Benny Andersson and Björn Ulvaeus' MAMMA MIA!, the smash hit musical based on the songs of ABBA, returns to the Buell Theatre November 2-7 only. Single tickets go on sale Sunday, September 12 at www.denvercenter.org or by phone and walk-up Monday, September 13 at 10am.
Benny Andersson and Björn Ulvaeus' MAMMA MIA!, the smash hit musical based on the songs of ABBA, returns to the Buell Theatre November 2-7 only. Single tickets go on sale Sunday, September 12 at www.denvercenter.org or by phone and walk-up Monday, September 13 at 10am.
Jubilee plays November 25 - December 13* at the company's home venue in San Francisco's Financial District/Embarcadero, The Eureka Theatre (215 Jackson Street) and is directed by "Moon" Founding Artistic Director Greg MacKellan, with Dave Dobrusky as Musical Director and Tom Segal as Choreographer.
* Note: Opening / Press Night is Saturday, November 28, 6pm
Jubilee plays November 25 - December 13* at the company's home venue in San Francisco's Financial District/Embarcadero, The Eureka Theatre (215 Jackson Street) and is directed by "Moon" Founding Artistic Director Greg MacKellan, with Dave Dobrusky as Musical Director and Tom Segal as Choreographer.
* Note: Opening / Press Night is Saturday, November 28, 6pm
Jubilee plays November 25 - December 13* at the company's home venue in San Francisco's Financial District/Embarcadero, The Eureka Theatre (215 Jackson Street) and is directed by "Moon" Founding Artistic Director Greg MacKellan, with Dave Dobrusky as Musical Director and Tom Segal as Choreographer.
* Note: Opening / Press Night is Saturday, November 28, 6pm
Jubilee plays November 25 - December 13* at the company's home venue in San Francisco's Financial District/Embarcadero, The Eureka Theatre (215 Jackson Street) and is directed by "Moon" Founding Artistic Director Greg MacKellan, with Dave Dobrusky as Musical Director and Tom Segal as Choreographer.
* Note: Opening / Press Night is Saturday, November 28, 6pm
San Jose Repertory Theatre is proud to conclude its 2008-2009 season with the smash hit The 25th Annual Putnam County Spelling Bee. The Tony® award-winning musical comedy ? one of Broadways most talked about hits ? is in attendance at San Jose Rep. This hilarious tale of six adolescent outsiders vying for the Spelling Bee title is directed by Timothy Near. The 25th Annual Putnam County Spelling Bee begins previews on May 9, opens on May 15 and closes June 7.
Greg MacKellan, artistic director of 42nd Street Moon, and Stephanie Rhoads, producing director, today announced details of the upcoming 2009-10 season of uncommon musical theater. The offering has been called 'Forget Your Troubles' and as Rhoads explains: 'In this time of turmoil and uncertainly, we hope that 42nd Street Moon will be a place to experience the sweet joy that a visit to vintage Broadway musicals can offer.'
TheatreWorks is presenting the sizzling, red hot Broadway hit It Ain't Nothing But the Blues, a foot stomping, high-voltage journey in song. From African chants and Delta spirituals to the urban electricity of a Chicago nightclub, the musical is a stirring retrospective of blues classics that summons the soul of America. The show is helms by Randal Myler.
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, continues its 39th season with the sizzling, red-hot Broadway hit IT AIN'T NOTHIN' BUT THE BLUES, a foot-stomping, high-voltage journey in song. From African chants and Delta spirituals, to the urban electricity of a Chicago nightclub, IT AIN'T NOTHIN' BUT THE BLUES is a stirring retrospective of blues classics. Told with historical sweep and irresistible energy, The New York Times calls this Tony Award nominee 'rich, evocative, rousing...more than a musical feast.' Directed by co-author and original director Randal Myler, this scorching songfest features celebrated blues artists 'Mississippi' Charles Bevel andChic Street Man, TheatreWorks veterans Alison Ewing, James Monroe Iglehart, Michelle E. Jordan, and C. Kelly Wright, and making his TheatreWorks debut, Tony Marcus. IT AIN'T NOTHIN' BUT THE BLUES plays March 11-April 11, 2009 (press opening: March 14) at TheatreWorks at the Lucie Stern Theatre in Palo Alto. For tickets ($27-$65) and information, the public may call (650) 903-6000 or visit TheatreWorks.org
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, continues its 39th season with the sizzling, red-hot Broadway hit IT AIN'T NOTHIN' BUT THE BLUES, a foot-stomping, high-voltage journey in song. From African chants and Delta spirituals to the urban electricity of a Chicago nightclub, from dusty backroads bluegrass, to the twang of a country juke joint, IT AIN'T NOTHIN' BUT THE BLUES is a stirring retrospective of blues classics that summons the soul of American music. Told with historical sweep and irresistible energy, The New York Times calls this Tony Award nominee 'rich, evocative, rousing...more than a musical feast.' Helmed by director Randal Myler, this scorching songfest features celebrated blues artist 'Mississippi' Charles Bevel, TheatreWorks veterans Alison Ewing, James Monroe Iglehart, and Michelle E. Jordan, plus Tony Marcus and Chic Street Man, who will be making their TheatreWorks debuts.
TheatreWorks is presenting the sizzling, red hot Broadway hit It Ain't Nothing But the Blues, a foot stomping, high-voltage journey in song. From African chants and Delta spirituals to the urban electricity of a Chicago nightclub, the musical is a stirring retrospective of blues classics that summons the soul of America. The show is helms by Randal Myler.
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, continues its 39th season with the sizzling, red-hot Broadway hit IT AIN'T NOTHIN' BUT THE BLUES, a foot-stomping, high-voltage journey in song. From African chants and Delta spirituals, to the urban electricity of a Chicago nightclub, IT AIN'T NOTHIN' BUT THE BLUES is a stirring retrospective of blues classics. Told with historical sweep and irresistible energy, The New York Times calls this Tony Award nominee 'rich, evocative, rousing...more than a musical feast.' Directed by co-author and original director Randal Myler, this scorching songfest features celebrated blues artists 'Mississippi' Charles Bevel andChic Street Man, TheatreWorks veterans Alison Ewing, James Monroe Iglehart, Michelle E. Jordan, and C. Kelly Wright, and making his TheatreWorks debut, Tony Marcus. IT AIN'T NOTHIN' BUT THE BLUES plays March 11-April 11, 2009 (press opening: March 14) at TheatreWorks at the Lucie Stern Theatre in Palo Alto. For tickets ($27-$65) and information, the public may call (650) 903-6000 or visit TheatreWorks.org
TheatreWorks, the nationally-acclaimed theatre of Silicon Valley, continues its 39th season with the sizzling, red-hot Broadway hit IT AIN'T NOTHIN' BUT THE BLUES, a foot-stomping, high-voltage journey in song. From African chants and Delta spirituals to the urban electricity of a Chicago nightclub, from dusty backroads bluegrass, to the twang of a country juke joint, IT AIN'T NOTHIN' BUT THE BLUES is a stirring retrospective of blues classics that summons the soul of American music. Told with historical sweep and irresistible energy, The New York Times calls this Tony Award nominee 'rich, evocative, rousing...more than a musical feast.' Helmed by director Randal Myler, this scorching songfest features celebrated blues artist 'Mississippi' Charles Bevel, TheatreWorks veterans Alison Ewing, James Monroe Iglehart, and Michelle E. Jordan, plus Tony Marcus and Chic Street Man, who will be making their TheatreWorks debuts.
42nd Street Moon, the company that celebrates and preserves the art and spirit of the American Musical Theatre, opens its 2008-09 Season in with one of the big hits of the 1960-61 season, the saucy Irma La Douce, the hit Parisian musical which was a sensation in London before its Tony-winning New York run.
42nd Street Moon, the company that celebrates and preserves the art and spirit of the American Musical Theatre, opens its 2008-09 Season in with one of the big hits of the 1960-61 season, the saucy Irma La Douce, the hit Parisian musical which was a sensation in London before its Tony-winning New York run.