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Kathryn Allyn

Birth Place: Manhattan, Kansas

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Kathryn Allyn BIO

Kathryn Allyn’s current performance is Playing Hard To Get: Rare Gems and Hidden Treasures. Appearing at New York’s Metropolitan Room, she reviews the sadly out-of-print or all too rarely heard songs of Jo Stafford, Betty Hutton, Julia Lee and Billie Holliday. While she is most influenced by Alice Faye, Martha Tilton and Dinah Shore, she nevertheless turned, in her debut appearances at the Metropolitan Room, to the singer-songwriters of her childhood: Joni Mitchell, Don McLean, Randy Newman and James Taylor -- all beautifully re-imagined by pianist Sheldon Forrest and bassist Tom Hubbard -- in You Can Go Home Again: Songs My Father Taught Me. In 2010, Kathryn made her way back to her hometown of Junction City, Kansas and its newly renovated 1880-vintage C. L. Hoover Opera House for the house’s presentation of a season of native sons and daughters. Kathryn gave Two Steps Forward, One Look Back, Songs of the American West: The Kingston Trio, Patsy Cline, Willie Nelson and Arlo Guthrie, arranged as jazz for piano and bass by Sheldon Forrest and Kansas State University professor of jazz, Gordon Lewis.

In operatic repertoire, Kathryn has appeared in leading roles New York City Opera, Opera Manhattan, Opera Orchestra New York, New York Chamber Opera, Florida Grand Opera, Palm Beach Opera, Anchorage Opera, Arizona Opera, Austin Lyric Opera, Boheme Opera New Jersey, Cleveland Opera, Des Moines Metro Opera, El Paso Opera, Florentine Opera, Kalamazoo Symphony, National Opera Touring Company, Opera Theatre Northern Virginia, Oswego Opera, Sarasota Opera, Syracuse Opera and Virginia Opera Association. Her roles have included the title roles in Carmen, Hansel und Gretel and Ariodante; as well as appearances as Madama Butterfly’s Suzuki, Faust’s Siebel, Die Fledermaus’ Orlovsky, Il Barbiere’s Rosina, Hoffmann’s Niklausse, La Donna del Lago’s Malcom, Anna Bolena’s Eric Smeton, and many others. In concert repertoire, Kathryn has been heard as Alto Soloist at Carnegie Hall, The Tokyo Symphony, Weill Hall and St. Patrick’s Cathedral, in repertoire including Mahler’s Symphony Nr. 2, Berlioz’ La Mort de Cleopatre, Beethoven’s Symphony Nr. 9, Mozart’s Requiem, K. 626, Handel’s Messiah and Vivaldi’s Gloria.

Kathryn Allyn News


PIANO BAR LIVE! Streams With Host Scott Barbarino, Plus Bill Zeffiro, Kaye Allyn, and More


Featuring new performers with every show, the weekly, award-winning Piano Bar Live! (PBL!) streams this Tuesday, September 29th at 7:15 pm ET, with host Scott Barbarino.

BWW Reviews: KATHRYN ALLEN Holds Court On Jazz Singing Great Anita O'Day at The Cutting Room


When Kathryn Allyn, an opera singer now turned Great American Songbook chanteuse, took the stage at The Cutting Room last Tuesday night, she was all va-va-voom in a curve-hugging Valentine red dress. She joined her crackerjack band-musical director Frank Ponzio, bassist Tom Hubbard, and drummer Vito Leszack-to perform homage to her favorite jazz and big band singer Anita O'Day, whose heyday came between the World War II era through the early 1960s.

Kathryn Allyn Makes Cabaret Debut at Metropolatian Room


'Two Steps Forward--One Look Back'--performed on Wednesday May 14 at 9:45pm at the Metropolitan Room--is a revue of folk, country, bluesy/jazzy pop, nouveau swing and singer-songwriter music of the 1950s-1980s. It is the cabaret debut of operatic singer Kathryn Allyn.

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