Broadway director and choreographer Susan Stroman, whose many credits include the Tony Award-winning musicals Crazy for You, Contact, and The Producers, makes her Met debut with a lavish new staging of Lehár's effervescent operetta The Merry Widow. Star soprano Renée Flemingadds a beguiling new character to her wide-ranging Met repertory as Hanna, the widowed Pontevedrian millionairess.
Broadway director and choreographer Susan Stroman, whose many credits include the Tony Award-winning musicals Crazy for You, Contact, and The Producers, makes her Met debut with a lavish new staging of Lehr's effervescent operetta The Merry Widow.
OPERA San Antonio's Board of Directors and Chairman Mel Weingart today announced the slate for OPERA San Antonio's second season as the Resident Opera Company of the Tobin Center for the Performing Arts.
Toronto – The Canadian Opera Company regrets to announce that Romanian tenor Bogdan Mihai, who was scheduled to perform the role of Count Almaviva in Rossini's The Barber of Seville this May, has had to withdraw for personal reasons. Mihai was scheduled to sing three of the production's 12 performances. In his place, the COC has cast Argentine tenor Francisco Brito, who will make his Canadian debut. Brito shares the role of Count Almaviva with American tenor Alek Shrader who has been performing the role since the COC's production opened on April 17, 2015.
The Canadian Opera Company regrets to announce that Romanian tenor Bogdan Mihai, who was scheduled to perform the role of Count Almaviva in Rossini's The Barber of Seville this May, has had to withdraw for personal reasons. Mihai was scheduled to sing three of the production's 12 performances. In his place, the COC has cast Argentine tenor Francisco Brito, who will make his Canadian debut. Brito shares the role of Count Almaviva with American tenor Alek Shrader who has been performing the role since the COC's production opened on April 17, 2015.
Toronto – Audiences will discover love has a sense of humour with the Canadian Opera Company's new production of Rossini's TheBarber of Seville from the Spanish theatre troupe Els Comediants. Scottish-born Rory Macdonald, one of Britain's most talented and dynamic young conductors, returns to lead the COC Orchestra, Chorus and a cast of the most exciting young stars in opera today through Rossini's veritable hit parade of a score, filled with showstoppers and sparkling tunes. Sung in Italian with English SURTITLESTM, The Barber of Seville runs for 13 performances on April 17, 19, 21, 26, 29, May 2, 7, 9, 13, 15*, 19, 21, 22, 2015 at the Four Seasons Centre for the Performing Arts.
After a months-long series of competitions at the district, regional, and national levels, five young singers have been named the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions.
The Barber of Seville by Gioachino Rossini
13 performances: April 17, 19 (2 p.m.), 21, 26 (2 p.m.), 29, May 2 (4:30 p.m.), 7, 9, 13, 15 (Ensemble Studio Performance), 19, 21, 22, 2015
Four Seasons Centre for the Performing Arts
145 Queen St. W. (at University Avenue)
Start time: 7:30 p.m. unless otherwise noted above
?The 32nd season of the Schwabacher Debut Recitals continues on Sunday, March 29 at Temple Emanu-El's Martin Meyer Sanctuary with soprano Julie Adams and pianist John Churchwell. Adams and Churchwell will present a program of works by Alfred Bachelet, Erich Wolfgang Korngold, Edvard Grieg, Sergei Rachmaninov and Lee Hoiby.
Toronto – Audiences will discover love has a sense of humour with the Canadian Opera Company's new production of Rossini's TheBarber of Seville from the Spanish theatre troupe Els Comediants. Scottish-born Rory Macdonald, one of Britain's most talented and dynamic young conductors, returns to lead the COC Orchestra, Chorus and a cast of the most exciting young stars in opera today through Rossini's veritable hit parade of a score, filled with showstoppers and sparkling tunes. Sung in Italian with English SURTITLESTM, The Barber of Seville runs for 13 performances on April 17, 19, 21, 26, 29, May 2, 7, 9, 13, 15*, 19, 21, 22, 2015 at the Four Seasons Centre for the Performing Arts.
Audiences will discover love has a sense of humour with the Canadian Opera Company's new production of Rossini's The Barber of Seville from the Spanish theatre troupe Els Comediants. Scottish-born Rory Macdonald, one of Britain's most talented and dynamic young conductors, returns to lead the COC Orchestra, Chorus and a cast of the most exciting young stars in opera today through Rossini's veritable hit parade of a score, filled with showstoppers and sparkling tunes. Sung in Italian with English SURTITLESTM, The Barber of Seville runs for 13 performances on April 17, 19, 21, 26, 29, May 2, 7, 9, 13, 15*, 19, 21, 22, 2015 at the Four Seasons Centre for the Performing Arts.
The audited financial results for San Francisco Opera's 2013–14 season (FY14) were announced today by San Francisco Opera Association President Keith Geeslin: a deficit of $348,244 on an operating budget of $74,119,493. The Company's 91st season presented eight main stage works at the War Memorial Opera House in addition to numerous concerts, recitals, workshops and community engagement events attracting more than 271,954 individuals.
Opera Philadelphia's 41st Season serves as a reminder that the company is, as The Washington Post reports, “taking chances, offering unusual and new work along with repertory staples, and carving out a place for themselves as proponents of American opera.” As General Director & President David B. Devan and Jack Mulroney Music Director Corrado Rovarisannounced today, the carefully curated 2015-2016 lineup offers two new American operas: the East Coast Premiere of Cold Mountain, by composer Jennifer Higdon and librettist Gene Scheer and starring the dream team of Nathan Gunn, Isabel Leonard, and Jay Hunter Morris (February 2016); and the World Premiere of ANDY: A Popera, a Warhol-inspired opera-cabaret featuring a score by Dan Visconti and original songs by Heath Allen (September 2015).
SAN FRANCISCO, February 4, 2015 – Twenty-three singers, five apprentice coaches, and one apprentice stage director, representing seven countries, will participate in the 58th season of the Merola Opera Program from June 8 to August 22, San Francisco Opera Center Director Sheri Greenawald announced today. More than 800 artists vied this year for the 29 coveted spots in the highly selective summer opera training program. Nearly one third of this season's artists come from countries outside the United States, including artists from Australia, China, Italy, New Zealand, Russia and South Korea, and the US artists hail from 15 states, including California, New York, Illinois, Michigan, Florida, Texas, Georgia, Pennsylvania, and Idaho.
San Francisco Opera Center and the Merola Opera Program present the 33rd season of the Schwabacher Debut Recitals, beginning February 8, 2015 with soprano Erin Johnson and pianist Sun Ha Yoon at Temple Emanu-El's Martin Meyer Sanctuary in San Francisco.
Handel's sensuous and sparkling opera Semele is coming to McCaw Hall for the first time this February. Composed to an English-language libretto, this Greek myth tells the story of a mortal woman, Semele, who aspires to live among the “beautiful people”—that is, to become a goddess. Abducted by Jupiter, king of the gods, Semele believes she has found endless love (not to mention endless pleasure!) in the divine realm. But dancing with the deities proves dangerous; Juno, Jupiter's jealous wife, will make this mere mortal pay dearly for her ambition and vanity in an opera that is both comic and tragic.
Renee Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehar's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
