John Stange

Billy and George is not always easy to watch, but it's compelling, evocative, and thought provoking.

The final chapter of The King's Shadow is about to begin. Henry the Fifth, opening March 14, 2020, completes the first season in Brave Spirits Theatre's two-year project to stage Shakespeare's eight history plays about the Wars of the Roses. During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. Brave Spirits Theatre is making history by becoming the first professional American theatre company to mount full productions of Shakespeare's two tetralogies and perform them in repertory.

With the mayhem, warfare and epic egos of Henry the Fourth, Part 1 well under their belts, Brave Spirits Theatre now turns its talents towards one of the more challenging history plays in Shakespeare's canon, Henry the Fourth, Part 2. Director Charlene V. Smith continues to find new gems here among the many performers, and there are some moments that truly shine here.

This is the second installment in Charlene V. Smith's four-play repertory project, and judging from the quality of the work here, Washington theatregoers are in for a truly rewarding experience of the Histories, well into April. Brave Spirits is well on their way to one of the more vital repertory seasons inside the Beltway that we have seen in quite some time.

One of D.C.'s finer classical companies, Brave Spirits, has embarked on a two-year repertory of William Shakespeare's history plays. Leading off this ambitious project is Charlene V. Smith's razor-sharp production of a?oeRichard II.a?? Smith has assembled a cast that is assured in its understanding of Shakespeare's language; more importantly, she has nurtured some of the most creative, nuanced readings of the Bard's famous speeches I have ever heard.

During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. With an ensemble of twenty actors, Brave Spirits Theatre will stage these eight plays over the next two years, culminating in marathon performance weekends during July 2021.

Noel Coward's charming and witty Fallen Angels, first performed in 1925, had a bit of a sordid beginning. Prominently featuring two women who admit to premarital sex and contemplate adultery, it very nearly didn't make it past the censors. The Lord Chamberlain allowed it - with small edits - considering it an unrealistic, harmless farce. The reviews were horrified by the subject matter; naturally, it became a hit. Surprisingly, NextStop Theatre Company's production, now running through April 7th, is the first time Fallen Angels has been performed in the DC metro area.

This evening, the 34th Annual Helen Hayes Awards celebrated Washington's diverse and vital theatre community with a gala event at The Anthem, recognizing 258 Helen Hayes Award nominees and 48 award recipients drawn from 202 eligible productions presented at 64 theatres in 2017. GALA Hispanic Theatre's Spanish-language production of Lin-Manuel Miranda and Quiara Alegria Hudes' In The Heights received nine awards, putting them at the top of a list of 20 theatres receiving Helen Hayes Awards this year.

The 34th Annual Helen Hayes Awards will take place on Monday, May 14, 2018 at The Anthem, the cultural center of Southwest D.C.'s new District Wharf, with a celebratory party to follow.

The 34th Annual Helen Hayes Awards will take place on Monday, May 14, 2018 at The Anthem, the cultural center of Southwest D.C.'s new District Wharf, with a celebratory party to follow. Esteemed Washington theatre artists Michael J. Bobbitt, five-time Helen Hayes Award nominee, choreographer and Artistic Director of Adventure Theatre MTC, and Alyssa Wilmoth Keegan, recipient of last year's Outstanding Lead Actress in a Play-Hayes Production for Cat on a Hot Tin Roof, will host an evening showcasing the vibrant and diverse community of professional theatre artists in the Washington region. There are 258 Helen Hayes Award nominations-selected from 202 eligible productions from 64 theatres in 2017. Tickets for the event are $100 for reserved seating and $275 for VIP premium seating. Reduced-priced tickets will be available to artists and administrators in the community at an industry rate, subsidized by Artist Supporter tickets. All tickets are now available for purchase through the theatreWashington website.

Brave Spirits Theatre again provides a fresh, immediate take on a Shakespearean classic, this time with a hard-hitting production of CORIOLANUS, directed by Charlene V. Smith. Underappreciated compared to many of Shakespeare's other plays, it's particularly timely in 2018 as it explores a power struggle among great men and the masses they're supposed to serve.

BST's 2018 repertory explores war and winning from opposite perspectives. As civil unrest threatens political upheaval, the war hero Coriolanus is driven to defend and then destroy his own country. Shakespeare's last tragedy takes a piercing look at men who cannot leave war behind. Performed as part of the Women's Voices Theater Festival, The Trojan Women Project explores the timeless story of The Trojan Women to illuminate modern women's relationships to sexuality, politics, and violence. This intersectional look at American women asks why our gender isn't enough to unite us and whether we are the losers in the American Dream.

If you hear of a repeat season, book early.

A tale of sadness, fear and proving what a shrew can do.

This fast moving, actor swapping, genre spanning, short play bonanza makes the theatre you demand - performed in the style of Too Much Light Makes the Baby Go Blind, with a new play written every night! 8 actors. 24 plays. 70 minutes. BOOM!

This fast moving, actor swapping, genre spanning, short play bonanza makes the theatre you demand - performed in the style of Too Much Light Makes the Baby Go Blind, with a new play written every night! 8 actors. 24 plays. 70 minutes. BOOM!

Close-up magic, where the cards and tricks fly right under a viewer's nose, is always quite effective. So why not close-up theater?

LiveArtDC is proud to announce the first production of its first ever full season - The Merry Death of Robin Hood directed by Flying V Artistic Director Jason Schlafstein, May 19-June 12 2016 at Petworth neighborhood bar, DC Reynolds.

We spend a lot of time thinking about the end and the beginning, in kind of self-aggrandizing ways. We talk about the miracle of birth and the mystery of death. But, by definition, all of our lives take place in the middle of those two sort of unknowable events, in this great and often unexamined middle.

MIDDLETOWN by Will Eno, plays Thursdays through Sundays through February 7, 2016, at NextStop Theatre Company, in Herndon, Virginia. BroadwayWorld has a first look at the cast in action below!