Nashville Theater Calendar 2/8/16
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all.
Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season.
Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2016 season.
LaToya Gardner adds yet another theatrical conquest to her already impressive resume: Sister Mary Clarence/Deloris Van Cartier in Sister Act, the musical theater version of the Whoopi Goldberg film that has delighted audiences since its debut in 1992, inspiring one sequel (with maybe another on the
Theatrical surprises and sneak previews of upcoming productions of veteran director Tim Larson's Sister Act, from Nashville's Circle Players - Middle Tennessee's oldest community theater organization - and Center for the Arts' Dreamgirls, directed by 2012 Most Promising Actor Matthew Hayes Hunter, w
If you were to ask me to list my five favorite musicals (or even my top ten), there is a very good chance I would not include Meredith Willson's The Music Man among my chosen favorites.
Celebrating its 65th season, Nashville's Circle Players is Middle Tennessee's oldest community theater organization and I can think of no better way to celebrate that milestone than with the company's current show, the Tim Larson-directed version of Ragtime, the musical adaptation of the acclaimed E
Today, in our latest installment of Nashville Theater 101, we introduce three more members of our wildly divergent, almost prototypically dysfunctional theater family: Justin Boyd, Amber Boyer and Maryanna Clarke.
Norma Desmond sings about them "out there in the dark" in Sunset Boulevard, Lauren Bacall dealt with a particularly sinister and deranged one in her 1981 film The Fan, and virtually everyone you know who had taken to the stage in a show anywhere around the world can regale you with stories about the
Circle Players, one of the first resident companies at the Tennessee Performing Arts Center, makes a triumphant return to that cultural edifice in downtown Nashville to mount its latest revival of Titanic the Musical just in time to commemorate the 100th anniversary of the ship's sinking in the frig
There is a huge difference between unbridled enthusiasm and the completely undisciplined free-for-all on display in Encore Theatre Company's production of Philip King's classic stage comedy See How They Run.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcom
AUDREY II, the people-eating plant who stars in Little Shop Of Horrors, the frightfully freaky rock musical, has invaded Donelson's Senior Center for the Arts (SCA), for a run through November 15 at Nashville Dinner Theatre.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcom
AUDREY II, the people-eating plant who stars in Little Shop Of Horrors, the frightfully freaky rock musical, has invaded Donelson's Senior Center for the Arts (SCA), for a run through November 15 at Nashville Dinner Theatre.
ACT 1, one of Nashville's oldest community theatre groups, staged the Gilbert & Sullivan classic The Mikado as the first production of its 20th anniversary season.
History tells us that London was caught up in some sort of Japanese fervor in 1885 when Gilbert and Sullivan debuted their newest comic opera, The Mikado or The Town of Titipu at the Savoy Theatre.