Ken Stein

APAP, NATO, NIVA, NITO, PAMAC, and the Performing Arts Alliance called on SBA and SBA Administrator Isabel Guzman to immediately fully fund all Shuttered Venue Operators Grant eligible entities and to immediately resolve interagency issues that have proven a barrier to funding for SVOG applicants, which are suffering deeply.

On July 14, 2019, the Auditorium Theatre received the League of Historic American Theatres' (LHAT) Outstanding Historic Theatre Award, recognizing the Auditorium for its demonstrated excellence through its programs and services, community impact, and the quality of its restoration and rehabilitation work. Past recipients of the Outstanding Historic Theatre Award include New York's City Center, Ann Arbor's Michigan Theater, and Atlanta's Fox Theatre.

Mayo Performing Arts Center has been named 2016 Outstanding Historic Theatre by The League of Historic American Theatres (LHAT).

Country Music Legend Vince Gill took home another award to add to his 20 Grammy and 18 Country Music Awards when he received the 2015 Marquee Award presented by the League of Historic American Theatres (LHAT) at its Annual Conference in Nashville, Tennessee.

Tennessee Theatre Executive Director Becky Hancock has been appointed to the board of directors of the League of Historic American Theatres (LHAT) at its annual conference in Nashville.

Hennepin Theatre Trust welcomes the 2013 League of Historic American Theatres' (LHAT) 37th Annual Conference, the largest gathering of historic theatre professionals in the country, to Minneapolis/St. Paul from today, July 16-20.

Hennepin Theatre Trust welcomes the 2013 League of Historic American Theatres' (LHAT) 37th Annual Conference, the largest gathering of historic theatre professionals in the country, to Minneapolis/St. Paul from July 16-20. The prestigious keynote speaker on July 17 is Rip Rapson, Minneapolis native and President/CEO of the Kresge Foundation. Rapson and Kresge are important catalysts in the national Creative Placemaking movement, which is the conference theme. The Trust joins other local partners including Schuler Shook, the Fitzgerald Theater and Cowles Center/Artspace in hosting conference events. Highlights include a theatre "ramble" touring area venues, tools and techniques sessions and an awards ceremony.

New York City Center has just reopened following a historic renovation and modernization with a ribbon-cutting ceremony and star-studded gala last night, October 25 at New York City Center. Mayor Michael R. Bloomberg conducted The Encores! Orchestra in the opening number (as a nod to Mayor Fiorello LaGuardia, who conducted the New York Philharmonic when City Center opened as a performing arts center in 1943). BroadwayWorld was there for the special occasion, and brings you full photo coverage below! BroadwayWorld was there for the special occasion, and brings you full photo coverage below!

Piper McKenzie presents the world premiere of Trav S.D.'s Willy Nilly: A Musical Exploitation of the Most Far-Out Cult Murders of the Psychedelic Era in the 2009 New York International Fringe Festival August, 2009 marked the 40th anniversary of the Tate-Labianca Murders, committed by the psychedelic hippie cult commonly known as the Manson Family as well as Piper McKenzie's World Premiere of Trav S.D.'s rock musical Willy Nilly: A Musical Exploitation of the Most Far Out Cult Murders of the Psychedelic Era at the New York International Fringe Festival. After a wave of publicity (Manson Family member Squeaky Fromme was paroled on the day the show opened), praise (Michael Musto in the Village Voice called the show 'a tastily eccentric 'psychedelic-atessen'), and sold-out performances, the FringeNYC Encore Series has chosen the show as one of this year's extensions.

Piper McKenzie presents the world premiere of Trav S.D.'s Willy Nilly, a Musical Exploitation of the Most Far Out Cult Murders of the Psychedelic Era in the 2009 New York International Fringe Festival.

In a musical that's Democracy in America meets Alice in Wonderland meets Cabaret, Robert Honeywell brings back many of his actor/collaborators from Every Play Ever Written ('Gleefully funny … a must-see for anyone who has been onstage' - New York Times) and Greed: A Musical Love Story ('One of the best new musicals in town' - nytheatre.com) in this bouffon-inspired, satire-laced political fantasia. Developed with acclaimed clown teacher Sue Morrison. Orchestrations and additional music by Matt Van Brink played live by an onstage band.