The Gerald W. Lynch Theater at John Jay College presents the second show of the Fall 2009 Season The Art of Justice Series, which integrates the performing arts and issues on justice, IL FURIOSO: THE BIRTH OF MODERN JUSTICE WITH DRUMS, running from November 18-22, 2009 at 8pm at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC. Admission is $10 (CUNY Students $5). For tickets, call the Communication and Theater Arts department at 212-237-8363.
The Gerald W. Lynch Theater at John Jay College presents the second show of the Fall 2009 Season The Art of Justice Series, which integrates the performing arts and issues on justice, IL FURIOSO: THE BIRTH OF MODERN JUSTICE WITH DRUMS, running from November 18-22, 2009 at 8pm at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC. Admission is $10 (CUNY Students $5). For tickets, call the Communication and Theater Arts department at 212-237-8363.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
The Gerald W. Lynch Theater at John Jay College presents the second show of the Fall 2009 Season The Art of Justice Series, which integrates the performing arts and issues on justice, IL FURIOSO: THE BIRTH OF MODERN JUSTICE WITH DRUMS, running from November 18-22, 2009 at 8pm at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC. Admission is $10 (CUNY Students $5). For tickets, call the Communication and Theater Arts department at 212-237-8363.
Today, John McGrath, Artistic Director of National Theatre Wales announced the company's first year of work at a press briefing in Cardiff that was simultaneously broadcast to the world via the internet.
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.
The Gerald W. Lynch Theater at John Jay College presents the second show of the Fall 2009 Season The Art of Justice Series, which integrates the performing arts and issues on justice, IL FURIOSO: THE BIRTH OF MODERN JUSTICE WITH DRUMS, running from November 18-22, 2009 at 8pm at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC. Admission is $10 (CUNY Students $5). For tickets, call the Communication and Theater Arts department at 212-237-8363.
The Kennedy Center today announced the casting of Emmy and Tony Award® winning actress Tyne Daly as Maria Callas in the production of Master Class by Terrence McNally which will run March 25 - April 18, 2010 in the Kennedy Center Eisenhower Theater.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Actors' Gang company members April Fitzsimmons (The Trial of the Catonsville Nine, Our Town) and Daisuke Tsuji (Love's Labours Lost, 1984) bring their acclaimed solo works to the Ivy Substation company home, kicking off a new performance series with two remarkable journeys.
The Kennedy Center today announced the casting of Emmy and Tony Award® winning actress Tyne Daly as Maria Callas in the production of Master Class by Terrence McNally which will run March 25 - April 18, 2010 in the Kennedy Center Eisenhower Theater.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
The Gerald W. Lynch Theater at John Jay College announces its Fall 2009 Season The Art of Justice Series, which integrates the performing arts and issues on justice, at theGerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC.
From November 13 to 28, The Eleventh Hour Theatre Company will perform a new translation of Aeschylus' 'Agamemnon' by Eleventh Hour artistic director Alexander Harrington, directed by Harrington and featuring original music by Michael Sirotta. Greek tragedy combined song, speech, and chant. Scholars are able to hypothesize how a section of a play was performed (sung, spoken, or chanted) based on the poetic meter the playwright used for that section.
Artistic Directors Andrew Upton and Cate Blanchett today unveiled their 2010 program for Sydney Theatre Company offering audiences fresh explorations of classic texts, new works and adaptations, an accent on international collaborations and introductions to new artists and companies from around Australia.
Actors' Gang company members April Fitzsimmons (The Trial of the Catonsville Nine, Our Town) and Daisuke Tsuji (Love's Labours Lost, 1984) bring their acclaimed solo works to the Ivy Substation company home, kicking off a new performance series with two remarkable journeys.
Twelve early-career directors and designers have been selected for the 2009 NEA/TCG Career Development Programs for Theatre Directors and Designers. The recipients were chosen by an independent, national selection panel composed of theatre professionals. These programs are administered by TCG, in association with the National Endowment for the Arts, with major support from The Ford Foundation.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Saturday, September 12 for the first production of the 2009-2010 Season, OTHELLO, directed by Peter Sellars.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for the first production of the 2009-2010 Season, OTHELLO, directed by Peter Sellars. This highly-anticipated contemporary production, featuring the previously announced John Ortiz as Othello and Philip Seymour Hoffman as Iago, will play for 23 performances only, beginning on Saturday, September 12 at NYU Skirball Center. Single tickets go on-sale on Monday, August 3.
