Jade Flack
Latest News on Jade Flack:
Review: GLAD TO BE DEAD at R-Bar, Brighton Fringe (May 23, 2023)
SHE(ME): Reclaiming Shame Premiers At The Brighton Fringe Festival (Apr 20, 2021)
Review: GLAD TO BE DEAD at R-Bar, Brighton Fringe (May 23, 2023)
SHE(ME): Reclaiming Shame Premiers At The Brighton Fringe Festival (Apr 20, 2021)
BIO
Jade is an Actor/Director hailing from Essex and is the founder of Make It Mine [MIM] Theatre.
Most of the time she can be found touring her own work, children's theatre or outdoor Shakespeare
across the UK.
Stand-out roles include;
Titiania - 'A Midsummer Night's Dream' - Guibeckian Theatre 2022
Ensemble - 'SHE[ME]' - Edinburgh Fringe 2021
Hero - 'Much Ado About Nothing' - Canal Demais Films 2020
More recently she is in the works to have her company tour internationally.
News
Review: GLAD TO BE DEAD at R-Bar, Brighton Fringe
by Paige Cochrane - May 23, 2023
Each year Brighton Fringe is home to some of the UK theatre scenes wildest and most unique performances. Make It Mine’s offering is Glad To Be Dead, a cycle of monologues from gothic horrors most notorious characters, waxing philosophical and lamenting their own misfortune, all wrapped up in one hour.
by Paige Cochrane - May 23, 2023
Each year Brighton Fringe is home to some of the UK theatre scenes wildest and most unique performances. Make It Mine’s offering is Glad To Be Dead, a cycle of monologues from gothic horrors most notorious characters, waxing philosophical and lamenting their own misfortune, all wrapped up in one hour.
SHE(ME): Reclaiming Shame Premiers At The Brighton Fringe Festival
by A.A. Cristi - Apr 20, 2021
Shame. That uncomfortable, ugly thing that we all carry around, but rarely look closely at. We all experience it, but it's not often that we examine it, explore it and look it in the eye. So what happens if we stage it, and by doing so, reclaim it and take away its power?
by A.A. Cristi - Apr 20, 2021
Shame. That uncomfortable, ugly thing that we all carry around, but rarely look closely at. We all experience it, but it's not often that we examine it, explore it and look it in the eye. So what happens if we stage it, and by doing so, reclaim it and take away its power?
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