The Hidden Room’s Fire Raisers is chilling and razor-sharp, where politeness becomes peril in a world where truth is seen and still ignored. Under Beth Burns, it mirrors a culture where power bends consequence, and complicity hides in plain sight.
Street Corner Arts bring you WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTHWEST AFRICA, FROM THE GERMAN SUDWESTAFRIKA, BETWEEN THE YEARS 1884-1915 by Jackie Sibblies Drury playing at Hyde Park Theatre from November 30 thru December 15. Ms. Drury's stunning, self-referential theatrical collage tackles the subject of racism and the theatre community's own (sometime self-serving) attempts at engaging with this subject matter. To helm this ambitious show, SCA has brought back Liz Fisher, director of SCA's 2016 production of CONSTELLATIONS and recent recipient of the prestigious 2018 Princess Grace Award in Theatre.
Street Corner Arts bring you WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTHWEST AFRICA, FROM THE GERMAN SUDWESTAFRIKA, BETWEEN THE YEARS 1884-1915 by Jackie Sibblies Drury playing at Hyde Park Theatre from November 30 thru December 15. Ms. Drury's stunning, self-referential theatrical collage tackles the subject of racism and the theatre community's own (sometime self-serving) attempts at engaging with this subject matter. To helm this ambitious show, SCA has brought back Liz Fisher, director of SCA's 2016 production of CONSTELLATIONS and recent recipient of the prestigious 2018 Princess Grace Award in Theatre.
Street Corner Arts bring you WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTHWEST AFRICA, FROM THE GERMAN SUDWESTAFRIKA, BETWEEN THE YEARS 1884-1915 by Jackie Sibblies Drury playing at Hyde Park Theatre from November 30 thru December 15. Ms. Drury's stunning, self-referential theatrical collage tackles the subject of racism and the theatre community's own (sometime self-serving) attempts at engaging with this subject matter. To helm this ambitious show, SCA has brought back Liz Fisher, director of SCA's 2016 production of CONSTELLATIONS and recent recipient of the prestigious 2018 Princess Grace Award in Theatre.
Shakespeare's RICHARD III, is one of his best in terms of sheer drama, but Last Act Theatre takes it a step further by filling the traditionally male dominated world with an all female cast; the result is dazzling and inspiring.
Sarah Saltwick's new play, A PERFECT ROBOT, now in its World Premiere production at The Vortex, is a smart, witty and engaging examination of some familiar themes. At the core, this is a look at the question of the creation of sentience and control. If you create something with free will, can you be certain that what you have created will choose you?
BroadwayWorld-Austin is pleased to share these production photos from the World Premiere production of Still Now, a new play by Katie Bender. Still Now is produced by Shrewd Productions.
How do you deal with cancer? How do you deal with other people's reactions to your cancer? If you're a dancer, how do you face life in all it's un-choreographed glory?