNY) Dance Initiative and an artistic residency at the American Tap Dance Foundation.

New York Live Arts presents SUPERUNKNOWN, an Open Spectrum forum featuring four esteemed arts leaders who have made lasting differences to New York's cultural identity and who know firsthand the necessity and risk of creating change.

Meany Center for the Performing Arts, presents the Seattle debut of Jessica Lang Dance. Hailed as "a master of visual composition" by Dance Magazine, Jessica Lang, the recipient of a 2014 Bessie Award, seamlessly incorporates striking design elements and transforms classical ballet language into artfully crafted, emotionally engaging contemporary works.

Following the record-breaking success of Festival 2016 and the increased demand for its resources, Jacob's Pillow Dance announces year-round online access to its impressive Archives through a robust new website. Beginning this year, digitized content and a large amount of information is available to the public, offering an unprecedented resource to the global dance community.

Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, announces the major grants and awards the theater has received for its 2016/17 Season. Total funding for the season currently exceeds $500,000 in grants.

As part of the tenth edition of its celebrated contemporary arts festival Crossing the Line, the French Institute Alliance Francaise (FIAF) and the Edmond de Rothschild Foundations are thrilled to launch BRIDGING: A French-American Dialogue on Diversity and Inclusion in the Arts, a new initiative exploring issues of cultural equity in the US and France.

This fall, contemporary opera producer AMERICAN OPERA PROJECTS (AOP) will present COMPOSERS & THE VOICE: SIX SCENES 2016, a concert of opera scenes from ten artists emerging in the world of contemporary opera. Audiences will get a first look at six wildly different new works that range from imagining moments in the lives of famous people such as Sigmund Freud and Mabel Dodge Luhan or events taking place in a spaceship, an asylum, and a uterus. The composers Matthew Barnson, Carlos R. Carrillo, Nell Shaw Cohen, Marc LeMay, Cecilia Livingston, and Sky Macklay and librettists Edward Einhorn, Duncan McFarlane, Emily Roller, and Mark Sonnenblick, were chosen by AOP to spend a year creating new works in its bi-annual fellowship program Composers & the Voice (C&V).

The CUNY Dance Initiative (CDI), a university-wide residency program heading into its fourth season, is awarding 15 choreographers/dance companies residencies at 12 CUNY colleges in the first half of 2017. CDI, led by New York City's public university system, is a unique model for collaboration. By opening the doors of CUNY campuses to New York City choreographers and dance companies, CDI aims to support dance artists, enhance college students' cultural life and education, and build new audiences for dance at CUNY performing arts centers.

American Lyric Theater (ALT) and Merkin Concert Hall at Kaufman Music Center, in partnership with MasterVoices (formerly The Collegiate Chorale), presents The Halloween Tree on October 30, 2016 at 3pm in the Merkin Concert Hall at Kaufman Music Center, 129 W 67th Street, New York City.  Based on Ray Bradbury's classic novel that explores the origins of Halloween, composer Theo Popov and librettist Tony Asaro take us on an epic journey as a group of children search for their friend Pipkin, who has mysteriously disappeared on Halloween night.

Kupferberg Center for the Arts at Queens College will present the world premiere of Caleb Teicher's full-length Variations, set to Glenn Gould's iconic 1955 recording of Bach's 'Goldberg Variations.'

As part of the tenth edition of its celebrated contemporary arts festival Crossing the Line, the French Institute Alliance Francaise (FIAF) and the Edmond de Rothschild Foundations are thrilled to launch BRIDGING: A French-American Dialogue on Diversity and Inclusion in the Arts, a new initiative exploring issues of cultural equity in the US and France.

The critically acclaimed Nai-Ni Chen Dance Company will perform Song of the Phoenix at Bailey Hall at Broward College in Davie, Florida, on September 24, 2016 at 7:30pm, with a master class and special performance for students on campus on Friday, September 23, 2016.

The award-winning choreographer, MacArthur Genius Award and National Medal of the Arts recipient, Bill T. Jones brings his company, the Bill T. Jones/Arnie Zane Company to SUNY Binghamton to present his mesmerizing Play and Play: An Evening of Movement and Music on September 24, 7:30PM at the Anderson Center at SUNY Binghamton.

Opening October 19, 2016, the exhibition Max Beckmann in New York at The Metropolitan Museum of Art will put a spotlight on the artist's special connection with New York City. It will feature 14 paintings that Beckmann created while living in New York from 1949 to 1950, as well as 25 works, dating from 1920 to 1948, from New York collections. The exhibition assembles several groups of iconic works, including self-portraits; mythical, expressionist interiors; robust, colorful portraits of women and performers; landscapes; and triptychs. 

Gender/Power Composition IV is an in-process collaborative project led by video artist Maya Ciarrocchi and performance artist Kris Grey in which performers and co-creators Keke Brown, Shawn Escarciga, Ray Ferreira, Massima Lei, Elena Rose Light, Marissa Pereland Pamela Sneed share personal feminist, trans and queer narratives within a framework that blurs authorship.

Theatre Communications Group (TCG) announces the 2016 Round 4 recipients of the Leadership U[niversity]-One-on-One program.

The Contemporary Arts Center, New Orleans (CAC) has announced three upcoming performances of the world premiere of zoe | juniper's Clear & Sweet, September 22-24, 2016 at 7:30pm in the CAC Warehouse.

Director Yana Ross makes her BAM debut with Franz XaverKroetz's poignant cultural critique, Request Concert. The play consists only of stage directions, nodialogue. The sole character is a 50-year-old middle class woman who lives alone in an overly tidyapartment. She comes home from work, prepares dinner, does the laundry, watches TV, and listensto a radio program. Surrounded by Ikea furniture and brand-name appliances, acclaimed Polishactress Danuta Stenka infuses these actions with an increasing sense of loneliness and futility.Request Concert explores the devastating circumstances of life in a world that values objects overpeople. Staged in the round, the audience is invited to walk around the set and observe the production from all angles.