Todd Rowan

Justin Kuritzkes' site-specific play is loaded with monologues about a college orgy and its aftermath.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

In a town where everyone from your next-door neighbor to your favorite barista - from your dental hygienist to your manicurist, your seatmate on the bus, your friendly neighborhood bartender and maybe even the guy who does your taxes - is a songwriter, you'll find that there's never a shortage of opinions on the topic of favorite songs. Ask a cross-section of Nashville theater-types what their favorite love song is from the annals of musical theater and you're going to get a barrage of answers.

Ah, Halloween...the theaterati's favorite holiday (right after Tony Awards Day and, in Tennessee of course, First Night Day!)...gives everyone the opportunity to show off their inner characters and unknown doppelgangers. So how did Tennessee's theater types celebrate the day? Dress up with some place to go...

Norma Desmond sings about them "out there in the dark" in Sunset Boulevard, Lauren Bacall dealt with a particularly sinister and deranged one in her 1981 film The Fan, and virtually everyone you know who had taken to the stage in a show anywhere around the world can regale you with stories about their wild and woolly antics. "They," of course, are the fans, the audiences, the people for whom theater is presented every night.

Led by an ensemble that includes the always superb Michael Holder in the titular role of Tommy, the "deaf, dumb and blind kid" who becomes a "pinball wizard," setting off widespread public acclaim and becoming a cause celebre in the process, Tommy in Concert also features the inspired pairing of Holly Shepherd and Ben Van Diepen as Mrs. Walker and Captain Walker. Despite the age difference of the two actors-not to mention their youthfulness in relation to Holder's casting as their onstage son-Shepherd and Van Diepen are believably cast as young lovers who marry in the early days of World War II only to find that first blush of romantic dreaminess devolve into the nightmarish consequences that set the show's plot in motion.

In a town where everyone from your next-door neighbor to your favorite barista - from your dental hygienist to your manicurist, your seatmate on the bus, your friendly neighborhood bartender and maybe even the guy who does your taxes - is a songwriter, you'll find that there's never a shortage of opinions on the topic of favorite songs. Ask a cross-section of Nashville theater-types what their favorite love song is from the annals of musical theater and you're going to get a barrage of answers.

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.

Of course, one way around that theatrical conundrum is to take the route that director Scott Logsdon and Keeping Scores Concerts at Franklin's Boiler Room Theatre have embarked upon for three performances this weekend: Cast 12 different actresses as Fanny Brice, each one well-qualified to take on a particular song, allowing her to interpret, both musically and dramatically, the character of Fanny. And for support of the 12 actresses taking up the Fanny challenge, you'll need an amazingly gifted ensemble. The result? A wonderfully entertaining night at the theater, replete with outstanding performances from some of your favorite Nashville actors - and the chance to hear a beautiful, memorable score brought to life as it was meant to be heard by the team of composer Jule Styne, lyricist Bob Merrill and librettist Isobel Lennart.

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.

In honor of Valentine's Day (and in a blatant rip-off of BroadwayWorld.com's similar query to the denizens of the Great White Way), we posed that very question to some of our favorite theater community-dwellers in yet another not-so-scientific survey. So, if you're thinking about putting together a playlist of favorite love songs - or if you're searching for the perfect tunes to play in the background while you set the scene for a romantic evening with your own Valentine, here are some suggestions...