Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Vine of the Dead explores the place and meaning of ritual in the 21st century by attempting to communicate across the divide between life and death. In a series of 11 rituals, the performance channels personal experiences of death and transcendence while exploring the spirituality of skepticism.
The Kitchen is pleased to present The Tear Drinkers, the second musical work from beloved performer and Bessie-Award-winning composer Mike Iveson. The Tear Drinkers is a suite of sci-fi songs for six performers and piano; it follows four humans who have been abducted by the United States government and brought to an underground holding tank in New Mexico, so that the government can determine which of them is actually an alien from another planet masquerading as an earthling. Downtown performer Mike Iveson leads a team of exceptional artists, including pioneering video artist Charles Atlas, in a look at the private heartaches and private bathroom rituals of humans and aliens alike.
Abrons Arts Center presents the New York City premieres of Empathy School / Love Story, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Today, The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work announces that it has selected 18 projects for its fifth Summer Residency Lab featuring works from more than 30 talented artists. This June, as part of an extraordinary laboratory for collaboration, some of the nation's most prominent and promising writers, directors, designers, performers, and composers will unite at the Theatre's Harrison Street campus over an intense four-week period to share ideas, break bread, and create new plays. Dozens more local and out-of-town actors and directors will join the Summer Residency Lab, bringing the number of participating artists close to 100.
?Five-time Obie Award-winning theater company Clubbed Thumb has announced the line-up for SUMMERWORKS, its annual series of new plays. Now in its 21st season, SUMMERWORKS will run May 27 through July 9 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: EVERY ANGEL IS BRUTAL by Julia Jarcho and directed by Knud Adams; THE TOMB OF KING TOT by Eric Dufault and directed by Portia Krieger; and TUMACHO by Ethan Lipton and directed by Leigh Silverman. Festival passes are now on sale at: https://www.artful.ly/clubbedthumb/store/passes.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Abrons Director in 2006, Jay Wegman has done much more than maintain 'one of the last standing locations for avant-garde performance downtown' (The New York Times, 2009). He has created an arts venue that is unique on the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City.
Theatre Communications Group (TCG) has just released a new collection, INNOVATION IN FIVE ACTS, edited by Caridad Svich, the first publication in TCG Book's new Sourcebook series.
Due to popular demand, The Public Theater announced a second and final two-week extension for Elevator Repair Service's acclaimed THE SOUND AND THE FURY. Chosen as a New York Times Critics' Pick, THE SOUND AND THE FURY began performances in The Public's Martinson Theater on Thursday, May 14 and was originally extended to Saturday, June 27. Directed by John Collins, the show will now run an additional two weeks through Sunday, July 12. THE SOUND AND THE FURY marks the third collaboration between The Public and Elevator Repair Service, having previously presented Gatz and Arguendo.
The concept of the company's presentation of William Faulkner's text proves more interesting than watching its execution.
The Public Theater welcomes Elevator Repair Service's acclaimed THE SOUND AND THE FURY, remounted and directed by John Collins. THE SOUND AND THE FURY began performances in The Public's Martinson Theater on May 14 and runs through Saturday, June 13, with an official press opening tonight, May 21.
Directed by John Collins, THE SOUND AND THE FURY is currently running at The Public Theater through June 27, with an official press opening on Thursday, May 21. Check out a first look below!
The Public Theater remounts Elevator Repair Service's acclaimed THE SOUND AND THE FURY this spring. Directed by John Collins, THE SOUND AND THE FURY begins performances in The Public's Martinson Theater tonight, May 14 and run through Saturday, June 13, with an official press opening on Thursday, May 21.
The Public Theater announced a two-week extension today for Elevator Repair Service's acclaimed THE SOUND AND THE FURY. Directed by John Collins, THE SOUND AND THE FURY begins performances in The Public's Martinson Theater on Thursday, May 14 with an official press opening on Thursday, May 21. The show will now run an additional two weeks through Saturday, June 27. THE SOUND AND THE FURY will mark the third collaboration between The Public and Elevator Repair Service, having previously presented Gatz and Arguendo.
As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.
As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.
The Public Theater announced today that Elevator Repair Service's acclaimed THE SOUND AND THE FURY will be remounted by Elevator Repair Service at The Public this spring. Directed by John Collins, THE SOUND AND THE FURY begins performances in The Public's Martinson Theater on Thursday, May 14 and run through Saturday, June 13, with an official press opening on Thursday, May 21. THE SOUND AND THE FURY will mark the third collaboration between The Public and Elevator Repair Service, having previously presented Gatz and Arguendo. October is an auspicious month to make this announcement, as it marks the 85th anniversary of the original publication date of William Faulkner's masterpiece.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow.
The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, today announces the full program for Crossing the Line 2014, the eighth annual edition of its celebrated fall arts festival, presenting interdisciplinary works and performances by artists from around the world. Crossing the Line runs from September 8 through October 20 in venues throughout New York City. Nespresso returns as Presenting Sponsor of Crossing the Line in 2014. Tickets will go on sale in late July.
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