Adam Meyer News

The Baltimore Playwrights Festival continues its Thirty-First Season with the August 10th opening of 'The Things We Do . . . an evening of one act plays' at The Audrey Herman Spotlighters Theatre (www.spotlighters.org), 817 Saint Paul Street, Baltimore, MD 21202, 410-752-1225. Featured will be Protest, by Adam Meyer, A Good Brain is Hard to Find, by Rebecca Wyrick, and Replay, by Mark Scharf, all directed by Lynn Morton.

The Baltimore Playwrights Festival has announced its upcoming season, featuring Shana Unsettled, Lethal Injection, Following Sarah, and more.

The Baltimore Playwrights Festival continues its 31st Season with the August 10th opening of 'The Things We Do...an evening of one act plays' at The Audrey Herman Spotlighters Theatre, 817 Saint Paul Street, Baltimore, Md. Featured will be Protest, by Adam Meyer, A Good Brain is Hard to Find, by Rebecca Wyrick, and Replay, by Mark Scharf, all directed by Lynn Morton. Get a first look at the plays in the photos below!

The Baltimore Playwrights Festival has announced its upcoming season, featuring Shana Unsettled, Lethal Injection, Following Sarah, and more.

The Baltimore Playwrights Festival continues its Thirty-First Season with the August 10th opening of 'The Things We Do . . . an evening of one act plays' at The Audrey Herman Spotlighters Theatre (www.spotlighters.org), 817 Saint Paul Street, Baltimore, MD 21202, 410-752-1225. Featured will be Protest, by Adam Meyer, A Good Brain is Hard to Find, by Rebecca Wyrick, and Replay, by Mark Scharf, all directed by Lynn Morton.

The Antaeus Company presents the Bard's dark, psychological tale MACBETH in an intimate, fully double-cast production by L.A.'s top classical ensemble. Get a first look at the production photos of the 'Kinsmen' cast below.

The Antaeus Company, L.A.'s multiple award-winning classical theater company, takes on William Shakespeare's gripping psychological drama, Macbeth. Jessica Kubzansky directs the fully double-cast production, with Bo Foxworth and Rob Nagle sharing the title role and Tessa Auberjonois and Ann Noble partnering as Lady M. Performances take place tonight, July 12 through August 26. Talk-backs will follow the performance every Thursday night beginning July 19: stay after the performance to ask questions and discuss the play with various cast members.

The Antaeus Company, L.A.'s multiple award-winning classical theater company, takes on William Shakespeare's gripping psychological drama, Macbeth. Jessica Kubzansky directs the fully double-cast production, with Bo Foxworth and Rob Nagle sharing the title role and Tessa Auberjonois and Ann Noble partnering as Lady M. Performances take place July 12 through August 26, with low-priced previews beginning July 5. Talk-backs will follow the performance every Thursday night beginning July 19: stay after the performance to ask questions and discuss the play with various cast members.

The Baltimore Playwrights Festival has announced its upcoming season, featuring Shana Unsettled, Lethal Injection, Following Sarah, and more.

Antaeus, L.A.'s multiple award-winning classical theater company, presents the U.S. premiere of Noël Coward's rarely produced anti-war drama, Peace In Our Time. Casey Stangl directs the fully double-cast production of a new adaptation, with music, by Barry Creyton. Gala openings took place on October 20, 21, 22 and 23, with performances continuing through December 11 at The Antaeus Company‘s interim North Hollywood home at Deaf West Theatre. BroadwayWorld brings you photo coverage from the event below.

Antaeus, L.A.'s multiple award-winning classical theater company, presents the U.S. premiere of Noël Coward's rarely produced anti-war drama, Peace In Our Time. Casey Stangl directs the fully double-cast production of a new adaptation, with music, by Barry Creyton.

Antaeus, L.A.'s multiple award-winning classical theater company, presents the U.S. premiere of Noël Coward's rarely produced anti-war drama, Peace In Our Time. Casey Stangl directs the fully double-cast production of a new adaptation, with music, by Barry Creyton.

Antaeus' quest for the ultimate in classic plays has led to a rare production of John Marston's satire The Malcontent, which, despite an intense, almost insurmountable language barrier, offers a timeless and humorous glimpse at the hypocrisy of mankind, especially as it applies to the manipulation of the political machine. It is 1603 but it might as well be 2011 as adultery and greed for money and power remain man's top priorities. This is a production that is first and foremost stunning to look at but it does have its drawbacks. The flow of Act I is slowed by a barrage of unfamiliar dialectal terms, but if you're willing to hang in there, Act II pays off big time with an elegant sense of fun.

The Malcontent - The multiple award-winning Antaeus Company (winner of the Los Angeles Drama Critic's Circle Award for Outstanding Season for 2010) opens its second season of classics with a fully double-cast production of John Marston's viciously funny, filthy, and surprising masterpiece. The usurped Duke of Genoa takes the disguise of the outrageous Malevole (the titular Malcontent) to spy on the corrupt foibles of the new Duke and his unctuous cronies. Disguises, false deaths, seductions, deceptions, and adulteries all drive the plot of this enormously entertaining play.

The Antaeus Company strives to keep classical theater vibrantly alive by presenting professional productions with a top-flight ensemble company of actors. Taking their company name from the Titan who gained strength by touching the Earth, Antaeus members - many of whom are familiar to movie and television audiences - regain creative strength by returning to the wellspring of their craft: live theater performances of great classical plays.