In their astounding new opera The (R)evolution of Steve Jobs, composer Mason Bates and librettist Mark Campbell explore the spiritual evolution of one of the most influential men of modern times as he creates a revolutionary new world of technological empowerment, then discovers a larger world within himself.
More than 400 opera aficionados and performers – including opera stars Alice Coote, Jennifer Rowley and Laurent Naouri – were among those who attended the 13th Annual OPERA NEWS Awards at The Plaza Hotel last night.
Gallery Met Shorts presents a film by artist Elizabeth Columba, which will be shown in more than 2,000 movie theaters in 73 countries during the intermission of the Met's final Live in HD performance of this season.
The Met's new CENDRILLON is a Cinderella of a production, finally allowing Massenet's take on the classic tale of the girl from the cinders who finds her Prince Charming to reach the Met's stage 119 years after its premiere at the Opera-Comique in Paris.
'Glorious,' raved the New York Times when Joyce DiDonato sang the title role of Cendrillon at the Royal Opera in 2011. 'Her performance was thoroughly enchanting.' Now, for the first time ever, Massenet's sumptuous take on the Cinderella story comes to the Met, with DiDonato starring in the title role. She is paired with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly's imaginative storybook production.
BroadwayWorld has a first look at CENRILLON at The Met - now on stage through May 11th! Check out the photos below!
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
On Saturday, April 28 at 1:00pm the Players present, Live from the Metropolitan Opera, a screening of Massenet's Cendrillon.
The Warner Theatre's Met Opera Live in HD Season closes in the Nancy Marine Studio Theatre on Saturday, April 28 at 12:55 pm with Massenet's CENDRILLON. A complimentary 45 minute pre-opera lecture by Nunzio DeFilippis will be offered in the Studio Lobby at 10:55 am.
Today the Edinburgh International Festival unveils its 2018 programme. The International Festival runs Friday 3 to Monday 27 August. The event welcomes 2,750 artists from 31 nations to perform in Scotland's capital city and attracts visitors from all over the world, with audiences expected to travel from over 80 nations to be part of Edinburgh's global celebration of culture.
On Sunday, March 25 at 2:00 p.m., Harry Bicket conducts Handel's Rinaldo at Carnegie Hall with acclaimed baroque orchestra The English Concert. In this concert presentation, countertenor Iestyn Davies performs the title role joined by sopranos Jane Archibald (Armida) and Joélle Harvey (Almirena), bass-baritone Luca Pisaroni (Argante), mezzo-soprano Sasha Cooke (Goffredo), and countertenors Jakub Józef Orli?ski, (Eustazio), and James Hall (A Christian Magician).
Season 12 of Great Performances at the Met continues on PBS on Sunday, March 25, at 12:00pm with the American premiere of Thomas Adès's The Exterminating Angel, a surreal fantasy about a dinner party from which the guests can't escape. The Exterminating Angel was inspired by the classic Luis Buñuel film of the same name, and stars John Tomlinson and Alice Coote. Mezzo-soprano Susan Graham is the host.
A season filled with unforgettable music, thrilling singers from around the world, and stirring new productions goes on sale via subscription Wednesday, February 7 at 10am. Seven new and new-to-Chicago productions, including four Lyric premieres, will engage and entertain audiences from October 2018 through June 2019.
From January 23 28, 2018, Carnegie Hall celebrates the legendary mezzo-soprano Marilyn Horne, who will lead The Song Continues in her final season as Artistic Advisor before passing the torch to acclaimed soprano Ren e Fleming, who will continue this beloved tradition in years to come.
Enjoy this fascinating retelling of Humperdinck's fairy-tale opera, Hansel and Gretel, in the Met's Special Holiday Encore Presentation in HD today, December 22nd at 1:30 pm at The Ridgefield Playhouse as part of the Benchmark Senior Living at Ridgefield Crossings Live in HD & Classical Series and The Metropolitan Opera Live in HD Series with support from The Ridgefield Press and Whistle Stop Bakery.
Enjoy this fascinating retelling of Humperdinck's fairy-tale opera, Hansel and Gretel, in the Met's Special Holiday Encore Presentation in HD on Friday, December 22nd at 1:30 pm at The Ridgefield Playhouse as part of the Benchmark Senior Living at Ridgefield Crossings Live in HD & Classical Series and The Metropolitan Opera Live in HD Series with support from The Ridgefield Press and Whistle Stop Bakery.
From January 23 28, 2018, Carnegie Hall celebrates the legendary mezzo-soprano Marilyn Horne, who will lead The Song Continues in her final season as Artistic Advisor before passing the torch to acclaimed soprano Ren e Fleming, who will continue this beloved tradition in years to come.
It's 'deja vu all over again' goes the quip attributed to the NY Yankees pitcher Yogi Berra. But that's the feeling I had with Thomas Ades's THE EXTERMINATING ANGEL, with libretto based on the Luis Bunuel film, 'El angel exterminador,' by Tom Cairns and the composer. (Cairns also directed.) Not that the opera looks or sounds like anything else recently produced on the Met's stage, except perhaps for Ades's own TEMPEST. Rather, it's because it seems like the operatic arm of France's Nouvelle Vague, the New Wave, of the late '50s and '60s.
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