Greg Pease

Upon the embarking of tech week and opening the production, I had the pleasure of talking to two of the people responsible for creating the hideaway and the world of The Nether. I spoke with the sound designer, Alec Smith, and the set designer, Andy Esborn. They allowed me to pick their brains for a little as I learned about their position and their inspirations for this production.

It's that time of the semester! The first week of March transports the Bucknall theater at the University of New Haven to Jennifer Haley's cyber world of The Nether. I was lucky enough to get an exclusive first look and talk to the cast about what the process has been like and what you can expect when you come to see the show. Let's find out what they have to say. Shall we?

I recently had the pleasure of joining classmates in the participation of the 49th Annual Kennedy Center American College Theatre Festival for Region 1. I found myself immersed in a world of talented future theatre professionals and current professionals that helped to mold my experience and bring me one step closer to accomplishing my goal.

In taking the class this semester, I learned so much about how theatre makes an impact on our community (yes, that is the class title and it is self explanatory). I learned about other theatre companies make their impact such as La Poca Nostra, the Yes Men, and the San Francisco Mime Troupe. I got the chance to research issues affecting our communities and collaborate with my classmates to make art addressing those issues. This show was certainly one for the books. With a minimal amount of rehearsal time, we put this show together within a matter of weeks. Everyone took on a wide array of responsibilities and I couldn't be prouder of my classmates. Here is what some of them had to say about their experiences:

This week takes a turn to the future well, sort of. The future of Act three is the topic of the week. We find ourselves in an implied graveyard with rows of chairs and the inhabitants of those chairs represent the gravestones of the dearly departed.

Music is in the air at the University of New Haven as the Theatre Club prepares for their third cabaret. The tradition started last Fall under the direction of Robert Vaccaro, who also directed the Spring Cabaret 'Cabaret 2: Electric Boogaloo'. Upon Vaccaro's graduation, the Cabaret was passed to the direction of two time cast member Jared Reynolds. I had the pleasure of speaking with the director, choreographer, and a few cast members about their experiences with Cabaret III.