Haydn's oratorio The Creation (Die Schopfung) depicts nothing less than the creation of the world, based on the Bible's Book of Genesis and Book of Psalms, and Milton's Paradise Lost. It is the work with which the Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will open its 2014-15 season at Carnegie Hall on Monday, November 3, 2014, at 8:00 PM. OSNY Music Director Kent Tritle will conduct The Creation in its German language version, and the three soloists - representing the archangels Gabriel, Uriel, and Raphael - are Susanna Phillips, soprano; Aaron Blake, tenor; and Sidney Outlaw, baritone.
A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.
On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in an unusual-and unusually apt-venue this summer, just before the 250th anniversary of the composer's death. The show is set for this weekend at Lifestyle-Trimco Showroom, June 20 & 21.
On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.
On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.
On Site Opera, which creates immersive, site-specific opera productions, has partnered with Figaro Systems, developer of groundbreaking libretto simultexting technology, to preview a future in which opera is further freed from the opera house. OnThursday, June 19 at Lifestyle-Trimco Showroom in Manhattan, the companies will give a special performance of On Site's new production of Rameau's one-act Pygmalion for users of Google Glass. As the performers move about the space during the performance, audience members will be able to read an English translation of Ballot de Sovot's libretto conveniently in their Glass field of vision.
On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.
Minnesota Opera presents its co-production of a dynamic and engaging staging of Mozart's The Magic Flute with LA Opera. Mozart's masterful comedy about love, truth and the pursuit of enlightenment is richly reimagined in this boundary-busting production. Connecting the tale's enduring meaning with modern metaphor, this extraordinary staging combines live performance and film animation to delve deeply into the opera's surreal magic, odd characters and crazy love. Check out a sneak peek below!
Minnesota Opera presents its co-production of a dynamic and engaging staging of Mozart's The Magic Flute with LA Opera. Mozart's masterful comedy about love, truth and the pursuit of enlightenment is richly reimagined in this boundary-busting production. Connecting the tale's enduring meaning with modern metaphor, this extraordinary staging combines live performance and film animation to delve deeply into the opera's surreal magic, odd characters and crazy love. Check out a sneak peek below!
Minnesota Opera is pleased to announce its co-production of a dynamic and engaging staging of Mozart's The Magic Flute with LA Opera. Mozart's masterful comedy about love, truth and the pursuit of enlightenment is richly reimagined in this boundary-busting production. Connecting the tale's enduring meaning with modern metaphor, this extraordinary staging combines live performance and film animation to delve deeply into the opera's surreal magic, odd characters and crazy love.
Minnesota Opera is pleased to announce its co-production of a dynamic and engaging staging of Mozart's The Magic Flute with LA Opera. Mozart's masterful comedy about love, truth and the pursuit of enlightenment is richly reimagined in this boundary-busting production. Connecting the tale's enduring meaning with modern metaphor, this extraordinary staging combines live performance and film animation to delve deeply into the opera's surreal magic, odd characters and crazy love.
On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual—and unusually apt—venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.
The Oratorio Society of New York, the city's standard for grand choral performance, launches its 141st Carnegie Hall concert season with two pillars of choral grandeur: Mozart's Requiem, in the original Sussmayr edition, and Mendelssohn's rarely-performed secular cantataDie erste Walpurgisnacht (The First Walpurgis Night), conducted by Kent Tritle, today, November 4, 2013, at 8:00 PM.
The Oratorio Society of New York will perform defining symphonic choral masterworks of Bach, Mozart, Beethoven, and Mendelssohn, both as part of its annual 2013-14 series at Carnegie Hall under the leadership of music director Kent Tritle, and in a guest appearance with Sir Roger Norrington and the Orchestra of St. Luke's at Carnegie Hall. Mr. Tritle leads the 200-voice chorus, New York's standard for grand choral performance, in its 141st season and his ninth season as music director.
The Oratorio Society of New York, the city's standard for grand choral performance, launches its 141st Carnegie Hall concert season with two pillars of choral grandeur: Mozart's Requiem, in the original Sussmayr edition, and Mendelssohn's rarely-performed secular cantataDie erste Walpurgisnacht (The First Walpurgis Night), conducted by Kent Tritle, on Monday, November 4, 2013, at 8:00 PM.
Cincinnati Opera is pleased to announce casting highlights and production information for its 2014 Summer Festival. As originally announced in July 2012, the company's 94th season will feature four operas, including the company's first Baroque opera and the company premiere of the Pulitzer Prize-winning opera Silent Night.
Minnesota Opera is pleased to announce casting updates for the 2013–2014 season, which boasts three company premieres and five productions new to Minnesota audiences. Based on anticipated demand, the boundary-busting production of The Magic Flutewill receive nine performances. Other season highlights include James Valenti starring in the premiere of a revised The Dream of Valentino by Dominick Argento as part of Minnesota Opera's New Works Initiative; Kelly Kaduce in an opulent production of Puccini's soulful Manon Lescaut; Jacquelyn Wagner, Elizabeth Futral, Brian Jagde and Craig Irvin in a stylish production of Strauss' romantic comedy, Arabella; and Verdi's chilling take on the Shakespearean thriller, Macbeth, starring Brenda Harris and Greer Grimsley. Minnesota Opera is also pleased to announce the roster for the 2013–2014 Resident Artist Program, as well as unveil a new website.
The Oratorio Society of New York will perform defining symphonic choral masterworks of Bach, Mozart, Beethoven, and Mendelssohn, both as part of its annual 2013-14 series at Carnegie Hall under the leadership of music director Kent Tritle, and in a guest appearance with Sir Roger Norrington and the Orchestra of St. Luke's at Carnegie Hall. Mr. Tritle leads the 200-voice chorus, New York's standard for grand choral performance, in its 141st season and his ninth season as music director.
Due to circumstances related to the ongoing problems caused by Hurricane Sandy, the Oratorio Society of New York is postponing its Carnegie Hall concert of Monday, November 5, to an early 2013 date to be determined.
To launch the 140th anniversary season of the Oratorio Society of New York, the city's second-oldest cultural organization still performing, OSNY Music Director Kent Tritle has created an all-American program about "American aesthetics, history, and experience": music by Charles Ives and Aaron Copland and the New York premiere of a 2008 oratorio about an 1888 American tragedy. "American Voices" takes place on Monday, November 5, 2012, at Carnegie Hall, and features arrangements for chorus and orchestra of selections from Copland's Old American Songs and three songs by Charles Ives; Copland's "The Promise of Living" from The Tender Land; and the New York premiere of Paul Moravec's The Blizzard Voices, a work based on poetry by former U.S. Poet Laureate Ted Kooser about the Great Plains blizzard of 1888.
